| | Summer Hits Of The 50'S And 60'S CD
MCA's budget-line compilation Summer Hits of the 50's and 60's is ideal for fun in the sun, assembling ten beach-friendly hits including the Surfaris' "Wipe Out," Brian Hyland's "Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini" and Robin Ward's "Wonderful Summer." ~ Chuck Donkers Summer Hits Of The 50'S And 60'S Music Summer Hits Of The 50'S And 60'S Songs Summer Hits Of The 50'S And 60'S Review
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Purchase Summer Hits Of The 50'S And 60'S CD To buy, Click on price to add to cart | 50'S Hits: Great Records Of The Decade, Vol. 1 CD (1990)
Summer Hits Of The 50'S And 60'S album
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| | Hard To Find 45'S On CD, Vol. 2: 1961-64 CDs (1996)
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The second installment of the Hard to Find 45's series is, like the first, a wide assortment of Top 40 hits, some of them indeed very hard to find on CD or even hear on the radio. Some of them are not really that hard to find on CD, though this disc (like every one in this series) takes pains to present original 45 RPM single versions, often in stereo. Whereas the first volume was devoted to material from 1955-1960, this goes into the next era (1961-1964), and though it's pretty pop-inclined, there's a good deal of diversity. There's doo wop verging on soul by the Stereos ("I Really Do Love You," the Flares' "Foot Stompin'," Clyde McPhatter's "Lover Please"), girl-sung teen idol pop (Little Peggy March's "I Will Follow Him," Marcie Blane's "Bobby's Girl"), the poppiest brand of girl group sounds (the Murmaids' "Popsicles and Icicles," Diane Renay's "Navy Blue," ...
| | Joe Jackson Night And Day CD (1982)
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All songs written by Joe Jackson except "T.V. Age" (Jackson/Steve Tatler).
This is the album where Jackson starts showing off his compositional and instrumental chops. By 1982 he had moved to New York, where he developed a great love of Latin music. Perhaps spurred by his 1981 jump blues outing JUMPIN' JIVE, Jackson again stepped away from his rock & roll past, this time with some outstanding original tunes. NIGHT AND DAY merges Latin sounds with pop, jazz and classic Gershwinesque melodic elegance. It contains the most mature and instantly satisfying compositions of Jackson's career.
The Latin percussion of Sue Hadjopoulos and Jackson' own salsa-tinge piano provide continuity throughout the album. In what was a revolutionary move for a pop-rock artist at the time, Jackson jettisoned his guitarist in favor of a second keyboardist, and the piano, organ and synthesizer textures provide much of the meat for the arrangements. Alternately propulsive and reflective, NIGHT AND DAY reflects the concerns of an Englishman in New York City in the early '80s, but the album's biggest hit "Steppin' Out" is a graceful, synth-flavored love ballad that's as timeless as great pop songs get.
Jackson's great New York album, full of atmosphere, high-quality musicianship and mature arrangements, put him way beyond the pop of his first two albums. The cosmopolitan flavour is captured on the Latin-styled "Cancer," Jackson's romantic nature is exposed
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| | Jesse Winchester Nothing But A Breeze CD (1977) Remastered
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Jesse Winchester regularly took two years between record releases, but he brought in his fifth album, Nothing But a Breeze, a mere nine months after its predecessor, Let the Rough Side Drag. The impetus for such speed seems to have been the potential commercial bonanza to be gained by Winchester's first U.S. appearances since he moved to Canada to avoid the draft in 1967, due to President Jimmy Carter's amnesty program. Winchester also used a real producer, Brian Ahern (known for his work with Emmylou Harris), for the first time, and augmented his usual backup band with session stars such as Ricky Skaggs and James Burton, plus supporting vocalists like Harris and Anne Murray. The result was an Ahern-style country-pop album, but, perhaps predictably, a rather light effort for Winchester, who performed three covers among the ten tracks and included among the originals such comic trifles as "Twigs and Seeds" and "Rhumba Man." The title track, which became his first singles-chart entry, and "My Songbird," which Harris later covered, were effective songs. Nothing But a Breeze enjoyed a media buzz and became Winchester's highest-charting ...
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Summer Hits Of The 50'S And 60'S album
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