| | Smiths Meat Is Murder CD Smiths Discography of CDs
(4 Customer Reviews)
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MEAT IS MURDER found the Smiths further honing their craft, tightening and brightening their sound. Unlikely heroes at home in the UK, and starting to break through the cracks in the States, they latched inextricably onto a generation of youth on a global scale with this album, making vegetarians and animal-rights activists out of more than a few of their overcoat-wearing devotees. The most straight-ahead of the Smiths' albums in terms of production, MEAT IS MURDER is a rootsy effort, driven largely by Johnny Marr's lush acoustic guitar arrangements.
The album, however, is far from folky. While the frenetic pace and dolorous lyric "Rusholm Ruffians" and the gentle, haunting "Well I Wonder" have acoustic backbones, the blistering fury of "What She Said" and the cascading echoes of "That Joke Isn't Funny Anymore" are purely electric, and are exactly the reason behind the reverence with which Marr found himself being graced from here on. Morrissey takes a humorous stab at royalty (not his last by any means) over the quick shuffle of "Nowhere Fast." The album closes on an intense, epic note with the dramatic, compelling title track, a graphic anthem for the cause celebre of vegetarianism.
Live Recording
Recorded at Amazon Studios, Liverpool and Ridge Farm, Surrey, England.
The Smiths: Morrissey (vocals); Johnny Marr (guitar, piano); Andy Rourke (bass); Mike Joyce (drums).
Q (12/93, p.139) - 4 Stars - Excellent - "...[MEAT IS MURDER is] a great second album..." CMJ (1/5/04, p.16) - Ranked #9 in CMJ's "Top 20 Most-Played Albums of 1985" NME (Magazine) (9/25/93, p.19) - Ranked #47 among The 50 Greatest Albums Of The '80s. Meat Is Murder Music Review Average Rating: (5 out of 5 stars)   Where it all began Classic Smiths that got the ball rolling for their careers. This album will never be forgotten Submitted by dwilson_jr1966 (Shubenacadie, Nova Scotia, Canada)  Was This Review Helpful? Yes No
Perfection One of the best albums ever, easily. Every single one of these songs exhibits the versatility of Morrissey's vocals and Marr's accoustics. To me, this IS their "Greatest Hits" album. With the possible exception of "Barbarism Begins at Home," I am fascinated with every song on it. The Smiths truly broke new grounds with this piece. WUDUP MAZe!!!! Submitted by Thrilla_Villa (P'cola, Flo) Was This Review Helpful? Yes No
The Smith's first Essential Album. This is a really brilliant album! From the guitar symphony that is The Headmaster Ritual, through the acoustic/electric beauty of That Joke Isn't Funny Anymore, to its ending with the bombastic title track, this album is a joy. Fantastic music, lyrics that will speak to practically everyone. BUY IT!!!!!!!!!!!!!!!!!!!!!!! Submitted by celibatecries (Oxford, England) Was This Review Helpful? Yes No
A Total Classic! Forget about what other critics might tell you, this is the best Smiths album.....period! It's far more diverse
and better produced than any of their other works. By the way, Louder than Bombs is not a real album! Submitted by mrezboww (Pittsburgh, Pa.) Was This Review Helpful? Yes No 0 of 1 found this helpful.
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Purchase Meat Is Murder CD To buy, Click on price to add to cart | Smiths (1st LP) CD (1984)
Meat Is Murder
$10.59 This self-titled opening salvo of the Smiths' four-year war with mediocrity stands proud as one of the era's most innovative and unique works. Flying in the face of the pomp and artifice that prevailed in pop music at the time, the Smiths raged against their makeup- wearing, synth-playing ...
| | Smiths Queen Is Dead CD (1986)
Meat Is Murder
$10.79 Arguably the Smiths' masterpiece, THE QUEEN IS DEAD found the band at the artistic apex of a career that knew few lows. More than any of their other albums, THE ...
| | Smiths Louder Than Bombs CD (1987)
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| | Smiths Strangeways, Here We Come CD (1987)
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| | Smiths Hatful Of Hollow CD (1984)
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| | Dinosaur Jr Without A Sound CD (1994)
Meat Is Murder
$9.29 Historians of the over-hyped Generation X take note. What is perhaps the quote of the era has arrived, and it's not borrowed or cliched. The opening track of Dinosaur Jr.'s newest, WITHOUT A SOUND, embraces the standard of apathy that young America lives by in the imaginations and on the covers of national ...
| | Love Life Here Is Night, Brothers, Here The Birds Burn CD (2002)
Meat Is Murder
$13.05 Taking a listen to the second full-length by Love Life, it's quite easy to see that the band is no doubt the bastard child of the VSS and Bauhaus, with a grandparent who was involved heavily in the D.C. scene (think Make-Up kin, not Minor Threat). Katrina Ford's vocals have powerful range on this eight-song disc. She can go incredibly low and guttural and then suddenly sound serene. With the use ...
| | Garage Beat '66 Vol. 2: Chicks Are For Kids CD (2004)
Meat Is Murder
$14.19 The second volume in Sundazed's Garage Beat '66 series follows much the same format as its predecessor: 20 garage rockers from all over America, though generally from the rawer end of the spectrum rather than the poppier side. There's a slightly higher concentration of names that'll be at least somewhat known to some of the less specialized listeners, though, including the Guess Who (their 1966 single "Believe Me"), the Remains, the Barbarians (with their crude Merseybeat-influenced debut 45, "Hey Little Bird," which was their best recording), the Litter, the Five Americans (with their 1964 single "I'm Feeling O.K."), ...
| | Paul Simon Songs From The Capeman CD (1997) Bonus Tracks; Remastered
Meat Is Murder
$8.69 This is a collection of songs written by Paul Simon and Derek Walcott for their Broadway Musical, "The Capeman."
When Paul Simon released GRACELAND, it seemed like the apex of an already impressive career. A few years later, he compounded expectations by extending both his reach and his grasp with the Brazilian-tinged RHYTHM OF THE SAINTS. Continuing his tradition of raising the aesthetic bar, Simon explores new vistas yet again with SONGS FROM THE CAPEMAN. The album features his versions of the songs he wrote with poet Derek Walcott for the play THE CAPEMAN.
Based on the exploits of a street gang character of the same name, THE CAPEMAN incorporates several different musical styles into a whole that is greater than the sum of its parts (a method to which Simon is no stranger). In the songs that make up the bulk of the storyline, there's street-corner doowop (one of Simon's early loves), L
Includes three previously unreleased bonus tracks.
1997 Remastered W/3 Bonus Tracks.
Recorded at The Hit Factory, New York, New York.
Personnel includes: Paul Simon (vocals, acoustic & hi string guitars); Ruben Blades, Marc Anthony, Ednita Nazario, Frank Negron, Myrna Gomila, Teana Rodriguez, Sara Ramirez (vocals); ...
| | Alec Redfearn Smother Party CD (2006)
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| | Overflow What Legends Are Made Of CD (2005)
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| | Jack Nitzsche Chopin '66 CD (1966)
Meat Is Murder
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| | Northwoods Improvisers Lightning Darkness CD (1998)
Meat Is Murder
$15.75 Clearly the most outerworldly and diverse Northwoods album released, Lightening Darkness is a journey into Middle Eastern music and free harmonic extractions. The title comes from a Sun Ra poem, and the album features more beautiful cover artwork from bassist Mike Johnston, who designed their previous two covers. The album also marks their first appearance on the Entropy Stereo label, out of Ann Arbor, MI. Northwoods waste no time in their exploration of Eastern atonalities, as the opening title track suggests. Abstract percussion and Johnston's skilled William Parker-like bowed bass create a sense of uneasy anticipation -- a soundscape of sorts. Suddenly a crashing gong from drummer Nick Ashton signals Mike Gilmore's vibes to quietly end the piece. Here one can hear the magic and effortlessness of the band's intimate communication. "Rainbow" features Gilmore on the cheng and sounds like a Ravi Shankar venture into abstract, progressive Krautrock. It is his shining moment on the instrument, illustrating his complex musical diversity. Gilmore also highlights the obscure Sun Ra piece "God Is More Than Love Could Ever Be," this time on the vibes. His relaxed textured overtones send a deep, heartfelt message to the listener's soul, as the rest of the group perfectly round out this near-flawless tribute to one of their obvious musical influences. Not to be outdone is Johnston, whose Middle-Eastern flute on "Tuareg" and "Tariquah" is spine-chilling, as it begs the question, "Where did these Midwesterners pick up such an intimate talent ...
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