Commander Cody & His Lost Planet Airmen - Lost in the Ozone CD

Lost in the Ozone buy CD music A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune"). All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes on "You Don't Love Me." The only real disappointment here is that Stills, a far better singer than Kooper, never opens his mouth. Those familiar with the Live Adventures album these two recorded at the Fillmore West know how brilliant they could be on stage, and here's another gem, recorded at the Fillmore East this time and featuring 'One Way Out,' 'It's My Own Fault' (with Bloomfield trading licks with Johnny Winter...Johnny was signed to Columbia after this gig!). Newly remastered & now with 4 bonus tracks, 'Albert's Shuffle' (2002 Remix w/o Horns), 'Season of the Witch.' (2002 Remix w/o Horns), 'Blues For Nothing' (Studio Outtake) & 'Fat Grey Cloud' Previously Unreleased Live Track). Features 12-page booklet with unpublished photos from the recording session, new liner notes by Al Kooper & the Rolling Stone Hall Of Fame review by David Fricke. 60 scintillating minutes! 13 tracks. Colunbia/Legacy. 2003. Includes liner notes by Al Kooper, Michael Thomas. Includes liner notes by Michael Thomas. Full performer name: Mike Bloomfield/Al Kooper/Steve Stills. Personnel: Mike Bloomfield (electric guitar); Al Kooper (vocals, 12-string & electric guitars, piano, organ, ondioline); Steve Stills (electric guitar); Barry Goldberg (electric piano); Harvey Brooks (bass); Eddie Hoh (drums). Personnel: Mike Bloomfield (electric guitar); Al Kooper (piano, organ, ondioline, vocals, 12-string & electric guitars); Steve Stills (electric guitar); Barry Goldberg (electric piano); Harvey Brooks (bass); Eddie Hoh (drums). Reissue producer: Bob Irwin.

Lost in the Ozone songs After working his way through loss and chaos on the brilliant TONIGHT'S THE NIGHT (recorded in 1973, but not released until 1975), Neil Young deftly exorcised any lingering demons with 1974's ON THE BEACH. The album opens with the saunter of the aptly titled "Walk On," followed by the utterly gorgeous, Wurlitzer-tinged "See the Sky about to Rain." The set also features a trio of scathing songs--"Revolution Blues," "Vampire Blues," and "Ambulance Blues"--that address issues important to Young, both social and personal. It is good to hear Young back with such bite and vitriol, especially after the broken desperation of TONIGHT'S THE NIGHT. But while ON THE BEACH is edgy and deeply felt, it also manages to sound liberating and relaxed, with glimmers of hope and humor peeking through the spare, evocative arrangements. Inexplicably unreleased on CD until 2003, ON THE BEACH is both unflinching and resilient, and easily stands as one of Young's finest albums. Recording information: Broken Arrow Studios, San Francisco, CA; Sunset Sound, Los Angeles, CA. Photographer: Bob Seidemann. Guests:Graham Nash/Rick Danko/ David Crosby/Levon Helm Personnel: Neil Young (vocals, guitar, banjo, harmonica, Wurlitzer organ); Neil Young (Wurlitzer piano); Ben Keith (vocals, guitar, slide guitar, steel guitar, dobro, Wurlitzer piano, organ, Wurlitzer organ, drums, background vocals); Graham Nash (vocals, Wurlitzer piano, Wurlitzer organ); Ralph Molina (vocals, drums, background vocals); Tim Drummond (bass instrument, drums, percussion); Rick Danko, Billy Talbot (bass instrument); David Crosby (vocals, guitar); Rusty Kershaw (guitar, slide guitar, violin, fiddle); George Whitsell (guitar); Joe Yankee (harp, tambourine); Levon Helm (drums). Liner Note Author: Rusty Kershaw.

Lost in the Ozone album for sale There were 2 different versions of this LP, each with slightly different tracks. The CD contains all tracks from both versions. Led by singer-guitarist Peter Green, the first version of Fleetwood Mac was one of England's premier bands and possibly the greatest white blues band ever to emerge from the '60s blues revival. 1969's THEN PLAY ON is their best album and Green's pinnacle achievement. Heavily influenced by Otis Rush, Green had an unusually lyrical style for a blues musician, able to draw on flamenco, folk, even classical guitar--all of which make an appearance in the ambitious instrumental coda to his major opus, "Oh Well." Despite the inclusion of superior modern blues songs like "Rattlesnake Shake" and "Show-Biz Blues," THEN PLAY ON is notable for its instrumentals. Standout cuts range from the dream-like voyages "My Dream" and "Underway" to virtuosic three-guitar jams like "Searching For Madge" and "Fighting For Madge," both of which feature Green's inspired guitar work. Additional personnel includes: Christine Perfect (background vocals). Live Recording Personnel: Danny Kirwan, Jeremy Spencer, Peter Green (vocals, guitar); Big Walter Horton (harmonica); Mick Fleetwood (drums). Fleetwood Mac: Peter Green, Jeremy Spencer, Danny Kirwin (vocals, guitar); John McVie (bass); Mick Fleetwood (drums).

Lost in the Ozone CD music Released in 1973 and now regarded as an important transitional album in Fleetwood Mac's long march towards superstardom, MYSTERY TO ME featured the lineup of Mick Fleetwood, John and Christine McVie, singer/guitarist Bob Welch and guitarist Bob Weston. The hiring of Welch had angered original guitarist Danny Kirwan and after a 1972 gig, the volatile Kirwan went berserk backstage and was fired. On MYSTERY TO ME, the follow-up to PENGUIN (1973) and the band's strongest album in years, the luminous elements of the future Fleetwood Mac were falling in place; Bob Welch's rambling, mystical reverie "Hypnotized" became (and remains to this day) a rock radio standard. The Welch-Weston-John McVie-penned "Forever" grooves with an atypical African gloss, and the bluesy growl of Welch's "The City" lashes out at New York, contradicting Lindsey Buckingham's giddy city ode "Empire State" on 1982's MIRAGE. Yet it is Christine McVie's thoughtful, majestic "Why," which unfolds from a backcountry fingerpick to a soaring poem of regret and passage, that marks the transition from early Mac (which officially ended with 1974's HEROES ARE HARD TO FIND) to one of the most influential Anglo-American bands of all time. Fleetwood Mac: Bob Welch (guitar, vocals); Bob Weston (guitar, slide guitar); Christine McVie (keyboards, vocals); John McVie (bass); Mick Fleetwood (drums). Additional personnel: Martin Birch (acoustic guitar). Award Winner

Lost in the Ozone buy CD music PETER GREEN'S FLEETWOOD MAC, the band's full-length debut, is miles removed from commercially tailored soft rock of Fleetwood Mac's 1970s incarnation. The '60s version of the band, led by guitarist/singer Peter Green, was edgy, psychedelic, and rooted deeply in the blues. Green's love of revved-up 12-bar jams, raw boogie grooves, and shredding electric leads come together beautifully on this album, with the help of slide guitarist/singer/pianist Jeremy Spencer, drummer Mick Fleetwood, and bassist John McVie. With the exception of Spencer, the members had played together in John Mayall's Bluesbreakers, and took the slashing, mercurial sound and lock-step interplay from that outfit and--arguably--improved on it. Though the album is steeped in traditional blues and includes covers of tunes by Robert Johnson ("Hellhound on My Trail"), Howlin' Wolf ("No Place to Go"), and Elmore James ("Got to Move"), the compositions penned by Green and Spencer stand up, especially the subtler singing and playing by Green (as on "Looking for Somebody"). Released at time when the market was glutted with amped-up British blues, PETER GREEN'S FLEETWOOD MAC stands above the competition with its superior musicianship and gutsy punch. It remains a template for hard-driving blues-rock. Liner Note Author: Mike Vernon. Recording information: CBS Studio, London, England (??/??/1967-12/11/1967); Decca Studio, West Hampstead, London, England (??/??/1967-12/11/1967). Fleetwood Mac: Peter Green (vocals, guitar, harmonica); John McVie, Bob Brunning (bass guitar); Jeremy Spencer, Mick Fleetwood. Personnel: Jeremy Spencer (vocals, guitar, slide guitar, piano); Mick Fleetwood (drums).

Lost in the Ozone songs Recorded live at Armadillo World Headquaters in Austin, Texas. Recorded at the legendary Armadillo World Headquarters in Austin, TX, this 1973 concert captures a young Commander Cody, hearty and energetic, able to traverse rockabilly, Western swing, jump blues, and honky-tonk in a single bound. This quintessential live recording features the classic version of the band, which included guitarist Bill Kirchen (who'd later embark on an impressive solo career). Cody and the boys are at their best here, whether spitting out spirited rockabilly ("Good Rockin' Tonight"), indulging in some hippie/stoner humor ("Down to Seeds & Stems Again Blues"), or even adding a Cajun touch ("Diggy Liggy Lo"). Toward the end of the disc, the band launches into its unofficial theme song, "Too Much Fun," with all the emotional commitment of "The National Anthem," and of course, much more fun. When wading throught the confusing waters of Cody's many live albums from various eras, fans are recommended to begin with this one.