| | Music From Saratoga - Beethoven, Franck / Argerich, Perlman CD Argerich, M / Beethoven / Franck / Perlman CDS
Music From Saratoga - Beethoven, Franck / Argerich, Perlman Music | List Price | $16.98 (You save $4.39) | | Label | Angel Records | | Orig Year | 11/2/1999 | | All Time Sales Rank | 4411  | | CD Universe Part number | 1106471 | | Catalog number | 56815 | | Discs | 1 | | Release Date | Nov 02, 1999 | | Recording Time | 1 0 |
Music From Saratoga - Beethoven, Franck / Argerich, Perlman Review
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Music From Saratoga - Beethoven, Franck / Argerich, Perlman
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Music From Saratoga - Beethoven, Franck / Argerich, Perlman
$7.59 Digitally remastered by Brian Lee and Bob Ludwig (Gateway Mastering Studios, Inc.).
Although Ozzy Osbourne received enormous commercial success with 1986's THE ULTIMATE SIN, his detour into glam metal proved unsatisfying for both Osbourne and his fans. Osbourne spent most of 1987 readying his postponed live album with Randy Rhoads for release, TRIBUTE, and pondering his future musical direction. He elected to return to the kind of music that got him where he was in the first place--loud, unapologetic heavy metal. He also decided to replace guitarist Jake E. Lee with a young newcomer from New Jersey, Zakk Wylde, for 1989's NO REST FOR THE WICKED. Wylde had been a lifelong Ozzy/Sabbath fan, and resembled Randy Rhoads both in appearance and in playing style.
While the album is not on par with such past classics as BLIZZARD OF OZ and DIARY OF A MADMAN, NO REST FOR THE WICKED did represent a return to Osbourne's roots (thanks in part to longtime Queen producer Roy Thomas Baker). Osbourne tackles a range of subjects throughout, such as crooked televangelists ("Miracle Man"), serial killer Charles Manson ("Bloodbath in Paradise"), and even his own struggle with alcoholism ("Demon Alcohol"). Also included is the concert favorite and popular video, "Crazy Babies."
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Music From Saratoga - Beethoven, Franck / Argerich, Perlman
$10.49 Also available in a 3-pack with DIARY OF A MADMAN and BARK AT THE MOON.
Ozzy Osbourne's 1983 release, BARK AT THE MOON, revealed that keyboards were becoming an integral ingredient in his music. On his next release, THE ULTIMATE SIN, keyboards were used even more extensively, resulting in Ozzy's most commercially accessible work. Despite the fact that many longtime fans resented the album's pop-metal leanings, THE ULTIMATE SIN became Osbourne's fastest-selling album to that point. It was also the last Ozzy Osbourne album to feature guitarist Jake E. Lee.
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Music From Saratoga - Beethoven, Franck / Argerich, Perlman
$13.95 Anvil's first album, 1981's Hard 'n' Heavy, may also be their most unique, since it actually predated the band's adhesion (and key contributions) to the up-and-coming speed metal movement, beginning with their seminal sophomore outing, 1982's Metal on Metal. Instead, Hard 'n' Heavy is a transitional record compiling the best fruits of nearly a decade's worth of club shows and basement woodshedding over long cold Canadian winters by inseparable pals Steve "Lips" Kudlow (vocals/guitar) and Robb Reiner (drums), plus, more recently, bandmates Dave Allison (guitar) and Ian Dickson (bass). In fact, prior to its release through Attic Records, Hard 'n' Heavy had already been put out independently under the group's discarded moniker of Lips (where, curiously, their focus had been on S&M-inspired shock rock), so in some respects, it was the work of another band, not Anvil. This S&M connection certainly explains the exceedingly naughty sexual double-entendres gracing the album's numerous frill-free hard rockers -- namely "AC/DC" and "Oooh Baby" (both of which recall the first song's namesake), "Hot Child" (which owes much to UFO), and the self-explanatory "Bondage" (which ironically features searing guitar histrionics right out ...
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Music From Saratoga - Beethoven, Franck / Argerich, Perlman
$12.05 This Montreal ensemble's fiery debut is marked by surging guitars, soulful strings, driving drums, brilliant bass lines, and the quavering vocals of married couple Win Butler and Regine Chassagne. The group's song structures careen through a vast territory of musical and personal history, ...
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