| | Tom Petty Wildflowers CD Tom Petty Discography of CDs
(5 Customer Reviews)
"You Don't Know How It Feels" won a 1996 Grammy Award for Best Male Rock Vocal Performance. WILDFLOWERS won a 1996 Grammy for Best Engineered Album, Non-Classical. WILDFLOWERS was also nominated for Best Rock Album.
It is hard to believe that Tom Petty first stepped onto the rock & roll carousel eighteen years ago. Hard to believe because the best moments of his sizable catalog--the perfect guitar pop of "American Girl," the faux-psychedelia of "Don't Come Around Here No More," the sharp-tongued putdowns like "Century City" and "Zombie Zoo"--have all developed a rare timeless quality. A quality that few, if any, of his contemporaries (Eddie Money, the Cars, etc.) were able to achieve. Harder, still, because in the course of his long career we've never noticed Petty gettin' on in years or becoming an anachronism.
So it is somehow appropriate that on WILDFLOWERS, his second "solo" ride without the full complement of the Heartbreakers, Petty's musings fall predominantly toward his current role in the world. Throughout these reflections Tom Petty plays the kid's game he's been good at for years ("but let me get to the point, let's roll another joint" he sneers knowingly in "You Don't Know How It Feels"). More often than not, the future the songwriter envisions for himself is full of doubts ("Time To Move On") and soon-to-be-dull memories ("Don't Fade On Me"). This makes WILDFLOWERS speak in a far more subdued and wistful tone than most Petty records, creating a darker self-conscious persona.
Tom Petty understands that he's far too established to keep playing a rebellious, one-dimensional rock & roll singer. On WILDFLOWERS he attempts to ground this understanding in a purposeful existence.
1994 album produced by Rick Rubin. Warner Bros.
Recorded at Sound City and Ocean Way Recording, Los Angeles, California.
Engineers: Jim Scott, David Bianco, Richard Dodd.
Personnel: Tom Petty (vocals, acoustic guitar, electric guitar, harmonica); Howie Epstein (vocals, bass guitar, background vocals); Carl Wilson (vocals, background vocals); Mike Campbell (acoustic guitar, electric guitar, slide guitar, coral sitar, harpsichord); Marty Rifkin (steel guitar); Gary Herbig, Jim Horn, Kim Hutchcroft, Brandon Fields (saxophone); Benmont Tench (piano, grand piano, tack piano, electric piano, harmonium, organ, Mellotron); Ringo Starr, Steve Ferrone (drums); Lenny Castro, Phil Jones (percussion).
Audio Mixer: Richard Dodd.
Recording information: Ocean Way Recording Studios, Hollywood, CA; Sound City Studios, Los Angeles, CA.
Photographers: Martyn Atkins; Robert Sebree.
Unknown Contributor Role: George Drakoulias.
Personnel: Tom Petty (vocals, acoustic & electric guitars, harmonica, piano, organ, bass); Michael Kamen (conductor); Carl Wilson (vocals); Mike Campbell (acoustic & electric guitars, sitar, harpsichord, bass); Marty Rifkin (pedal steel guitar); Jim Horn, Brandon Fields, Gary Herbig, Kim Hutchcroft (saxophone); Benmont Tench (acoustic & electric pianos, organ, harmonium, Mellotron); Howie Epstein (bass, background vocals); John Pierce (bass); Steve Ferrone, Ringo Starr (drums); Lenny Castro, Phil Jones (percussion).
Producers: Rick Rubin, Tom Petty, Mike Campbell.
Rolling Stone (5/13/99, p.63) - Included in Rolling Stone's "Essential Recordings of the 90's." Rolling Stone (11/3/94, pp.95-96) - 4 Stars - Excellent - "...Petty's music...has always demanded a respect that no amount of wry humility could undermine, and his new album WILDFLOWERS proves no exception..." Spin (1/95, p.74) - Recommended - "...Petty has an evocative voice, and writes great, simple melodies. These are his strong points, and both are amply in evidence on WILDFLOWERS..." Mojo (Publisher) (1/95, p.51) - Included in Mojo's "25 Best Albums of 1994" - "...highlights Petty's oddly poignant pop writing which, though full of nostalgic resonances, sounds fresher than ever..." NME (Magazine) (11/19/94, p.48) - 8 - Excellent - "...the soundtrack for people who felt they were experiencing their mid-life crisis at 14..." Wildflowers Music | List Price | $13.98 (You save $3.99) | | Category | Rock Albums, Pop CDs, Oldies, Rock/Pop, Hard Rock | | Label | Warner Bros. (Record Label) | | Orig Year | 1994 | | All Time Sales Rank | 3871  | | CD Universe Part number | 1101404 | | Catalog number | 45759 | | Discs | 1 | | Release Date | Nov 01, 1994 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Personnel | Lenny Castro Tom Petty - vocals, acoustic guitar, electric guitar, harmonica Kim Hutchcroft - saxophone Steve Ferrone - drums Gary Herbig Brandon Fields - saxophone John Pierce - bass Phil Jones - percussion Marty Rifkin - steel guitar
Also: Ringo Starr, Jim Horn, Benmont Tench, Mike Campbell, Carl Wilson, Michael Kamen, Howie Epstein |
Tom Petty Wildflowers Songs Purchase Wildflowers CD To buy, Click on price to add to cart | Tom Petty Echo CD (1999)
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$29.09 Recorded live at the Umbria Jazz Winter Festival, Museo Emilio Greco, Orvieto, Italy on December 3, 1998.
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For those unfamiliar with accordionist Richard Galliano, this set is a rare kind of introduction to the man who, inspired by the late Astor Piazzolla, redeemed the accordion as an instrument for improvisation. This three-CD collection will delight fans, all of whom have favorite settings in which to hear Galliano play. There are three of them here: solo, duo, and trio. The solo set is perhaps the most revelatory: one complete concert in Orvieto, Italy, at the foot of the mountains on New Year's Eve, 1998. Here is where Galliano's particular genius and discipline reveal their magic. This is how his New Musette form of music was developed -- playing to himself in a mirror. The swinging harmonic phrases and melodic lines, at sometimes dizzying tempos, are entrancing as he stops and starts on a dime, gliding effortlessly from a jazz style to a form of Italian, Andalusian, and Turkish folk songs to French cabaret music to African balakos and back again. This is music made spontaneously, on the spot and in the mind, in the same manner Bill Evans made music, from the most intimate part of the heart without letting the thought process cloud the emotional or musical sensibility. The duo setting with clarinetist Michel Portal, recorded a few months earlier in a German radio studio, is frighteningly intense. This pair starts furiously reeling through dances and mazurkas before going off into the stratosphere of improvisation. After that, even the ballads, tangos, and waltzes have a furious pace and depth. There is aggression in this pairing, but there is also great beauty. And the genius of Galliano's playing is that he can play support and soloist to Portal at the same time. These two men are playing telepathically. There is no rehearsal for this kind of melodic improvising, where each man begins to quote the other simultaneously! In fact, this second disc is so wildly inventive ...
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$9.39 This collection of 12 songs recorded by Swedish pop singer Frida (Abba) and produced by Steve Lillywhite, includes "One Little Lie," "Face," and the album's title track.
Frida's second post-ABBA solo album followed fairly closely on the heels of Something's Going On, but was more ambitious. With Steve Lillywhite producing, the singer stretches out on a string of memorable and bold songs that have her generating more power and excitement than the prior album; she clearly loves the melodies here, and embraces them all, boosting her range in the process. A lot of it may be mere rock posturing, but she pulls it off, pushing her pipes and also singing with a bracing, dramatic urgency on pieces like "One Little Lie" and the title track. Lillywhite gives her a more integrated band setting in which to work, which overall made for better, tighter ensemble work between singer and musicians and -- coupled with the high quality of the songs -- ended up delivering a more compelling album, if not a more successful one. ~ Bruce Eder
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