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Time - What Time Is It? CD Cover Art CD music music CDs songs album

What Time Is It? CD

 Time Discography of CDs
4.7 stars (3 Customer Reviews)

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Live Recording

The Time: Morris Day (vocals); Jesse Johnson (guitar, vocals, drums); Jimmy Jam, Monte Moir (keyboards, vocals); Stacy Adams, Terry Lewis (bass, background vocals); Jellybean Johnson (drums, percussion).
The Time's second album, What Time Is It?, is similar in many ways to The Time (1981), except better all-around, boasting three extended synth-funk jams ("Wild and Loose," "777-9311," "The Walk") that surpass those on the preceding album, plus a humorously wonderful ballad, "Gigolos Get Lonely Too," that tops any of those on the band's eponymous debut. In terms of similarities, both What Time Is It? and The Time are largely the work of Prince with the exception of the vocals, which are sung instead by Morris Day. Jesse Johnson (guitar), Terry Lewis (bass), Jimmy Jam (keyboards), Monte Moir (keyboards), and Jellybean Johnson (drums) are again listed as bandmembers, and though they certainly performed this material live in-concert as Prince's opening act, it's questionable how much musical input they had in the recording studio. Prince reportedly performed every note of music heard here except the vocals, though there's no evidence of that in the liner notes (at least not on the initial edition), as the only sign of his involvement is a production credit for Jamie Starr, one of his pseudonyms. Another similarity between What Time Is It? and The Time is the slim song offerings -- only six songs on each album, and though half the songs approach ten minutes in length, there are slight offerings on each album, "Onedayi'mgonnabesomebody" thankfully the only inconsequential song here. Any way you measure it, What Time Is It? is undoubtedly the better of the two albums, and the Time's most fully developed album overall, if not their flat-out best. Sure, there are only six songs, but five of them are fantastic, especially "777-9311," and the album itself sounds much more fully produced than its predecessor. Any fan of Prince's early-'80s work, particularly 1999 (1983), will find much to enjoy on What Time Is It? ~ Jason Birchmeier
"What time is it?" shouts Morris Day to kick off the album of the same name. "Time to get Wild And Loose!" is the resounding response he gets from The Time, the often unjustly overshadowed funk outfit from Minneapolis.
This album oozes attitude. From its opening "Wild And Loose," Morris never quits with his rantings ("Ain't nobody cool but me"). But his real talent, aside from his alleged sexual prowess, is his ability to get the most out of his band. What makes these grooves timeless are the immensely musical and tight players Mr. Day gathered. "777-9311," for instance, features some super cymbal work from Jellybean Johnson, and a frenzied guitar solo from Jesse Johnson. This is funk, early eighties style, with a certain Prince-ly flavor and plenty of humor. "Somebody get me a mirror!"

What Time Is It? Music


Detailed What Time Is It? Music Information



List Price $7.98 (You save $1.69)
Category Rock/Pop Albums, Rock CDs, R&B, Rap, Urban Soundtrack, Soul/R&B, Funk
Label Warner Bros. (Record Label)
Orig Year 1982
All Time Sales Rank   1954  
CD Universe Part number 1099749
Catalog number 23701
Discs 1
Release Date Oct 25, 1990
Studio/Live Studio
Mono/Stereo Stereo
Producer Morris Day; The Starr Company
Engineer Jamie Starr; Peggy M.; Don Batts
Personnel Jimmy Jam
Terry Lewis - bass, background vocals
Jesse Johnson - guitar, vocals, drums
Monte Moir - keyboards, vocals
Jellybean Johnson - drums, percussion
Morris Day - vocals
Stacy Adams

Also: Vanity 6
What Time Is It? Songs


What Time Is It? Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Wild and Loose  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.777-9311$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Onedayi'mgonnabesomebody  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Walk, The$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Gigolos Get Lonely Too  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.I Don't Want to Leave You$0.99

What Time Is It? Music Review


Customer What Time Is It? Reviews 




Average Rating: (4.7 out of 5 stars) 4.5 stars

5 stars MORRIS DAY
GREAT DANCE BAND... ALL DOORS ARE OPEN...
Submitted by FOURITISWRITTEN (AMERICAS TOWN.USA) Verified Buyer
Was This Review Helpful? Yes No

4 stars what time is it? "time to party!"
there was to much talent in this band for the members not to eventually go their separate ways, with Terry lewis & Jimmy Jam along with Monte Moir going on to be come top notch producers for a number of acts including janet jackson one of their biggest acts. jesse johnson another member also had relatively successful solo career. anyway this cd is loaded with classic grooves the only way the time can do it.what time is it? is a cd that every fan of the time should have in their collection. Also have this album in vinyl format. just have to get it in an updated format.
Submitted by orholder (bridgetown, barbados, west indies) Verified Buyer
Was This Review Helpful? Yes No

5 stars GREAT ALBUM
SIX TRACKS OF GREAT MUSIC IS WORTH BUYING. THESE GUYS ARE GOOD 5 STARS FOR THE TIME ALWAYS
Submitted by AARON MASON (COLUMBUS OHIO)
Was This Review Helpful? Yes No

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In 1967, Decca Records reissued Buddy Holly's That'll Be the Day album with new cover art and this new title, minus one song ("Ting-a-Ling"). That album has remained in print to the present day, due in part to the fact that it's always been popular as a low-priced LP or CD -- the latter is a result of the ironing out of the contractual and potential legal difficulties that Buddy Holly had engendered by re-recording "That'll Be the Day" (which appears here in its early version); he surrendered any artist royalties to which he would have been entitled from these sides, so MCA owns them completely. Reference books and experienced listeners have always felt compelled to warn neophyte fans away from The Great Buddy Holly, not because it's bad (it's not), but because its ten songs were cut at Holly's 1956 Nashville sessions, before he had evolved and created (in the studio, at least) the sound that made him famous. In fact, this is a fun record, if not really representative of Holly's fully developed style, and ought to interest not only his fans, but also anyone who wants to learn a little more about the early days of the rock & roll boom, when even soon-to-be top artists and their producers were still trying to figure out how big a proportion of country to R&B, blues, and pop there ought to be in a rock & roll record. But better still, one should track down the imported reissue (part of a two-on-one CD) of That'll Be the Day from Beat Goes on Records, or the mid-'70s British LP The Nashville Sessions, both of which offer the same songs in better sound and with full annotation. ~ Bruce Eder
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