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Sumac, Yma - Mambo! CD Cover Art CD music music CDs songs album

Yma Sumac Mambo! CD

 Yma Sumac Discography of CDs
4.7 stars (3 Customer Reviews)

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 Our Price: $8.19  CD
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Capitol got on top of two '50s fads at once by issuing an album of Sumac tackling mambo. Yma (characteristically) held nothing back, and the result was one of her more enjoyable LPs, with respectably swinging mambo grooves crafted by Billy May. "Five Bottles Mambo" is one of her most astonishing vocal workouts, dropping into guttural growls that are downright bestial, and making one wonder how exactly they got away with that in the conservative milieu of the 1950s. ~ Richie Unterberger

Personnel includes: Yma Sumac (vocals).

Personnel: Yma Sumac (vocals).

Mambo! Music


Detailed Mambo! Music Information



List Price $9.93 (You save $1.74)
Category Rock/Pop Albums, World CDs, New Age, Contemporary Blues, Nostalgia, Mambo, Vocal, Exotica, Easy Listening, Enhanced CD
Label The Right Stuff
Orig Year 1954
All Time Sales Rank   14631  
CD Universe Part number 1108836
Catalog number 80863
Discs 1
Release Date Mar 05, 1996
Studio/Live Studio
Mono/Stereo Stereo
Producer Terence P. Minogue; Charles Levan; Adam Varon; Valerie Skard; Bernadette Fauver; Colleen Graven; Chance Johnson; Tom Cartwright (Reissue)
Recording Time 30 minutes
Personnel Yma Sumac - vocals
Yma Sumac Mambo! Songs


Yma Sumac Mambo! Album Track Listing



Windows MediaRealAudio Media1.Bo Mambo
Windows MediaRealAudio Media2.Taki Rari
Windows MediaRealAudio Media3.Gopher
Windows MediaRealAudio Media4.Chicken Talk
Windows MediaRealAudio Media5.Goomba Boomba$0.99
Windows MediaRealAudio Media6.Malambo No. 1
Windows MediaRealAudio Media7.Five Bottles of Mambo
Windows MediaRealAudio Media8.Indian Carnival
Windows MediaRealAudio Media9.Cha Cha Gitano
Windows MediaRealAudio Media10.Jungla
Windows MediaRealAudio Media11.Carnavalito Boliviano

Mambo! Music Review


Customer Mambo! Reviews 




Average Rating: (4.7 out of 5 stars) 4.5 stars

4 stars Exiting rythms
Music that makes you happy
Submitted by jnh (Aarhus, Denmark) Verified Buyer
Was This Review Helpful? Yes No

5 stars My first exposure to Afro-Cuban music @4 yrs old
The trumpets were screaming,the saxes were pulsating and holding it together wers the best latin musicians and percussionist Billy May could hire...then there was Yma Sumac..!this still sends thrill thru me and compels you to dance.My 5th birthday party didn't start until my cousin Melvyn Hunter brought this LP to our house to start the party.Thanks...,Flutist Walter Bell
Submitted by jazzflute3_ (Phila.Pa.)
Was This Review Helpful? Yes No

5 stars The WILDEST!
The most adventurous Yma album, with Billy May's Rico Mambo orchestra. Yma soars, swoops & growls over the most outrageous Latin arrangements to ever be laid on wax!
Submitted by a reviewer (Columbia, SC)
Was This Review Helpful? Yes No

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Ultimate Yma Sumac Collection
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Ultimate Yma Sumac Collection CD  (2000)

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CD $8.85  5 stars Audio Samples Definitive Album
Yma Sumac is an outrageous Goddess of the exotic and the unusual. Her music conjures images of an imaginary ancient Peru as filtered through cartoon-like 1950s Hollywood, filled with pagan sacrifices, sun rituals, Amazon headhunters, and her, a high priestess, reigning over the proceedings with that incredible five octave voice. Yma Sumac was born in the tiny mountain village of Ichocan, Peru to a family allegedly descended from Atahualpa, the last Inca. While in her teens she and Peruvian composer Moises Vivanco began making the music that combined Peruvian folk themes with complex orchestral arrangements over her exotic vocalizations. THE ULTIMATE YMA SUMAC COLLECTION brings together the best tracks from her decade-long recording career for Capitol (which spanned the '50s). Included in this collection is the eerie "Chuncho (The Forest Creatures)" from her classic INCA TAQUI album where she imitates all the creatures of the rainforest over a hypnotic guitar-based groove, and the exotic standard "Wimoweh," which later became a hit for the Tokens as "The Lion Sleeps Tonight." The collection also includes rare tracks and previously unreleased material, as well as a collectible booklet that has reproductions of all Sumac's ...
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FUEGO DEL ANDES explores different South American rhythms such as Huayano, which on the track "Mi Palomita" sounds very much like the boogie woogie of "The Munsters Theme," Peruvian Polka, and Creole Waltzes. The best tracks here are "Virgenes Del Sol" which Sumac delivers in her trademark glass shattering vocalese, and "Gallito Ciego" another huayano boogie woogie. Though not Sumac's best recording, this is certainly a worthwhile relic of fifties Exotica. For those who can't get enough of the bizarre Exotica of Yma Sumac there's FUEGO DEL ANDE. Originally released in 1959 on Capital Records, this is the last of Sumac's string of popular fifties releases. At a time when world music was filtered through a Hollywood dreamscape, Sumac, and her musical director Moises Vivanco, paid tribute to their heritage with this offering of extremely over-the-top renditions of traditional ...
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Mambo! music CDs
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Exotica began here in this historic 1950 meeting between the Peruvian "princess" Yma Sumac and Hollywood arranger Les Baxter. Neither Inca royalty nor a Bronx girl named Amy Camus as counter-legend had it, Sumac was raised an upper middle class Peruvian, but gifted with an uncanny multi-octave range. With such a powerful instrument at his disposable, the imaginatively resourceful Baxter proceeded to patch together musical bits and pieces from around the globe--gamelon orchestra, all manner of modal scales, ethnic percussion, impressionistic strings--into a fantasy concoction that has stayed surprisingly fresh after a half a century. There probably isn't anything here that wasn't first heard in Rimsky-Korsakov or Debussy, not to mention Max Steiner whose path-finding score for KING KONG remains the talisman for pop musical journeys to the unknown. Still, Baxter is a skillful orchestrator, ...
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The Cinderella-esque climb from lo-fi indie cult artist to Grammy nominee/major label darling must have been a perilous one for Smith, who makes the leap to the big time here after three well-regarded albums on small labels. He's lost none of his bite, though. The production values on XO may be slightly higher, but Smith's vision remains undiluted. The production, centered around acoustic guitar augmented by keyboards and lush vocal harmonies, recalls pop icons like the Beach Boys (especially on the closing acapella cut), Beatles and Big Star, but this is no sunny Cali-pop album. Leavening the instrumental brightness are Smith's Nick Drake-ish whisper and his thoroughly downcast lyrics, which cast him squarely in the Mark Eitzel/Smog camp of unrelenting self-effacement and misery. The combination of Smith's internal angst and his melodic pop constructions makes for a compelling artistic tension. Recorded at Sunset Sound, Sound Factory, Ocean Way, Sonora, Los Angeles, California; Jackpot!, Portland, Oregon. Engineers: Tom Rothrock, Rob Schnapf, Elliot Smith, Larry Crane. Personnel: Rob Schnapf (guitar); Jerrod Goodman, Farhad Behroozi, Henry Ferber, Peter Hatch, Pamela Dealmeida (strings); Bruce Eskovitz (flute, baritone saxophone); Roy Poper (trumpet); James Atkinson (French horn); Jon Brion (chamberlin); Joey Waronker (drums). Audio Mixers: Elliott Smith; Larry Crane ; Rob Schnapf; Tom Rothrock. Recording ...
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This Montreal ensemble's fiery debut is marked by surging guitars, soulful strings, driving drums, brilliant bass lines, and the quavering vocals of married couple Win Butler and Regine Chassagne. The group's song structures careen through a vast territory of musical and personal history, with lyrics warm with memories of childhood neighborhoods and deceased loved ones, resulting in an alternating current of joy and sadness. Favorably compared to the Flaming Lips, Mercury Rev, and Broken Social Scene, the Arcade Fire's sound seems to come from a lifetime of listening to the Cure, Talking Heads, Elvis Costello, and many others--even a dose of soul gets worked into these grand anthems. Chassagne delivers some spellbinding vocals on "Haiti," while the tinkling piano and strings on "Crown of Love" conjure up a heartbroken surfside prom. In 2004, this made many critics' year-end lists, and it's no wonder--the songs on FUNERAL are so packed with unique instrumentation, mesmerizing build-ups, and galvanizing tempo changes that they seem culled from some enigmatic, decade-spanning rock anthology. Recording information: Hotel 2 Tango ...
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On The Keys Of A Soft Blue Horizon: Piano Tribute To Enya
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Although the quality of the material is somewhat uneven, the double album Eat It is the last Humble Pie record to capture the rough and tumble spirit of their heyday. ~ Stephen Thomas Erlewine Although the quality of the material is decidedly uneven, the double album Eat It is the last Humble Pie record to capture the rough and tumble spirit of their heyday. Nevertheless, all of side four -- which was recorded live in Glasgow -- is worthless. ~ Stephen Thomas Erlewine Japanese pressing of the UK blues-rock act's 1973 album, currently out of print in the U.S.. 15 tracks including, 'Get Down To It' and 'Good Booze And Bad Women'. 1995. Recording information: ...
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Do Re Mi Musical Medleys Vol.1 is a blend of fun songs that children enjoy singing, dancing to or playing along on the piano.Intended to entertain and educate, songs will bring the elements of nature, imagination, fun and also basics of learning music fundamentals.Take a Trip to the Meadow, meet Lion and the Mouse, meet Mrs. Turtle who dances on black ...
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