| | Peter, Paul, and Mary In Concert CD Peter, Paul, and Mary Discography of CDs
(6 Customer Reviews)
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Live Recording
Peter, Paul & Mary: Peter Yarrow (vocals, guitar, recorder); Paul Stookey (vocals, guitar); Mary Travers (vocals). Additional personnel: Richard Kniss (bass). Recorded in concert in San Francisco, Sacremento & Long Beach, California; Daytona Beach, Florida; Terre Haute, Indiana. This double album opens with a then-new Bob Dylan song, "The Times They Are A' Changin'," and closes with the best-known song ever written by Pete Seeger and Lee Hayes, "If I Had a Hammer." That seems to sum up Peter, Paul & Mary, but In Concert offers a lot more than that. The surprises include vignettes in blues and gospel, and, most notably, the group's humorous digressions. Peter, Paul & Mary spared few opportunities for a good laugh on stage, beginning with the introduction to "A' Soalin'," which shows off a lightheartedness that was an essential part of who they were, even as it leads into an exquisitely sung round-like piece that should have found its way into the repertory of Steeleye Span. "Blue" gives the trio a chance to play around with rock & roll, from doo wop to British Invasion, through the song "Old Blue" (satirizing folk music purists at the same time), and Paul Stookey adds his own sound effect embellishments to Woody Guthrie's "Car-Car." The solo spots are also worthwhile, particularly Peter Yarrow's introspective version of "Le Deserteur," followed by his dazzling, rousing sing-along on "Oh, Rock My Soul"; and Mary Travers' rendition of "Single Girl," a low-key proto-feminist song. The group's rendition of "It's Raining" achieves an exquisite mix of gossamer textured harmonizing and thematic innocence, and their rendition of the Reverend Gary Davis' "If I Had My Way" is a bracing re-interpretation for three interwoven voices. Finally, the version of "If I Had a Hammer" that closes this album is superior to their hit single of the same song. The album was remixed digitally from the three-track master by Peter Yarrow for the CD release, which results in very vivid textures and very fine detail. ~ Bruce Eder IN CONCERT 1964 is heaven for old-school folkies. The double album was recorded live in the innocent days before Dylan went electric and features Peter, Paul and Mary performing most of their big hits. "Blowin' in the Wind," "The Times They are a Changin'," "Puff the Magic Dragon," and "500 Miles" appear in versions largely indistinguishable from the original studio renditions. Paul Stookey had done time as a stand-up comedian before the group got together, and the concert features a fair amount of between-song comic shtick that has retained its humorous bite as it has aged.
Peter, Paul, and Mary In Concert Songs In Concert Music Review Average Rating: (4.8 out of 5 stars)    List All Reviews Classic P, P & M Live Concert! As far as folk music goes; it gets no better than this album. Over 40 years old and it's still THE BEST. Submitted by olcec (Miami, FL, USA)  Was This Review Helpful? Yes No
excellent prompt service what more can I say? Submitted by Jean.Bernier (Montreal, Canada)  Was This Review Helpful? Yes No
A Gift Peter, Paul, and Mary are always a quality gift for the past and the present and future sounds. Submitted by cometoms (Charlotte,NC)  Was This Review Helpful? Yes No
A Real Step Back In Time In a nostalgic moment, I tripped down to my favorite music store....and picked up this album. I owned this album many, many years ago and somehow it disappeared from my collection -- at any rate -- it really does bring back some great memories. Moreover, it really helped contrast the vast differences in lyrical content then against today.
Made me feel good about my youth again and admired these wonderful music writers, musicians and vocalists.
MR Submitted by a reviewer (Los Gatos, Ca)  Was This Review Helpful? Yes No
My youth and more... Top-class, nice and (sometimes) funny.
They are great!
I loved them being a teenager, & I love them now, when I'm 44.
Thank you, PP&M!!!
Alexander. Submitted by kljuchnikov (Moscow, Russia.) Was This Review Helpful? Yes No
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Purchase In Concert CD To buy, Click on price to add to cart | Peter, Paul, and Mary Peter, Paul & Mary (1st LP) CD (1962)
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$196.39 Includes Memory Card. In celebration of its first five decades, Warner Bros. Records issued the massive REVOLUTIONS IN SOUNDS collection in late 2008. Not only does the extensive, chronologically ordered compilation feature pioneering Warner Bros./Reprise artists from the worlds of pop, rock, country, folk, R&B, soul, hip-hop, and jazz, it also includes groundbreaking comedians, making the anthology a pop-culture document of stunning significance. Beginning with late-1950s/early-`60s performers such as the Everly Brothers ("Cathy's Clown") and Peter, Paul & Mary ("Blowin' in the Wind") and concluding with 21st-century acts such as the White Stripes ("Icky Thump") and Metallica ("The Day That Never Comes"), the set also presents tracks by Bob Newhart ("Abe Lincoln vs. Madison Avenue"), Richard Pryor ("Just Us"), and Steve Martin ("Excuse Me"), while generally bringing the focus back to all things musical. Among the many, many other performers included in REVOLUTIONS are Frank Sinatra, Jimi Hendrix, Neil Young, Emmylou Harris, Talking Heads, Miles Davis, and Madonna, easily making it one of the most eclectic compilations in existence. Unlike other labels subjected to exhaustive multi-disc retrospectives like this whopping ten-disc Revolutions in Sound: Warner Bros. Records -- The First Fifty Years, Warner Brothers never embodied a scene or sound: they've always embodied what a major label should be -- a dominant force that chronicles and dictates the sound of the mainstream. Coming out at the tail-end of 2008, when the influence of major labels is on a slow steady decline, Revolutions in Sound can be seen as a portrait of a time that's beginning to recede into the past: a time when there was such a thing as mass entertainment, when the pop audience all shared a common bond of hit records they either loved or rallied against. Perhaps the greatest things about this monumental box set is that it captures that colossus while also illustrating that for a while, majors did take risks. Of course, Warner was the riskiest of all the majors, never held back by an anti-rock & roll sourpuss ...
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