| | Paul McCartney Ram CD Paul McCartney Discography of CDs
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The opening "Too Many People" is an appealingly melodic rocker that combines the two sides of McCartney--melodious popster and unabashed rocker--to unprecedented effect. He gets bluesy on "3 Legs," homespun-acoustic on "Heart of the Country," and appealingly jocular on the radio hit "Uncle Albert/Admiral Halsey," whose whimsy recalls his best light-hearted Beatles efforts. What he maintains throughout all this is his vision, never getting sidetracked into loopy experimentalism or sentimental mush. RAM is McCartney at the peak of his considerable powers, spontaneous-sounding but still expertly crafted.
At the beginning of his solo career, McCartney took the term rather literally, recording virtually alone, playing and singing nearly all the parts himself. Nowhere is that approach more effective than on RAM, arguably his finest solo recording. Admittedly, he had a little help from guitarist Hugh McCracken and a couple of others here and there, but for the most part, this is Paul's show. Instead of succumbing to self-indulgence, though, he used this forum to focus his artistic energies, thus turning out some of the best songs of his post-Beatles career.
Personnel: Paul McCartney (vocals, guitar, keyboards, bass instrument); Linda McCartney (vocals, keyboards); David Spinozza, Hugh McCracken (guitar); Denny Seiwell (drums).
Ram Music Review Average Rating: (4.7 out of 5 stars)    List All Reviews Excellent fan album This was Paul McCartney's second solo release and it contains the hit "Uncle Albert/Admiral Halsey." Some great songs on this album include "Three Legs," "Heart of the Country," "Smile Away" and "Too Many People"--which he performed for the first time live on his recent tour. The album is upbeat, fun, and full of surprises. Submitted by whitesox9 (Kirkland, IL)  Was This Review Helpful? Yes No
descent good melodies and catchy lines. not a masterpiece from mccartney, but worth giving as listen to. Submitted by bsflash27 (Flint, MI, USA)  Was This Review Helpful? Yes No
Pure Paul Just Paul doing what he does, I loved it when I first bought the LP, and I HAD to have this on CD. It has been in the car CD player over a week now.
Submitted by Lenny (Columbia, Md. USA)  Was This Review Helpful? Yes No
Ram on, give your heart to somebody. Considering that Paul was under fire for the continuing Beatles legal fiasco, this album is especially impressive. From beginning to end, it is delightful listening. Submitted by Gerald (Bakersfield Ca)  Was This Review Helpful? Yes No
Very strange for a Paul McCartney record This is a record that defies analysis and explanation; it simply is what it is. And, in the case of the music, that is a good thing. This album shows Paul at a creative high, and he goes all over the place, never stopping for too long on a particular topic. The result is an album that has stellar moments blending seamlessly into what critics could label as "filler". In reality, this album is cohesive; it just spins off in so many directions that you have to tread carefully, or you'll fall into a stereotypical pit and miss something. I know I have, and I should listen more carefully to the album. Get this album and listen, too. Who knows what you'll hear? Submitted by Galen (Anchorage, Alaska) Was This Review Helpful? Yes No
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Purchase Ram CD To buy, Click on price to add to cart | Paul McCartney Mccartney CD (1970)
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$9.85 There were few '70s rock albums as widely anticipated as this, McCartney's first solo recording. In the wake of the Beatles' well-publicized acrimony, Paul must have felt like tweaking people's expectations because McCARTNEY turned out to be the most unconventional, ...
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$13.09 Paul McCartney/Paul McCartney & Wings: Paul McCartney (vocals, guitar, keyboards, bass instrument, drums); Denny Laine (guitar, percussion, background vocals); Linda McCartney (keyboards, background ...
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$7.85 Let us all be thankful that Ozzy's retirement didn't stick. It supposedly lasted for three days, after which he got bored and started working on this project. Heavy, riff-intensive tunes, progressive song structures and a little psychedelia give OZZMOSIS a definite Sabbath flavor. Ozzy must have been in touch with whatever inspired early classics like PARANOID and MASTERS OF REALITY. Witness the extremely chunky "Thunder Underground," which can stand up next to "Sweet Leaf" and "Symptom Of The Universe" as an archetype of hard rock. The trippy guitar in "Ghost Behind My Eyes" and "Denial" are not some young Ozzy-wannabe going for a retro sound--this man was there, "Planet Caravan"ing.
Still, this heavy metal daddy in touch with his roots is also hip to the genre's latest sound. OZZMOSIS has a live, up-front feeling, thanks to producer Michael Beinhorn (Red Hot Chili Peppers, Soundgarden). Zakk Wylde's huge, raw guitar also plays a major role. He provides scorching solos, lush textures and juicy fills with a muscular tone ...
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$9.69 THE OZZMAN COMETH is a single CD collection of hits, previously unavailable recordings and one new track. Previously included a limited edition second disc containing 2 of the 4 previously unavailable recordings as well as an interview with Ozzy Osbourne.
As if we needed another reason to believe that Ozzy Osbourne is God, along comes THE OZZMAN COMETH, a double CD retrospective of one of the most enduring and influential figures in heavy metal. Consisting mostly of his post-Black Sabbath solo work as well as a live version of "Paranoid," this collection's biggest asset is the so-called "basement tapes," never-before-heard rehearsal tapes of four classic Sabbath songs. Dating back to 1970, "Black Sabbath" and "War Pigs" are the songs that transformed a petty thief from Birmingham, England into the godfather of heavy metal.
But if Sabbath cemented his place in the rock 'n' roll canon, his solo work raised him to legendary status. Working with former Quiet Riot guitarist Randy Rhoads, Osbourne set the tone for the 80's metal revival with songs like "Crazy Train" and "Mr. Crowley." Capping off the collection is a seventeen ...
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$14.55 Jack Nitzsche was one of the true wildmen of American popular music. His reputation was made as arranger on Phil Spector's classic recordings and a pillar of his Wrecking Crew, but his reach is so much wider and deeper than that that's it's a wonder that Hearing Is Believing isn't a multi-disc box set instead of a 26-track, single-CD compilation. Indeed, his long association with figures like the Rolling Stones and Neil Young, his film scores (One Flew Over the Cuckoo's Nest among them), his work as a conductor and producer with the likes of not only the legendary Judy Henske and Link Wray but also Mink Deville, as well as a recording artist in his own right -- his Lonely Surfer album from 1963 is widely regarded as a classic of the genre -- classify him as a true journeyman. And if all that weren't enough, he co-wrote Jackie DeShannon's monster smash "Needles and Pins" in 1963 with another Spector associate, Sonny Bono! Hearing Is Believing contains 26 cuts, nearly all of them prime. What is here is amazing: the aforementioned DeShannon single, Stevie Wonder's "Castles in the Sand," Lesley Gore's "No Matter What You Do," Link Wray's "Rumble," Graham Parker & the Rumour's "You Can't Be Too Strong," Henske's edgy "Road to Nowhere," Gene McDaniels' "Walk With a Winner," Bobby Darin's "Not for Me," the Righteous Brothers' "Hung on You," Lou Christie's "Wild Life's in Season," Tim Buckley's "It Happens Every Time," and Doris Day's "Move Over Darling!" How's that for diversity? The thread that runs trough it all: Nitzsche's genius as an arranger -- his ability to color a song just the shade it should be and give it exactly what it needed -- made him an artist in the studio, someone who could create masterpieces from chord changes and simple melodies. While the producer looked for a sound, Nitzsche made that sound live. It's true that licensing caused some problems in the contents table (perhaps that there's no box set?) but it's a small complaint overall. The Rolling Stones are not here in name, but Marianne Faithfull and "Sister Morphine" are, with the band playing behind her. Young isn't here in name, but Buffy Sainte-Marie's "Helpless" is a stellar addition anyway because Young's band, Crazy Horse, is backing her. The set is bookended and riddled with Nitzsche's own work -- the title track "The Lonely Surfer," his ...
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