| | Ry Cooder Into The Purple Valley CD Ry Cooder Discography of CDs
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Ry Cooder is known as a virtuoso on almost every stringed instrument, and on Into the Purple Valley, he demonstrates this ability on a wide variety of instruments. The main focus of the music here is on the era of the Dust Bowl, and what was happening in America at the time, socially and musically. Songs by Woody Guthrie, Leadbelly, and a variety of others show Cooder's encyclopedic knowledge of the music of this time, combined with an instinctive feel for the songs. 'Phenomenal' is the descriptive word to describe his playing, whether it is on guitar, Hawaiian "slack key" guitar, mandolin, or the more arcane instruments he has found. This is a must for those who love instrumental virtuosity, authentic reworkings of an era, or just plain good music. ~ Bob Gottlieb Guitarist Cooder was a respected session musician prior to launching a solo career. His distinctive style blossomed fully on this, his second album, which is a brilliant compendium of American country/folk styles. Tight but sparse accompaniment takes the artist through songs largely drawn from the Dustbowl Ballads of the Depression era, including Woody Guthrie's "Vigilante Man" and Leadbelly's "On A Monday." Traditional songs like "Billy the Kid" nestle next to more contemporary fare like Johnny Cash's "Hey Porter" and wildcard entries like a cover of Bahamanian guitarist Joseph Spence's "Great Dream from Heaven." Cooder's ungainly voice captures the plaintive, retro-styled atmosphere, but it is his chilling slide guitar work (not to mention his facility with mandolin, Hawaiian slack key guitar, and other stringed instruments) for which this album is renowned.
Live RecordingRolling Stone (3/2/72, p.57) - "...Cooder gets off some incredible slide guitar licks...he's still doing those terrific, uncanny things with his instrument..." Uncut (2/03, p.78) - "...[The album] established him as both a serious musicologist and a major interpretive artist in his own right..." Into The Purple Valley Music Ry Cooder Into The Purple Valley Songs Into The Purple Valley Music Into The Purple Valley Review
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Purchase Into The Purple Valley CD To buy, Click on price to add to cart | Ry Cooder Paradise And Lunch CD (1974)
Into The Purple Valley
$10.89 Live Recording
Personnel: Ry Cooder (vocals, guitar); Plas Johnson (alto saxophone); Oscar Brashear (cornet); Earl Hines (piano); Ronnie Barron (piano, organ); Russ Titelman, Chris Ethridge, Red Callender, John Duke (bass); Jim Keltner (drums); Milt Holland (drums, percussion); Bobby King, Gene Mumford, Bill Johnson, George McCurn, Walter Cook, Richard Jones, Karl Russell (background ...
| | Ry Cooder Chicken Skin Music CD (1976)
Into The Purple Valley
$10.89 Live Recording
Personnel: Ry Cooder (vocals, guitars, mandolin, Hawaiian guitar, mandola, bajo sexto, French accordion); Bobby King, Terry Evans, Herman Johnson, James Adams, Cliff Givens (vocals); Atta Isaacs ...
| | Ry Cooder Jazz CD (1978)
Into The Purple Valley
$10.89 Personnel: Ry Cooder (vocals, guitars, mandola, tiple, harp); Jimmy Adams, Bill Johnson, Simon Pico Payne, Cliff Givens (vocals); David Lindley (mandobanjo, mandolin); Willie Schwartz, David Sherr (clarinet); Harvey Pittel ...
| | Ry Cooder CD (1970)
Into The Purple Valley
$10.89 Live Recording
Adapter: Ry Cooder. Personnel: Ry Cooder (vocals, guitar, mandolin); Ry Cooder (bass instrument); Gloria Jones (vocals, background vocals); Chris Ethridge, ...
| | Ry Cooder Boomer's Story CD (1972)
Into The Purple Valley
$10.89 Boomer's Story, Ry Cooder's third record, continues his archeological dig through music's familiar and forgotten past. As was the case with his previous recordings, he not only looks to the masters -- including blues legend Sleepy John Estes, songwriter Dan ...
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| | Roine Stolt Hydrophonia CD (1998)
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| | Robbie Williams Rudebox CD (2006)
Into The Purple Valley
$17.45 With 2006's RUDEBOX Robbie Williams moved from adult-alternative pop-rock to unabashed dance-pop. It was a welcome change of pace, given the lackluster nature of the album's predecessors. Part bouncy club set and part new wave rave-up, RUDEBOX finds Williams sounding freer and more fun than he has in a long time. The synthy, hip-hop robo-groove of the title track that opens the album wastes no time getting the party started. One of the album's pleasant surprises, however, is its sense of variety. For starters, Williams chooses an intriguing array of covers, ranging as far afield as Manu Chao, the Human League, and My Robot Friend. "Kiss Me" is 1980s-flavored dance music with a dash of disco, whereas "The 90s" is a dreamy downtempo tune that has Williams recounting his days in the boy band Take That. RUDEBOX missteps a time or two, but overall it is a breath of fresh air in the artist's discography. The careers of most music celebrities are like passenger ships, able to steam along nearly indefinitely without the least chance of modifying course. With his work of the 21st century, Robbie Williams appeared to have set himself on a course that was guaranteed to keep him working for decades, remaining important to thousands of fans, but never varying from the type of adult alternative singer/songwriter material expected of him. Then came Rudebox, which proves he's not that simple -- or at least, not that satisfied with himself. It may be a good album because it says little about his inner life and emotional troubles, which are unceremoniously dropped in favor of hyper-sexualized or sarcastic dance music and ironic laugh-getters ("Make your body shake like you stood on a land mine," "Dance like you just won at the Special Olympics"). It may be a good album because it has some of the best productions of his career, usually amped-up electro-disco from the duo Soul Mekanik or goofy hip-hop soul from Mark Ronson (which makes him come across as Justin Timberlake at some points and Gnarls Barkley at others). It's certainly a good record in comparison to its two predecessors, which suffered from a lack of vitality. (For example, while 2005's Intensive Care desultorily attempted to rewrite the Human League's "Louise," Rudebox simply covers the song, with much more feeling.) Compared to Escapology and Intensive Care, Rudebox is not only loose and fun but, for the first time in Williams' career, receptive to outside help; aside from the producers, Lily Allen and the Pet ...
| | LG L.G. Vol. 3-Industry Co-Sign: The Difference CD (2006)
Into The Purple Valley
$9.35 Some people simply do things and others were born to do them. Just ask Dreamz R Real Entertainment's L.G (Lord's Gift): "I'm not your typical MC. I have a college degree, I don't gang bang or go back and forth to jail but I'm probably better than your favorite rapper." For the past two years the East Flatbush, Brooklyn M.C. has used his oratory gift, bountiful charisma and masterful ebb-n-flow to simultaneously engage the music industry and mainstream media via his two stellar and highly acclaimed Street albums, Industry Co-Sign and Industry Co-Sign II: The 14 tracks Of Power. Having worked with some of your favorite artist's favorite producers, like Alchemist (Nas and 50 Cent), Denaun Porter (Eminem and D-12), Scram Jones (Mariah Carey and Lloyd Banks) and Midi Mafia (Young Buck and Fantasia) L.G. has garnered some pretty impressive national love––the ...
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