Fleetwood Mac Mirage CD

Live Recording

Fleetwood Mac: Lindsey Buckingham (vocals, guitar, keyboards); Christine McVie (vocals, keyboards); Stevie Nicks (vocals); John McVie (bass); Mick Fleetwood (drums, percussion).
Additional personnel: Ray Lindsey (guitar).
Producers: Fleetwood Mac, Lindsey Buckingham, Richard Dashut, Ken Caillat.
Recorded at Le Chateau, Herouville, France; Larrabee Sound & The Record Plant, Los Angeles, California.
Personnel: Lindsey Buckingham (vocals, guitar); Christine McVie (vocals, keyboards); Stevie Nicks (vocals); Ray Lindsay (guitar); Mick Fleetwood (drums).
Fleetwood Mac retreated from the insular strangeness of Tusk and returned to straightforward pop songcraft for Mirage. Boasting a glossy, friendly production that makes even the lesser numbers pleasant and ingratiating, Mirage nonetheless suffers from a lack of substance. Rumours had raw emotion to give it a core, and Tusk had Lindsey Buckingham's runaway ambition. For its part, Mirage sounds as if its sole goal is to sustain Fleetwood Mac's popularity, and while there may be a handful of terrific songs -- notably the hit singles "Gypsy," "Love in Store," and "Hold Me" -- it simply isn't as compelling as the group's previous three albums. ~ Stephen Thomas Erlewine
Fleetwood Mac retreated from the insular strangeness of Tusk and returned to straightforward pop songcraft for Mirage. Boasting a glossy, friendly production that makes even the lesser numbers pleasant and ingratiating, Mirage may not be as compelling as its two predecessors -- Rumours had raw emotion to give it a core, and Tusk had Lindsey Buckingham's runaway ambition -- but the popcraft of Buckingham, Christine McVie, and Stevie Nicks results in enough terrific songs -- notably the hit singles "Gypsy," "Love in Store," and "Hold Me" -- to make the album enjoyable. ~ Stephen Thomas Erlewine
After the 1979 release of the precocious but misunderstood double album TUSK, which fell disappointingly below the mind-blowing sales of 1977's multi-platinum RUMOURS, the band decided to take a safer route for their next release. In sunny contrast to the melancholy introspection of TUSK, 1982's MIRAGE returned the band to bright melodies and hit single material. The advent of MTV led the band to release two artistic videos in conjunction with the record, the Magritte-inspired desert fantasy of "Hold Me," Christine McVie's lush, pleading love song, and the handsome, Depression-era daydream of "Gypsy," one of Nicks' prettiest signature tunes.
The jangling bonhomie of MIRAGE even affects Buckingham's darker songs; though lyrically heartbroken, on "Book of Love" Buckingham sounds almost cheerful. His husky "Empire State" is a love-giddy ode to New York. Nicks' "Straight Back" feels spiritually tied to the duskier tone of her 1981 solo album BELLADONNA, and the mistress of the moon even tries her hand at country with the twanging lope of "That's Alright." Christine McVie's shimmering ballad "Only Over You" is one of MIRAGE's strongest tracks. Though not one of Fleetwood Mac's legendary albums, MIRAGE is still strong when held against the fierce competition of the band's exceptional catalogue.