Let It Be CD

LET IT BE...NAKED contains a FLY ON THE WALL bonus disc including song rehearsals and conversation snatches.
The Beatles: John Lennon, Paul McCartney, George Harrison, Ringo Starr.
Additional personnel: Billy Preston (keyboards).
Includes liner notes by Kevin Howlett and interview excerpts with The Beatles
from the original LET IT BE book.
Original Soundtrack/The Beatles: Paul McCartney (vocals, guitar, piano, bass instrument); John Lennon, George Harrison (vocals, guitar); Ringo Starr (drums).
Additional personnel: Billy Preston (keyboards).
The only Beatles album to occasion negative, even hostile reviews, there are few other rock records as controversial as Let It Be. First off, several facts need to be explained: although released in May 1970, this was not their final album, but largely recorded in early 1969, way before Abbey Road. Phil Spector was enlisted in early 1970 to do some post-production mixing and overdubs, but he did not work with the band as a unit. And, although his use of strings has generated much criticism, by and large he left the original performances to stand as is: only "The Long and Winding Road" and (to a lesser degree) "Across the Universe" and "I Me Mine" get the Wall of Sound treatment. The main problem was that the material wasn't uniformly strong, and that the Beatles themselves were in fairly lousy moods due to intergroup tension. All that said, the album is on the whole underrated, even discounting the fact that a substandard Beatles record is better than almost any other group's best work. McCartney in particular offers several gems: the gospel-ish "Let It Be," which has some of his best lyrics; "Get Back," one of his hardest rockers; and the melodic "The Long and Winding Road," ruined by Spector's heavy-handed overdubs. The folky "Two of Us," with John and Paul harmonizing together, was also a highlight. Most of the rest of the material, by contrast, was going through the motions to some degree, although there are some good moments of straight hard rock in "I've Got a Feeling" and "Dig a Pony." As flawed and bumpy as it is, it's an album well worth having, as when the Beatles were in top form here, they were as good as ever. [In November 2003, the Beatles released an alternate version of Let It Be called Let It Be... Naked, which mixed out Spector's contributions and deleted snippets of conversation scattered throughout the album. "Dig It" and "Maggie Mae" were cut from the record in favor of "Don't Let Me Down," which was placed in the middle of an album that now had a considerably different sequencing than the originally released version of Let It Be.] ~ Richie Unterberger
In its original form, LET IT BE signaled the end of an era, closing the book on the Beatles, as well as literally and figuratively marking the end of the '60s. The 1970 release evolved from friction-filled sessions the Beatles intended to be an organic, bare-bones return to their roots. Instead, the endless hours of tapes were eventually handed over to Phil Spector, since neither the quickly splintering Beatles nor their longtime producer George Martin wanted to sift through the voluminous results.
LET IT BE... NAKED sets the record straight, revisiting the contentious sessions, stripping away the Spectorian orchestrations, reworking the running order, and losing all extemporaneous in-studio banter. On this version of the album, filler tracks ("Dig It," "Maggie Mae") are dropped, while juicy b-side "Don't Let Me Down" is added. The most obvious revamping is on the songs handled heavily by Spector. Removing the orchestrations from "The Long and Winding Road" and "Across the Universe" gives Paul McCartney's vocals considerably more resonance on the former, doing the same for John Lennon's voice and guitar on the latter. This alternate take on LET IT BE enhances the album's power, reclaiming the raw, unadorned quality that was meant to be its calling card from the beginning.
Generally regardedRolling Stone (12/11/03, p.116) - Ranked #86 in Rolling Stone's "500 Greatest Albums Of All Time" - "...Some of the strongest rockers and most poignant ballads in their entire canon..."
Entertainment Weekly (10/12/01, p.36) - Ranked #45 in EW's "100 Best Movie Soundtracks" - "...Beautifully explores a nostalgia for simpler times - theirs 'and' ours..."