| | Willie Nelson Gospel Favorites CD Willie Nelson Discography of CDs
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Our Price: $5.35 CDFor Sale Usually ships in 1-2 days
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Personnel: Willie Nelson (vocals, guitar). A budget-priced collection assembling ten of Willie Nelson's spiritual recordings, Gospel Favorites is a good introduction to another of this multi-faceted performer's many sides -- highlights include "Family Bible," "By the Rivers of Babylon" and "Kneel at the Feet of Jesus." ~ Hank Small Those whose knowledge of country music history begins with Travis Tritt (or even Hank Williams, Jr.) probably have a hard time understanding what "outlaw country" meant in the late-'60s/early-'70s. Willie Nelson, along with people like Waylon Jennings and Kris Kristofferson pioneered the movement, offering a gritty, rootsy, long-haired, rock-informed alternative to the Billy Sherrill-produced, strings-and-choir-laden Nashville pap that was being pumped out to the country audience. Nelson had already been kicking around for quite a while, penning hits for others (most notably Patsy Cline's "Crazy" and Faron Young's "Hello Walls"), but unable to make a mark as a solo artist. Eventually, he decided to see what would happen if he let his hair down (both figuratively and literally) to appeal to the younger generation. On milestone albums like PHASES AND STAGES and RED HEADED STRANGER, his approach defined "progressive country," retaining a raw, authentic sound without adhering to Nashville strictures. By the '70s, he had become a unique stylist who owed little to any one genre. His jazzy nylon-string guitar and relaxed croon proved infinitely adaptable. He tackled standards to fine effect on STARDUST and SOMEWHERE OVER THE RAINBOW. By the '80s, he was a pop icon on a par with Sinatra or Streisand, cutting duets with decidedly non-country artists like Julio Iglesias, as well as collaborating with Kristofferson, Jennings and Johnny Cash in the country supergroup the Highwaymen. Willie Nelson Gospel Favorites Songs Gospel Favorites Review
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Purchase Gospel Favorites CD To buy, Click on price to add to cart | Johnny Cash Just As I Am CD (1999)
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$6.79 Personnel includes: Johnny Cash (vocals); June Carter, The Carter Family, The Statler Brothers. Personnel: Johnny Cash (vocals, ...
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$13.45 Doc Watson: Doc Watson (vocals, guitar, banjo, autoharp, mandolin); Gaither Carlton (vocals, fiddle); Rosa Lee Watson, Annie Watson, Sophronie Miller Greer, Dolly Greer (vocals); Merle Watson (guitar, banjo); Ralph Rinzler (guitar); Arnold Watson (banjo, harmonica). Doc Watson, grandfather of the folk revival movement, has had a profound influence on American traditional music. Not only did he pioneer the playing of fiddle tunes on a flattop guitar, but through his incessant touring has brought traditional music to a larger audience. This Smithsonian ...
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| | Dolly Parton Jolene CD (1974) Bonus Tracks; Remastered
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Personnel includes: Dolly Parton (vocals); The Nashville Edition (background vocals). Producer: Bob Ferguson. Reissue producer: Mike Ragogna. Recorded at RCA's Nashville Sound Studio, Nashville, Tennessee. Originally released on RCA (0473). Includes liner notes by Robyn Flans. Digitally remastered by Elliott Federman (SAJE Sound, New York, New York). This is part of Buddha Records' Original Masters series. Personnel: Dolly Parton (guitar); Dave Kirby, Bobby Thompson (guitar); Jimmy Colvard (electric guitar); Pete Drake, Stuart Basore (steel guitar); Chip Young (dobro); Buck Trent (banjo); Johnny Gimble, Mack Magaha (fiddle); Onie Wheeler (harmonica); David Briggs , Hargus "Pig" Robbins (piano); Bobby Dyson (bass instrument); Ralph Gallant, Larrie Londin, Kenny Malone, Jerry Carrigan (drums); Dolores Edgin, June Page, Hurshel Wiginton, Joe Babcock (background vocals). Of the three 2007 Dolly Parton reissues from Sony, Jolene is the most absorbing musically and the most problematic lyrically. A sparkling production creates a rich backdrop for both "Jolene" and "When Someone Wants to Leave" (both Parton originals), mixing acoustic guitar, country instruments (steel guitar, dobro), and light percussion. This tasteful mix, nicely spread across the stereo spectrum with Parton front and center, is a joy to listen to. Lyrically, however, these songs are a long way from Loretta Lynn's "You Ain't Woman Enough to Take My Man." Parton's female protagonists are downright pitiful, adrift in a world where a more attractive woman might take their man, where a woman cannot let go of a man who no longer loves her, and where a man is the "highlight" of her life ("Highlight of My Life.") Jolene, originally released in 1974, feels like a shot across the bow of the feminist movement, a reaffirmation that many women still liked the men to wear the pants (women, presumably, who listened to ...
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