R E M Out Of Time CD

R.E.M.: Bill Berry (vocals, piano, drums, congas, percussion); Mike Mills (vocals, organ, harpsichord, bass); Michael Stipe (vocals, bass melodica); Peter Buck (guitar, mandolin).

Additional personnel includes: KRS-One, Kate Pierson (vocals); Peter Holsapple (guitar, bass); John Keane (pedal steel guitar); David Kampers, David Braitberg, David Arenz, Ellie Arenz (violin); Paul Murphy, Reid Harris (viola); Andrew Cox, Elizabeth Murphy (cello); Kidd Jordan (bass clarinet, alto, tenor & baritone saxophones); Cecil Welch (flugelhorn); Ralph Jones (acoustic bass).
Recorded at Soundscape Studios, Athens, Georgia.
In contrast to the directness of Green and Document, this may seem like a return to the abstractness of the early years, but that isn't the case. Out of Time is among R.E.M.'s best work -- a mature, balanced, graceful collection of pop songs quite different from Murmur and Reckoning. Buck, Berry, and Mills switch instruments frequently, keeping the music fresh and exciting. ~ Stephen Thomas Erlewine
The supporting tour for Green exhausted R.E.M., and they spent nearly a year recuperating before reconvening for Out of Time. Where previous R.E.M. records captured a stripped-down, live sound, Out of Time was lush with sonic detail, featuring string sections, keyboards, mandolins, and cameos from everyone from rapper KRS-One to the B-52's' Kate Pierson. The scope of R.E.M.'s ambitions is impressive, and the record sounds impeccable, its sunny array of pop and folk songs as refreshing as Michael Stipe's decision to abandon explicitly political lyrics for the personal. Several R.E.M. classics -- including Mike Mills' Byrds-y "Near Wild Heaven," the haunting "Country Feedback," and the masterpiece "Losing My Religion" -- are present, but the album is more notable for its production than its songwriting. Most of the songs are slight but pleasant, or are awkward experiments like "Radio Song"'s stab at funk, and while this sounds fine as the record is playing, there's not much substantive material to make the record worth returning to. ~ Stephen Thomas Erlewine
Before Nirvana's NEVERMIND closed out the year with the unexpected commercial triumph of grunge rock, R.E.M.'s OUT OF TIME was the sound of alternative music circa 1991. The smash singles "Losing My Religion"--perhaps the only Top Five US single ever to feature the mandolin as its lead instrument--and "Shiny Happy People" were the commercial face of the album. Elsewhere, however, R.E.M. makes a point of moving away from expectations, resulting in intriguing experiments like the surprisingly funky "Radio Song" (featuring rapper KRS-One), the spoken-word ambient chill-out "Belong," and the self-explanatory "Country Feedback." Interestingly, the songs most immediately identifiable as "R.E.M. songs," the jangly rockers "Texarkana" and "Near Wild Heaven," are both sung by bassist Mike Mills. Though it was quickly overshadowed by AUTOMATIC FOR THE PEOPLE during the following year, OUT OF TIME remains a fascinating portrait of R.E.M. at a pivotal point in the group's career.Rolling Stone (5/13/99, p.48) - Included in Rolling Stone's "Essential Recordings of the 90's."
Spin - Ranked #2 in Spin's list of "The 20 Best Albums Of 1991"
Q (12/99, p.70) - Included in Q Magazine's "90 Best Albums of the 1990s"
Q - Included in Q's list of "50 Best Albums of 1991"
CMJ (1/6/03, p.16) - Included in CMJ's list of "Top 25 College Radio Albums of All Time" Rolling Stone (3/21/91) - 4 Stars - Excellent - "...R.E.M. has done it again: defied and fulfilled the conflicting expectations of a broad, mainstream audience and a smaller, more demanding, and possessive, cult....This may well be America's best rock & roll band....surely, America's most resourceful rock & roll band..." Spin (3/91) - "...More textured, lighter, brighter, and poppier than 1988's GREEN....This album will nail it once and for all: They're no longer innovative, original, or particularly exciting in the way they used to be--but they are writing more consistently excellent songs..."
Melody Maker (12/91) - Ranked #3 in Melody Maker's list of "Top 30 Albums of 1991" - "...A merry breakdown and a mighty breakthrough..."
Mojo (Publisher) (p.110) - 5 stars out of 5 - "[L]ively, lush sounding..."
New York Times (Publisher) (1/1/92) - "...Sing about love in a self-conscious era, R.E.M. toyed with its own sound--playing unfamiliar instruments, sometimes adding a string section--to create eccentric yet indelible songs..." New Musical Express (3/16/91, p.30) - 10 - Classic - "...REM are back after a period of self-imposed reinvention, and OUT OF TIME is easily their most eclectic and wildly inspired album yet, although it is still very identifiably REM--a brand new book from a familiar author...."