Neil Young Rust Never Sleeps CD

Neil Young & Crazy Horse: Neil Young (guitar, vocals, keyboards, harmonica); Frank Sampedro (guitar, keyboards); Billy Talbot (bass); Ralph Molina (drums).
Filmed at the Cow Palace, San Francisco, California.
Rust Never Sleeps, its aphoristic title drawn from an intended advertising slogan, was an album of new songs, some of them recorded on Neil Young's 1978 concert tour. His strongest collection since Tonight's the Night, its obvious antecedent was Bob Dylan's Bringing It All Back Home, and, as Dylan did, Young divided his record into acoustic and electric sides while filling his songs with wildly imaginative imagery. The leadoff track, "My My, Hey Hey (Out of the Blue)" (repeated in an electric version at album's end as "Hey Hey, My My [Into the Black]" with slightly altered lyrics), is the most concise and knowing description of the entertainment industry ever written; it was followed by "Thrasher," which describes Young's parallel artistic quest in an extended metaphor that also reflected the album's overall theme -- the inevitability of deterioration and the challenge of overcoming it. Young then spent the rest of the album demonstrating that his chief weapons against rusting were his imagination and his daring, creating an archetypal album that encapsulated his many styles on a single disc with great songs -- in particular the remarkable "Powderfinger" -- unlike any he had written before. ~ William Ruhlmann
As far as pure songcraft goes, it's hard to beat this 1979 offering from Neil Young and Crazy Horse. By the end of the '90s, Young, Talbot, Molina, and Sampredo had refined their crushing sonic assault to the extent that they could bludgeon the listener with Wagnerian riffs and rhythms (the entropy hymn "Hey Hey, My My") or provide just enough grit to keep Young's far-out lyrics from ascending into the stratosphere ("Ride My Llama"). Songwise, RUST is a schizophrenic album. Young moves from the brilliant surrealist imagery of "Pocahontas," with its evocation of "Marlon Brando, Pocahontas and me," to the sharp narrative perspective of the equally transcendent "Powderfinger" and the good-humored social commentary of "Welfare Mothers."Q (1/03, p.64) - Included in Q Magazine's "100 Greatest Albums Ever"
Q (8/93, p.107) - 4 Stars - Excellent - "...it flows, it's got a couple of his strongest issue songs in 'Pocahontas' and 'Powderfinger,' and it's even rather good-humored..."
The Wire (pp.45-47) - "RUST NEVER SLEEPS represented a further textural shift in Young's guitar playing....The electric material on RUST NEVER SLEEPS is as punk as a well established major label artist could hope to be at the time..."
Mojo (Publisher) (11/01, p.151) - "Half-acoustic, half electric, the tracks ranged from beautifully affecting to menacing..."