| | Juice Soundtrack CD (2 Customer Reviews)
JUICE, background to the 1992 gangsta movie of the same name, fits the landscape of the film, even without a single track by lead actor 2Pac. The title track, "Juice (Know the Ledge)," features some of Rakim's most scintillating and dexterous rhymes over a trademark Eric B. beat, and deservedly became one of the duo's biggest hits. The rest of the soundtrack captures a perfect snapshot of the hip-hop nation of the era, including top tracks from EPMD, Naughty By Nature, and Cypress Hill.Rolling Stone (2/6/92, p.77) - 4 Stars - Excellent - "..hypnotic...a remarkable collage of hip-hop culture.." Entertainment Weekly (2/14/92, p.54) - "..a collection of new and old tracks by a who's who of street music...Sparkling with otherwise hard-to- find gems.." - Rating: A Option (5/29/92, p.114) - "..acts as a report on the state of hard hip-hop.." Mojo (Publisher) (6/02, p.68) - Included in Mojo's "100 Coolest Movie Soundtracks" - "...One of the '90s best hip hop collections..." Juice Soundtrack Music | List Price | $9.97 (You save $1.82) | | Category | Rock/Pop Albums, Rap CDs, Soundtrack | | Label | MCA | | Orig Year | 1992 | | All Time Sales Rank | 21431  | | CD Universe Part number | 1103484 | | Catalog number | 10462 | | Discs | 1 | | Release Date | Dec 31, 1991 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Engineer | James Nichols | | Recording Time | 54 minutes | | Additional Info | Original Soundtrack |
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$9.99 In 2000 there were two Broadway productions based on Joseph Moncure March's poem "The Wild Party." This version was written by Andrew Lipps and produced at The Manhattan Theatre Club.
New Yorker writer Joseph Moncure March's novella-length poem, The Wild Party, a verse depiction of roaring '20s decadence, was published in 1928 and fell out of copyright in 1994. Soon after, it began to attract the attention of theater people, and, amazingly enough, two competing New York theater companies ended up mounting entirely different musical versions of it within two months of each other in the second half of the 1999-2000 season: The Manhattan Theatre Club opened its production at its off-Broadway house, while the Public Theater/New York Shakespeare Festival mounted its production on Broadway. This album contains the Manhattan Theatre Club Wild Party, which was written -- book, music, and lyrics -- by Andrew Lippa. Lippa, who added some good songs to a revival of You're a Good Man, Charlie Brown but had not previously written a full-length musical, is an eclectic composer ...
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$10.15 “Let me send some hope!”So sings Duff Ferguson on the head bobbing title track to his new record Good Things. And what a letter of hope we receive in these 10 tracks, bursting with joyous melodic pop that quickly dispels any doubt that the future can be shinier, happier, and better lit than today.Leading the charge is Duff’s “confident, honey sweet tenor” voice that “resonates with a romantic, femme-friendly vibe” (Music Connection) as it dives into the melodies. The pairing of his distinctive tone with harmonies by Todd Herfindal of The Meadows, Heather Waters, and Carmen Doane provides a perfect front for a crack band that shifts quickly from quiet and sweet to a loud rocking growl. Femme friendly it may be, but there is plenty here for both boys and girls in the energetic choruses, meaty guitarchestras, danceable grooves, and taut solo leads.The tight 35 minute record kicks off with a pure dose of soaring rock in “We Will Escape,” followed by a clap-along feel good chorus in “Good Things.” “The Things That Lovers Do” (a Todd Herfindal co-write) adds some Stonesy swagger alongside the quirky “One Day At A Time,” a mind bending boot stomper co-written with Simon Lynge. Of course, to every silver lining there must be a cloud or two, and the record’s soulful tunes “Never Enough” (a Rich McCulley co-write) and “Valentine’s Day” take us to the rainier side of love. But the record jumps back to its feet with “Make It Right” and a driving new California anthem, “Forever California,” which both capture the album’s themes of optimism and renewal. Rounding out the disc is a pair of unabashedly romantic tunes, “Marry Me” and “No Secrets To Hide.”To bring the record to life, Duff once again enlisted the production assistance of Rich McCulley and Herfindal and stacked his band with friends old and new from around the Los Angeles pop and roots scene. Alongside Duff’s and Herfindal’s guitars, we hear guitarist Tony Gilkyson (Bob Dylan, Tom Waits), drummers Tommy Rickard and Mike Stinson, and strings by Amy Farris (Dave Alvin, Brian Wilson). Also included are bassists Rick Barrio Dill, Kevin Houlihan, and Rob Douglas, as well as keyboardist Dennis Hamm.Good Things follows Duff’s 2005 EP 400 Miles (also produced with McCulley), which ...
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