| | Richard Thompson Rumor & Sigh CD Richard Thompson Discography of CDs
(2 Customer Reviews)
Richard Thompson's albums with Mitchell Froom in the producer's chair tended to be stylistically varied affairs, and on RUMOR AND SIGH, the singer's distinctive English vocal inflections and biting guitar spar inspiringly with Froom's kitchen-sink approach to production. Froom found intriguing ways to cope with Thompson's own wild stylistic approach, ranging from dark, narrative acoustic ballads ("1952 Vincent Black Lightning"), through radio-friendly, country-tinged rock ("Keep Your Distance," "You Dream Too Much"), to demonic rock & rollers ("I Feel So Good," "Mother Knows Best'). SIGH also showcases Thompson's lyrical extremes, from the intense ("I Misunderstood," "Mystery Wind") to the daffy ("Don't Sit On My Jimmy Shands," "Psycho Street").
Though Richard Thompson's cult following continued to revere the
uniformly high-quality albums he released throughout the 1980s, by the
end of that decade he was finding it difficult to find the wider
audience his work with former wife Linda had once attracted. That
changed at the start of the '90s with the career-revivifying RUMOR &
SIGH. Producer Mitchell Froom had been in Thompson's corner since the mid-'80s, but it was here that his modernist approach meshed fully with Thompson's folk-rock roots in a truly serendipitous way. Such
traditional folk instruments as concertina and hurdy-gurdy share space
with Froom's battery of keyboards, creating a new and exciting paradigm.
The songs themselves are largely unforgettable; the folky ballad "1952
Vincent Black Lightning," the poppy "Read About Love," and the moody,
churning "Mystery Wind" are only a few of the many highlights on this
album of varied and complex moods. Needless to say, several tracks
feature Thompson letting loose some furious gutiar work in his patented
Bert Jansch-meets-Jerry Garcia style, a phenomenon on which his fervent admirers had come to rely.
Jerry Scheff (bass); Jim Keltner, Mickey Curry (drums); Alex Acuna (percussion); Clive Gregson, Christine Collister (background vocals).
Personnel: Richard Thompson (vocals, guitar, mandolin, hurdy-gurdy); Simon Nicol (guitar); Aly Bain (fiddle); Phillip Pickett (shawm, curtal, crumhorn); John Kirkpatrick (accordion, concertina); Mitchell Froom (piano, Hammond organ, portative organ, chamberlin, celeste, clavioline, echo harp);
Q (6/91) - 4 Stars - Excellent - One of Q Magazine's 50 best albums of 1991. Rumor & Sigh Music | List Price | $8.94 (You save $0.09) | | Category | Rock Albums, Pop CDs, Folk, Rock/Pop, British Folk Rock | | Label | EMI-Capitol Entertainment Prop. | | Orig Year | 1991 | | All Time Sales Rank | 11036  | | CD Universe Part number | 1109133 | | Catalog number | 95713 | | Discs | 1 | | Release Date | May 21, 1991 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Mitchell Froom | | Engineer | Tchad Blake | | Personnel | Jim Keltner Richard Thompson - vocals, guitar, mandolin, hurdy-gurdy Jerry Scheff - bass Richard Thompson - vocals, guitar, mandolin, hurdy-gurdy Alex Acu±a - percussion Mickey Curry - drums Mitchell Froom - piano, Hammond organ, portative organ, chamberlin, celeste, clavioline, echo harp Philip Pickett - shawm, curtal, crumhorn Aly Bain - fiddle
Also: Simon Nicol, Christine Collister, Clive Gregson, John Kirkpatrick |
Richard Thompson Rumor & Sigh Songs Rumor & Sigh Music Review Purchase Rumor & Sigh CD To buy, Click on price to add to cart | Richard Thompson Hand Of Kindness CD (1983)
Rumor & Sigh
$10.45
| | Richard Thompson Old Kit Bag CDs (2003) Bonus Disc
Rumor & Sigh
$13.65 The first 35,000 copies sold included a limited edition bonus CD, including tracks from Richard Thompson's 1000 YEARS OF POPULAR MUSIC show and footage from his BBC documentary.
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| | Richard Thompson Sweet Warrior CD (2007)
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$12.09 Arriving in the wake of the folk-flavored, acoustic-based FRONT PARLOUR BALLADS, SWEET WARRIOR marks U.K. folk-rock ...
| | Detroit Cobras Love, Life & Leaving CD (2001)
Rumor & Sigh
$9.69 Admittedly, the Detroit Cobras are simply a cover band. But with their release Life, Love and Leaving on the Long Beach label Sympathy for the Record Industry (the label responsible for the White Stripes' incredible international success), they've been given a bit of credence and an opportunity to showcase their amazing homegrown chops. These 14 songs, all Motown, soul, and good ole rock & roll standards, are the perfect material to bring this Detroit garage rock combo to life. Guitarists Dante Aliano and Maribel Restrepo set the frets afire with seething twangs and fuzz-box chord progressions. And singer Rachael Nagy attacks each song with aplomb, like Janis Joplin crossed with Mary Wells -- a hearty bar band crooner with showstopping resplendence. In fact, Nagy's most impressive track on the record is a cover of Wells' ...
| | 4 Black String Bands, Vol. 3: 1919-1920 CD (2000) Import
Rumor & Sigh
$13.39 Here's a treasure trove of rare ragtime, pre-jazz pop, and antiquated dance music recorded in London for the budget Edison Bell Winner label between February 1919 and November 1920 by an Afro-American string band known both as the Versatile Three and the Versatile Four. Popular taste at that time called for sweet vocal harmonies, sentimental waltzes, zippy topical novelties, and danceable ditties. Stylistically, these old records have a lot in common with Noble Sissle's earliest recorded works, an appropriate comparison as Noble Sissle, Eubie Blake, James Reese Europe, and the Versatile Three/Versatile Four moved in some of the same professional circles before, during, and immediately following the First World War. The Versatile Four started making records in 1916 (see Document 5623 -- The Earliest Black String Bands, Vol. 2: Dan Kildare); by February 1919 the Versatiles had downsized to from four to three. The first four tracks on this disc heavily feature the singing and banjoline playing ...
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| | Surreal True Indeed CD (2006)
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| | Frank Zappa Joes Garage Act 2&3 CD (2008) (Import) Japan; Mini LP Sleeve
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