Madonna - Immaculate Collection CD

Immaculate Collection songs The finest example of perfect disco pop, and a record that should be prescribed to musical snobs and manic depressives. The album is a true ambassador of what pop music can be. Jackson whoops and dances through a suite of unforgettable melodies that should be danced to with a smile on your face. Each track offers at least one musical hook, whether it is the beauty of 'Human Nature' (who can resist the 'dada dada da da da') or the 'whoo whoo' of 'Billie Jean'. It's all too good. Principally recorded at Westlake Audio, Los Angeles, California. Additional Tracks Personnel: Vincent Price (rap vocals, spoken vocals); Steve Lukather (guitar, electric bass); Dean Parks, Eddie Van Halen, Paul Jackson, Jr. , David E. Williams (guitar); Larry Andrew Williams (flute, saxophone); Gary Grant, Jerry Hey (trumpet, flugelhorn); William Frank "Bill" Reichenbach Jr. (trombone); David Paich (piano, synthesizer); Greg Phillinganes (Fender Rhodes piano, keyboards, synthesizer, hand claps); Bill Wolfer (keyboards, synthesizer); Tom Bahler (keyboards, Synclavier); Michael Boddicker (synthesizer, vocoder); Greg "Frosty" Smith, Rod Temperton, Steve Porcaro, David Foster, Brian Banks (synthesizer); Jeff Porcaro, Leon "Ndugu" Chancler (drums); James Ingram (hand claps, background vocals); Louis Johnson, Steven Ray (hand claps); Paulinho Da Costa (percussion); Becky Lopez, Howard Hewett, Janet Jackson, Julia Waters, La Toya Jackson, Maxine Willard Waters, Oren Waters, Bunny Hull (background vocals). Audio Mixer: Bruce Swedien. Audio Remasterer: Bernie Grundman. Recording information: Westlake studios. Editor: Stuart Brawley. Photographers: Stephen Vaughan; Dick Zimmerman; Sam Emerson; Ralph Nelson; Lester Cohen. Arrangers: David Paich; James Ingram ; Quincy Jones; Rod Temperton; Steve Lukather; Steve Porcaro. Personnel includes: Michael Jackson (vocals, percussion); Paul McCartney (vocals); Vincent Price (spoken vocals); Steve Lukather (guitar, bass); Eddie Van Halen, Dean Parks, Paul Jackson (guitar); Larry Williams (flute, saxophone); Jerry Hey (trumpet, flugelhorn); Bill Reichenbach (trombone); David Paich (piano, synthesizer); Greg Phillinganes (Fender Rhodes piano, synthesizer, programming); Steve Porcaro (synthesizer, programming); David Foster, Rod Temperton (synthesizer); Tom Bahler (Synclavier); Louis Johnson (bass); Ndugu Chancler, Jeff Porcaro (drums); Paulinho Da Costa (percussion); Brian Banks (programming); LaToya Jackson, Julia Waters, Maxine Waters, Oren Waters, Becky Lopez, Janet Jackson (background vocals).

Immaculate Collection CD music Initial pressings of this first edition contain a bonus disc. Recorded between 1970 & 2002. Includes liner notes by Paul Gambaccini. Greatest Hits 1970-2002 is a nearly flawless double-disc set commemorating Elton John's three-decade career. Disc one features what may arguably be John's most essential work: Seeing songs such as "Saturday Night's Alright for Fighting," "Goodbye Yellow Brick Road," "Candle in the Wind," and "Bennie and the Jets" -- not to mention "Your Song," "Rocket Man," and "Tiny Dancer" -- lined up back to back reaffirms just how diverse, and yet universal, his songwriting talent is. Disc two finds this talent maturing gracefully into the '80s, '90s, and beyond, touching on pop gems like "Don't Go Breaking My Heart," "I'm Still Standing," and "I Guess That's Why They Call It the Blues" as well as his Lion King classic "Can You Feel the Love Tonight?" and the Aida duet "Written in the Stars" with LeAnn Rimes. The collection also finds room for the highlights of his most recent albums, including Made in England's "Believe" and "Blessed," The Big Picture's "Something About the Way You Look Tonight," and Songs from the West Coast's "This Train Don't Stop Here Anymore." For most casual fans, Greatest Hits 1970-2002 will replace the need for collections such as Greatest Hits, Greatest Hits, Vol. 2, and Greatest Hits, Vol. 3, although these collections are still worthwhile as of-their-time retrospectives of John's work. ~ Heather Phares All tracks have been digitally remastered.

Immaculate Collection buy CD music East, Leland Sklar, Cornelius Mims, John Giblin, Freddie Washington (bass); Sheila E.(percussion); Peter Gabriel, Sting, Marva King (background vocals). In the early '80s, Collins took a break from the helm of Genesis to inaugurate a solo career that abandoned his group's art-rock agenda for a mainstream pop approach. In the ensuing years, the king of Nice Guy Pop established himself as one of the world's premier top 40 balladeers, as evidenced by the wall-to-wall hits that make up the balance of this appropriately titled collection. HITS walks the listener through the smooth, well-produced Collins hits that have worked their way into the collective consciousness of radio listeners (even casual ones) over the years. There are majestic power ballads ("I Wish It Would Rain") to light-hearted, infectious pop-funk ("Sussudio") and moody atmospheric pieces ("In the Air Tonight") HITS represents the full range of material this prolific performer has turned out over the course of his wildly successful career. (piano, vibraphone, glockenspiel); David Frank (keyboards, Mini-Moog synthesizer, bass, DMX); Babyface (keyboards, drum programming, background vocals); Nick Glennie-Smith, Rob Mousney, Lesette Wilson (keyboards); Nathan Live Recording The Phoenix Horns: Don Myrick (saxophone); Michael Harris, Rhamlee Michael Davis (trumpet); Louis Satterfield (trombone). The Vine Street Horns: Andrew Woolfolk (saxophone); Harry Kim, Daniel Fornero (trumpet); Arturo Velasco (trombone). Producers include: Phil Collins, Hugh Padgham, Babyface, Lamont Dozier, Arif Mardin. Personnel: Phil Collins (vocals, keyboards, drums, drum machine, tambourine, background vocals); David Crosby, Amy Keyes, Amy Keys, Philip Bailey, Arnold McCuller (vocals); Daryl Stuermer, Dominic Miller, Eric Clapton, Michael Hart Thompson , Michael Landau, Michael Thompson (guitar); Lakshminarayana Shankar (violin); Eric Rigler (Uilleann pipe); Don Myrick, Andrew Woolfolk (saxophone); Daniel Fornero, Harry Kim, Rahmlee Michael Davis (trumpet); Arturo Velasco, Louis Satterfield (trombone); Vine Street Horns (horns); Greg Phillinganes (piano, Wurlitzer organ); Peter Robinson (piano, vibraphone, glockenspiel); David Frank (keyboards, mini-Moog synthesizer); Babyface (keyboards, drum programming, background vocals); Lesette Wilson, Rob Mounsey, Brad Cole (keyboards); Paulinho Da Costa, Sheila E. (percussion); Lynn Fiddmont, Helen Terry, Alex Brown, Marva King, Peter Gabriel, Sting (background vocals). Illustrator: Janfranco Caro. Arrangers: Tom Tom 84; Harry Kim; Phil Collins. Personnel includes: Phil Collins (vocals, keyboards, drums, tambourine, drum programming); Philip Bailey, David Crosby, Marilyn Martin, Amy Keys, Arnold McCuller (vocals); Dominic Miller, Daryl Stuermer, Michael Thompson, Michael Landau, Ronnie Caryl, Eric Clapton (guitar); L. Shankar (violin); Eric Rigler (Uileann pipes); Greg Phillinganes (piano, Wurlitzer piano); Peter Robinson

Immaculate Collection album for sale RAY OF LIGHT won the 1999 Grammy Award for Best Pop Album and for Best Recording Package, and was nominated for Album Of The Year. "Ray Of Light" won the 1999 Grammy for Best Dance Recording and Best Short Form Music Video, and was nominated for Record Of The Year. Relentlessly contemporary, RAY OF LIGHT pairs Madonna with producer William Orbit, an electronics wizard who has worked with major R&B acts and even such modern rockers as Blur and Depeche Mode. Reportedly, Madonna tried to snare Liam Howlett of high-strung techno-rockers the Prodigy into the project--Howlett claims to have turned her down. But the more dextrous, less in-your-face Orbit was probably a better choice anyway. He provides a dizzying array of soundscapes, incorporating everything from psychedelic-rock guitar to dub-reggae echo and cold, cutting techno beats for what critics are calling Madonna's most committed performance in years. From the slow chill of the album's first single, "Frozen," to the disco-like title track, RAY OF LIGHT finds Madonna embracing the club beats that are her roots while still teetering on the edge of dance-club vogue. It also finds the singer, who has become a mother since her last studio album, in a long-untapped spiritual mode. When the inevitable comparisons are made to Madonna's previous standard-bearer, 1989's LIKE A PRAYER, that may well be the reason. Recorded at Larrabee Studios North, Universal City, California. Personnel: Madonna (vocals); Marc Moreau (guitar); Pablo Cook (flute); Marius de Vries (keyboards, programming); Fergus Gerrand (drums, percussion); Mike Bradford (programming); Steve Sidelnyk (drum programming); William Orbit (sound effects); Donna De Lory, Nikki Harris (background vocals). Recording information: Larraee Studios North, Universal City, CA. Photographer: Mario Testino. Translators: Eddie Stern; Vyass Houston. Arranger: Patrick Leonard. Personnel: Madonna (vocals); William Orbit (guitar, electronics); Mark Moreau (guitar); Pablo Cook (flute); Marius De Vries (keyboards, programming); Fergus Gerrand (drums, percussion); Steve Sidelnyk (programming); Donna DeLory, Niki Harris (background vocals). Producers: Madonna, William Orbit, Patrick Leonard, Marius De Vries.

Immaculate Collection CD music SOMETHING TO REMEMBER is a collection of Madonna's ballads. It includes two new songs, "You'll See" and "One More Chance," and two versions of "I Want You," originally recorded for the Marvin Gaye tribute album INNER CITY BLUES, which was released three weeks earlier. She can dance and she can jive, and most of the time that's why you buy Madonna records. She's our real-life dancing queen. So if buying an album advertised as her "Greatest Ballad Hits" strikes you as sort of like buying acoustic Abba, you're probably not alone. But ever since TRUE BLUE, Madonna has displayed a keen interest in pop orchestration and smoky, soulful singing. On the breakthrough "Live To Tell," she discovered the low end of her vocal range, while co-producer and co-writer Patrick Leonard built a psychedelic swell of keyboards, guitars and sound effects around her. It was like nothing she had done before, dealing directly with dark secrets, foreshadowing an adult pop sound that she'd stick by through all the twists, turns and trends that followed. SOMETHING TO REMEMBER collects such slow and mid-tempo tracks from the various nooks in which Madonna's hidden them (though most were singles, many had showed up in album form only on soundtracks), and shows off the dark chanteuse qualities that she has only intermittently gotten credit for. Notice the almost Beatlesque harmonies and swooping strings of her 1994 hit "Take A Bow," the dream-like feel of the electric piano on the wistful "This Used To Be My Playground," or the epic feel of "Oh Father," which starts with a dance of classical strings before dipping to a soul-baring vocal about the causes and effects of child abuse. The three new songs on SOMETHING TO REMEMBER are formidable additions to this oeuvre. "You'll See," with its Spanish guitar flourishes and lyric about surviving a wrecked affair, is a direct sequel to "Take A Bow." "I Want You," a Marvin Gaye cover that also appears on the Gaye tribute album INNER CITY BLUES, is a stunning collaboration with UK's Massive Attack, taking Madonna into a trippy, spare realm that sounds like dub with strings. And "One More Chance" is, amazingly, almost acoustic Madonna--the dancing queen cast improbably as the strumming princess. Out of print in the U.S.! Import pressing of this 1995 ballads collection from the Pop/Dance diva, which focuses on her sentimental side. Something To Believe in is a must-have for fans since it contains three new tracks plus two tracks previously unavailable on her albums ('This Used To Be My Playground' and 'I'll Remember'). 14 tracks total. Warner. Recorded at Chartmaker Studios; Brooklyn Studios. Includes liner notes by Madonna. Personnel includes: Madonna (vocals); Dean Parks (acoustic guitar); Michael Thompson (electric guitar); Suzie Katayama (cello); David Foster, Jan Mullaney (keyboards); Simon Franglen (programming); Massive Attack. Producers include: Nellee Hooper, Madonna, Patrick Leonard, Babyface, David Foster. Engineers include: David Reitzas. Personnel: Dean Parks (acoustic guitar); Michael Hart Thompson , Michael Thompson (electric guitar); Suzie Katayama (cello); Jan Mullaney, David Foster (keyboards); Simon Franglen (Synclavier, programming). Audio Mixer: Dave Reitzas. Recording information: Brooklyn Studios; Chartmaker Studios; Los Angeles, CA. Photographers: Dean Chamberlain; Mario Testino. Arrangers: Madonna; Rob Mounsey; David Foster.

Immaculate Collection buy CD music Madonna's exquisite sense of the pop song, and suitably stylish aesthetic to match, was pushed to the hilt for 1989's LIKE A PRAYER. Sporting a bare midriff and a stylishly dark bob, she immediately set the Moral Majority up in arms with the title track's video, depicting, among other things, a black Christ and a hillside of burning crosses. The song, however, was as strong and as dazzling as the images. Before deciding on utilizing a constant barrage of public sexuality over songs, Madonna made great records. Highlights here include the sexy bubble-gum of "Cherish" and the delightful "Express Yourself." Great pop to go. Live Recording Recorded at Johnny Yuma Recording, Burbank, California; Saturn Sound, Sherman Oaks, California; Ocean Way Recording, Los Angeles, California; Paisley Park Studios, Chanhassen, Minnesota. Personnel: Madonna (vocals, keyboards); Chester Kamen, David Williams, Dann Huff, Bruce Gaitsch, Marcos Loya (guitar); Larry Corbett (cello); Patrick Leonard, Jai Winding, Stephen Bray, Geary Lanier (keyboards); Joseph Mayer, Richard Todd (French horn); Guy Pratt, Randy Jackson (bass); Jonathan Moffett, Jeff Porcaro, John Robinson (drums); Luis Conte, Paulinho da Costa, Sandra Crouch (percussion); Niki Harris, Marilyn Martin, Donna Delory, Ali Nadirah, Lynne Fiddmont, Rose Banks, Marcos Loya, Andrae Crouch Choir (background vocals). Producers: Madonna, Pat Leonard, Stephen Bray, Prince.