Deftones White Pony CD

Re-Release With Extra Track "Back To School"

Deftones: Chino Moreno (vocals, guitar); Stephen Carpenter (guitar); Chi Cheng (bass); Abe Cunningham (drums); Frank Delgado (turntables).
Recorded at The Plant Recording Studios, Sausalito, California.
"Elite" won the 2001 Grammy Award for Best Metal Performance.
Deftones: Chino Moreno (vocals, guitar); Stephen Carpenter (guitar); Chi Cheng (bass); Abe Cunningham (drums); Frank Delgado (turntables).
Recorded at The Plant Recording Studios, Sausalito, California.
"Elite" won the 2001 Grammy Award for Best Metal Performance.
Deftones: Chino Moreno (vocals, guitar); Stephen Carpenter (guitar); Chi Cheng (bass); Abe Cunningham (drums); Frank Delgado (turntables).
Recorded at The Plant Recording Studios, Sausalito, California.
"Elite" won the 2001 Grammy Award for Best Metal Performance.
This version of WHITE PONY includes the track "Back To School (Mini Maggit)", formerly available as a link on an enhanced version of WHITE PONY.
Deftones: Chino Moreno (vocals, guitar); Stephen Carpenter (guitar); Chi Cheng (bass); Abe Cunningham (drums); Frank Delgado (turntables).
Recorded at The Plant Recording Studios, Sausalito, California.
"Elite" won the 2001 Grammy Award for Best Metal Performance.
Personnel: Chino Moreno (vocals, guitar); Stephen Carpenter (strings); Abe Cunningham (drums); Frank Delgado (turntables).
Audio Mixers: Terry Date; Ulrich Wild.
Recording information: Larrabee Sound Studios, West Hollywood, CA; The Record Plant, Sausalito, CA.
Hard rockers Deftones take their heavy post-grunge ways to another level on their third album White Pony. Sensing painful frustrations and personal rediscovery with its allusive microcosm of an album title, the Californian alt-rock five piece were periodically stifled while making White Pony. Their 1997 sophomore effort Around the Fur was hailed to blast out commercially, but such pressure crippled the band musically and personally. The band struggled with leading its direction, trudging through weighed emotion, but White Pony was the tantalizing outcome. The Deftones went soft, but in an impressive way, to twist around its signature punk thrash sound. Frontman Chino Moreno is still intense, and his sour vocals throughout the entire record growl and stomp all over mainstream movements. He is bored with it all. "Feiticeira" calls out against authority with textured guitars and gnarling percussive throws. "Elite" is sonically industrial and embryonic, as Moreno's beer-soaked vocals scream like Ministry's Al Jourgensen and Skinny Puppy's Nivek Ogre. Lyrically, Moreno is exquisitely mind-blowing, but his fear is also evident. Check out the fierce ballad-esque "Teenager" -- the innocent days when life seemed easy can only be dreams now. Moreno's duet with Tool's Maynard James Keenan on "Passenger" is as equally tender. The first single, "Change (In the House of Flies)," is hardening in the way that punk can be sultry and not just pogo-skanking nonsense. It is honest, stripped, and exposed with it's flowing guitar riffs and haunting orchestral back drops. There aren't any lackluster similarities to Limp Bizkit and Korn. The Deftones have forged ahead, unafraid to delve into the influences of The Smiths and The Cure. ~ MacKenzie Wilson
The Deftones have always been known for walking a tightrope of extremes, from crunchy guitar riffing to gentle, melodically fleshed-out chords, with vocals ranging from a breathy hush to devilish bellowing, and some occasional hip-hop phrasing for good measure. With WHITE PONY, Deftones mastermind and vocalist/guitarist Chino Moreno has brought the band to full gallop.
Somewhat inspired by the game show, "Feiticeira" recounts a chilling abduction from the first person perspective, while "Digital Bath" features moody verses and brutal choruses. "Elite" uses a vocal approach usually reserved for death metal bands while "Rx Queen" is morbidly romantic. "Teenager" celebRolling Stone (7/20/00, p.139) - 3 stars out of 5 - "...a classic alternative-rock album, as gentle and catchy as it is dark....trading nuance for studio-generated crescendoes..."
Entertainment Weekly (7/7/00, p.130) - "...Their brutality will burn its way into your memory banks." - Rating: B+
Q (7/00, pp.112-4) - 3 stars out of 5 - "...Their most adventurous and assured album to date....Best appreciated if your 16, covered in spots and not scared of falling off your skateboard...a welcome addition to 2000's modern-metal canon."
Alternative Press (7/00, p.97) - 5 out of 5 - "...Explores rock's sonic possibilities from the head and the gut, without diluting the intention or diminishing its essence....WHITE PONY is invigorating."
CMJ (1/08/01, p.24) - Included in CMJ's "Best Loud Rock Albums" of 2000.
CMJ (6/19/00, p.3) - "...More influenced by new wave than new metal....[the album] is a masterwork of fluctuating dynamics..."
Melody Maker (6/27/00, p.76) - 4 stars out of 5 - "...A very good album....Deftones will always be the most rewarding of the current nu-metal crop..."
NME (Magazine) (6/17/00, p.40) - 8 out of 10 - "...Regarded as the biggest American rock album to be released this year....it's a good job they've made a great album....And it sounds like Foreigner."