| | Miles Davis Amandla CD Miles Davis Discography of CDs
(1 Customer Review)
With the release of what turned out to be his final "band" album in 1989, Miles Davis had once again arrived at a new sound. And while the music on AMANDLA was certainly immersed in popular conventions, somehow the trumpeter managed to keep his sense of distinction alive and well. AMANDLA doesn't sound like any of the contemporary jazz records of its time.
In recording TUTU and SIESTA, Miles basically abdicated his bandleader functions to the multi-talented Marcus Miller, who in addition to his command of modern bass guitar techniques, handled reeds, woodwinds, guitars, keyboards and all manner of computer programming. By plugging in with the cream of his live collaborators on AMANDLA, Miles retained the big band sound of TUTU, but with a more human face--an enhanced sense of interplay and swing.
Tunes such as "Jo-Jo" and "Jill" engender an ongoing call response between front line and back line, between main and secondary themes, as Kenny Garrett's fat, burnished alto lines coil and strike around Miles' more circumspect muted phrases. The opening "Catembe" heralds the third world rhythmic locus which snakes its way through the entire album, from the big beat shuffle of "Big Time" through the Caribbean flavored backdrops and go-go beats of "Jo-Jo." The most affecting moments come on the title tune, which features chord changes reminiscent of Miles' traditional ballad style, and on the closing "Mr. Pastorius," where Miles finally reverts back to his open horn to pay tribute to the late bassist over a laid back swing beat, with poignant echoes of "I Didn't Know What Time It Was."
Live Recording
Engineers: Eric Calvi, Bruce Miller, Eric Zobler.
Personnel: Miles Davis (trumpet); Kenny Garrett (soprano & alto saxophones); Marcus Miller (soprano saxophone, bass clarinet, keyboards, guitar, bass, drums); Rick Margitza (tenor saxophone); Joe Sample (piano); George Duke (keyboards, Synclavier); John Bigham (keyboards, guitar, programming); Joey DeFrancesco (keyboards); Jean-Paul Bourelly, Foley, Billy "Spaceman" Patterson, Michael Landau, Steve Khan (guitar); Omar Hakim, Al Foster, Ricky Wellman (drums); Don Alias, Mino Cinelo, Bashiri Johnson, Paulhino Da Costa (percussion); Jason Miles (programming).
Producers: Marcus Miller, Tommy LiPuma, George Duke.
Down Beat (10/89, p.29) - 4 Stars - Very Good - "...a precise and consistent sound that flows through the shifting instrumental combinations and lingers after the music has stopped..." Amandla Music | List Price | $18.98 (You save $4.53) | | Category | Rock/Pop Albums, Jazz CDs, Pop, Jazz Instrument, Trumpet | | Label | Warner Bros. (Record Label) | | Orig Year | 1989 | | All Time Sales Rank | 25089  | | CD Universe Part number | 1100284 | | Catalog number | 849742 | | Discs | 1 | | Release Date | May 23, 1989 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 43 minutes | | Personnel | Michael Landau Miles Davis - trumpet Bashiri Johnson Omar Hakim Don Alias Al Foster Jason Miles - programming Mino Cinelu John Bigham - keyboards, guitar, programming Foley Ricky Wellman - drums Billy "Spaceman" Patterson Paulhino Da Costa - percussion Jean-Paul Bourelly
Also: Paulinho Da Costa, George Duke, Marcus Miller, Joe Sample, Steve Khan, Joey Defrancesco, Kenny Garrett, Rick Margitza |
Miles Davis Amandla Songs Purchase Amandla CD To buy, Click on price to add to cart | Miles Davis Tutu CD (1986)
Amandla album
$5.99 After 30-plus years with Columbia Records, Miles Davis departed to sign with Warner Brothers Records. TUTU finds Miles entering the world of MIDI, chaperoned by former sideman, Marcus Miller and pop jazz hitmaker Tommy LiPuma, and beat box music would never be the same again.
TUTU is the birth of a new kind of cool, based on the emblematic street beats of the mid-1980s, brimming over with orchestrally-styled keyboard programming. The album is a showcase for Miles' evocative muted horn, functioning like a featured vocalist. Not since his work with Gil Evans had Miles deferred so much to a collaborator, and TUTU is a platform for the arranging talents of Miller, who in addition to his distinctive, popping bass lines, plays nearly every instrument on the session--from keyboards to bass clarinet.
And from "Tomass" through "Full Nelson," funk is the order of the day. A tune such as "Perfect Way" ...
| | Miles Davis Doo-Bop CD (1992)
Amandla CD music
$6.45 This is the recording Miles Davis was working on when he checked into the hospital in mid-September of 1991. With his passing on the 28th of September, a major epoch in American music came to a close. Somewhere in the back of his mind he probably knew that he was living on borrowed time, because earlier that summer he'd finally consented to make a nostalgic return to the classic music that emerged from his collaborations with Gil Evans (MILES & QUINCY AT MONTREAUX). But as the contemporary sounds of DOO-BOP indicate, Miles Davis was incapable of sustained backwards glances.
As the rapology of J.R., A.B. Money and Easy Mo Bee on "The Doo-Bop Song," "Blow" and "Fantasy" indicates, Miles and his collaborators were still feeling each other out in terms of themes and context. The raps revolve around hangin' with the legendary Davis--let's dim the lights and get down with my man Miles. In terms ...
| | Miles Davis Live Around The World CD (1996)
Amandla music CDs
$6.29 LIVE AROUND THE WORLD was recorded during Miles Davis' final concert tour and includes a track from his last performance.
Principally recorded between August 7, 1988 and July 20, 1990. Includes liner notes by Gordon Meltzer, Benny Rietveld, Foley, Adam Holzman and Erin Davis.
Miles Davis upset many a fan with his drastic career changes, yet he always remained true to himself. Nowhere is this better documented than in LIVE AROUND THE WORLD. Taken from Miles' final tour, these performances show him still to be doing what ...
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| | Restoration: The Best Of Bob James CDs (2001)
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$18.05 Released in 2001, this two-disc set cherry-picks tracks from various points in the long career of smooth-jazz pianist Bob James. Many of the songs here are James originals, most notably the groovy, laid-back "Angela (Theme from TAXI)" and the funky "Nautilus," which has been sampled by many hip-hop artists. The instrumental collection also features many of James's peers, including saxophonists Grover Washington Jr. and David Sanborn, making it of interest to fans of highly accessible, pop-tinged jazz.
2 Cds;25 Year Career Retrospec Tive
Compilation producer: Matt Pierson.
Personnel: Bob James (electric piano, Clavinet, organ, keyboards); Hilary James (vocals, background vocals); Dean Brown , Eric Gale, Hiram Bullock, Lee Ritenour , Paul Jackson, Jr. , Steve Khan, Richie Resnicoff (guitar); Nick Moroch (acoustic guitar, electric guitar); Chuck Loeb (electric guitar); Gloria Agostini (harp); Barry Finclair, Frederick Buldrini, Marvin Morgenstern, Harry Glickman, Lewis Eley, Regis Landiorio, Louis Gabowitz, John Pintavalle, Joseph Malin, Harold Kohon, Charles Libove, David Nadien, Matthew Raimondi, Richard Sortomme, Gene Orloff, Harry Cykman, Max Ellen, Paul Gershman, Emanuel Green, Harry Lookofsky (violin); Sue Pray, Theodore Israel, Lamar Alsop, The Manny Vardi Strings, Jean R. Dane, Al Brown (viola); Eddie Daniels, Harvey Estrin (flute, clarinet, tenor saxophone); Hubert Laws, Alexander Zonjic (flute); George Marge (alto flute, recorder, soprano recorder, oboe, English horn, tenor saxophone, baritone saxophone); Romeo Penque (alto flute, recorder); Gerry Niewood (alto flute, alto saxophone, tenor saxophone); Howard Johnson (contrabass clarinet, baritone saxophone); Sidney Weinberg (oboe, English horn); Whit Sidener (woodwinds); Kirk Whalum (saxophone); David Sanborn, Jay Beckenstein (alto saxophone); Andy Snitzer (tenor saxophone); Roger Rosenberg (baritone ...
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| | Mighty Lemon Drops Young, Gifted, And Black Country CD (2004)
Amandla album
$13.35 The kind of band that seems destined to slip through the slats of history, the Mighty Lemon Drops were sort of popular and sold a few records in the late '80s and early '90s, but were mostly dismissed by the rock intelligentsia as Echo & the Bunnymen copyists. You are unlikely to find many bands in 2004 that would give MLD as an influence; in fact, you might find it hard to round up a softball team's worth of people who even remember them. Devil in the Woods is now out to change that, at least among the kind of people who buy tiny-label indie rock, with Young, Gifted, and Black Country. The disc takes nine tracks from a 1988 session on the late great Deidre O'Donoghue's Snap program on KCRW and adds the Like an Angel EP from 1985. The session is made up of a nice mix of songs from the band's two albums (Happy Head and World Without End), single tracks, and a romping cover of the Rolling Stones' "Paint It Black." Stripped of the studio sheen, the Mighty Lemon Drops prove to be quite a rocking little unit, and invest their songs with an added level of excitement and power. They do sound like Echo, they do sound like Joy Division (on "Closer to You"), they do sound like The Teardrop Explodes (on the cover of "When I Dream"), but mostly they manage to sound like themselves, and when they marry their sound to a ripping tune like "Inside Out" or "Out of Hand," they come up with something rather good. The EP is the group's first release and, according to guitarist David Newton, it is their best. He might have a ...
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