| | British Composers - Vaughan Williams: Hodie, Etc / Willcocks CD Lso / Rose / Vac / Vaughan Williams / Willcocks CDS
John Barrow,Baritone David Sillcocks,London Sym.Orc British Composers - Vaughan Williams: Hodie, Etc / Willcocks Music | List Price | $10.98 (You save $2.63) | | Label | EMI Music Distribution | | Orig Year | 11/7/2000 | | All Time Sales Rank |  4926  | | CD Universe Part number | 1106848 | | Catalog number | 67427 | | Discs | 1 | | Release Date | Nov 07, 2000 | | Recording Time | 1 11 |
British Composers - Vaughan Williams: Hodie, Etc / Willcocks Review
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British Composers - Vaughan Williams: Hodie, Etc / Willcocks Music Composers on British Composers - Vaughan Williams: Hodie, Etc / Willcocks CD : Ralph Vaughan Williams Conductors on British Composers - Vaughan Williams: Hodie, Etc / Willcocks CD : Barry Rose, David Willcocks Performers on British Composers - Vaughan Williams: Hodie, Etc / Willcocks CD : Dame Janet Baker [Mezzo Soprano], Gavin Williams, John Barrow, Sir Philip Ledger, Richard Lewis, John Shirley-Quirk Purchase British Composers - Vaughan Williams: Hodie, Etc / Willcocks To buy, Click on price to add to cart | James Dillon: Music Projects CD (2005)
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Although Ozzy Osbourne received enormous commercial success with 1986's THE ULTIMATE SIN, his detour into glam metal proved unsatisfying for both Osbourne and his fans. Osbourne spent most of 1987 readying his postponed live album with Randy Rhoads for release, TRIBUTE, and pondering his future musical direction. He elected to return to the kind of music that got him where he was in the first place--loud, unapologetic heavy metal. He also decided to replace guitarist Jake E. Lee with a young newcomer from New Jersey, Zakk Wylde, for 1989's NO REST FOR THE WICKED. Wylde had been a lifelong Ozzy/Sabbath fan, and resembled Randy Rhoads both in appearance ...
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Ozzy Osbourne's 1983 release, BARK AT THE MOON, revealed that keyboards were becoming an integral ingredient in his music. On his next release, THE ULTIMATE SIN, keyboards were used even more extensively, resulting in Ozzy's most commercially accessible work. Despite the fact that many longtime fans resented the album's pop-metal leanings, THE ULTIMATE SIN became Osbourne's fastest-selling album to that point. It was also the last Ozzy Osbourne album to feature guitarist Jake E. Lee.
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Anvil's first album, 1981's Hard 'n' Heavy, may also be their most unique, since it actually predated the band's adhesion (and key contributions) to the up-and-coming speed metal movement, beginning with their seminal sophomore outing, 1982's Metal on Metal. Instead, Hard 'n' Heavy is a transitional record compiling the best fruits of nearly a decade's worth of club shows and basement woodshedding over long cold Canadian winters by inseparable pals Steve "Lips" Kudlow (vocals/guitar) and Robb Reiner (drums), plus, more recently, bandmates Dave Allison ...
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While Rory Block had been a remarkably consistent artist over the course of 30 years, if all it took was for her to leave Rounder Records to make a record like Last Fair Deal, one has to wonder why she didn't do it ages ago. Block is one of the most restless and in-the-field artists in the history of contemporary blues. She has continually dug deeper into the muck and the mire of not only the blues but her personal life, emotionally, spiritually, amorously, and psychically, to bring out what is integral to the creation -- not re-creation -- of blues music. She has suffered, endured, and continued to make music that is not only compelling, but necessary for any accurate understanding of the cultural history of the blues tradition because she is perhaps the living female embodiment of it. Last Fair Deal is a record stripped of artifice or niceties. It is raw, feral, tender, sacred, sinful, lusty, and enlightening. On this recording, Block has assembled a collection of songs -- written, re-arranged, and restored -- that showcases the guitar as an extension of her physical and spiritual body. She writes in the liner notes that this is her tribute to the instrument that has seen her through the darkness, that she ...
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The Bethlehem label didn't make it out of the '50s before folding, and one of the reasons why is the ambitious yet misguided George Gershwin's Porgy and Bess, a three-LP box set that represents a complete recording of the Gershwin classic (with narration and sound effects). Bethlehem certainly had the talent to pull it off -- appearing on the label, and this production, are Mel Tormé, Duke Ellington & His Orchestra, Johnny Hartman, Bob Dorough, Betty Roche, Frances Faye, and minor period stars including vocalist Frank Rosolino, bandleader Stan Levey, and arranger Russ Garcia. And long-playing versions of theatrical productions were huge in the mid-'50s (a few sold millions of copies). The most popular of these, however, were simply easy-to-digest highlights ...
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