| | Deer Hunter Soundtrack CD
Composed by Stanley Myers.
Personnel: John "Buddy" Williams , John Williams (guitar).
Director: Stanley Myers.
Arrangers: Kenneth Kovach; Stanley Myers. Deer Hunter Soundtrack Music Deer Hunter Soundtrack Songs
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Click on the  buttons below to play song samples |
| |   | 1. | Deer Hunter, film score: Cavatina, The |
| 2. | Praise the Name of the Lord (Psalm 134) |
| 3. | Troika, folk song |
| 4. | Katyusha |
| 5. | Deer Hunter, film score: Struggling Ahead, The |
| 6. | Deer Hunter, film score: Sarabande, The |
| 7. | Deer Hunter, film score: Waiting His Turn, The |
| 8. | Eternal memory |
| 9. | God Bless America, song |
| 10. | Deer Hunter, film score: Cavatina, The (Reprise) |
| Deer Hunter Soundtrack Review
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Deer Hunter Soundtrack CD Purchase Music From Deer Hunter CD To buy, Click on price to add to cart | Suicide CDs (1977)
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The tragedy of the Gun Club's third album, Las Vegas Story is that it was largely ignored by both critics and fans due to the mixing and mastering disaster that was its predecessor, Miami -- an album that was full of great songs and performances but was so marred by poor sound that it sounded lifeless. Both records were issued by Chris Stein's Animal label. Las Vegas Story was produced by Jeff Eyrich who was just coming off T-Bone Burnett's Proof Through the Night project and was about to enter the studio with both the Plimsouls and Thin White Rope. Its lineup features the return of original guitarist Kid Congo Powers, as well as drummer Terry Graham and new bassist Patricia Morrison (aka Pat Bag) from L.A. punk outfit the Bags. Late frontman /guitarist Jeffrey Lee Pierce was writing feverish rock & roll songs that took their inspiration from Southern blues and West Texas country music all framed by an angular, jagged post-punk energy. The screaming rawness at the heart of the band's debut, Fire of Love, had been replaced by a dry, moaning lonesome, percussion heavy desert sound, space and echo float through the mix like a ghost through ...
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While history will decide the ultimate truth of the matter, John Zorn's soundtrack for Loren Marsh's black comedy, Invitation to a Suicide, is easily the most profound, musically complex, and emotionally compelling of all of Zorn's soundtrack world. Regular Zorn cohorts Marc Ribot, Erik Freidlander, Kenny Wollesen, and Trevor Dunn make up four-fifths of the band, but it is accordionist Rob Burger, from the Tin Hat Trio, who makes the ensemble gel. His technical virtuosity and emotional dexterity add the depth and dimension necessary to turn this piece of music into its own aural chimera. The 18 seamless cues here suggest the makings of a work linked not only by scenic changes, but more complex cinematic elements such as the often difficult-to-place psychological ambiguities that are offered as turning points in a narrative and are signified by an actor's change in facial expression, the placement of an object, or the change in a time of day. Zorn seems particularly keyed in here, watching for that wink, the quick movement of a hand, the slight grimace or smile, or the difference in lighting from one scene to the next to send his musical segments reeling into one another, but as dovetailed hints rather than as jarring juxtapositions. Only once, on "Bugsy's Jazztet," where a certain TV theme is (mis)quoted, do we hear Zorn writing as if he is composing for the Lounge Lizards rather than for this band, and the humor is welcome. In this way, elements of Astor Piazzolla's tangos, ...
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The soundtrack to the 2006 black comedy featuring ...
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