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Healey, Jeff - Hell To Pay CD Cover Art
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Jeff Healey Hell To Pay CD

 Jeff Healey Discography of CDs
5 stars (2 Customer Reviews)

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 Our Price: $10.49  CD
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Personnel: Jeff Healey (vocals, guitar); Joe Rockman (bass, vocals);
Tom Stephen (drums).
A solid follow-up to Healey's impressive debut, Hell To Pay features some of the guitarist's hottest playing to date. ~ Stephen Thomas ErlewineStereo Review (10/90) - Best Recording Of The Month
Hell To Pay Music


Detailed Hell To Pay Music Information



List Price $15.99 (You save $5.50)
Category Rock Albums, Blues CDs, French, Rock/Pop
Label Arista
Orig Year 1990
All Time Sales Rank   23833  
CD Universe Part number 1109926
Catalog number 812596
Discs 1
Release Date May 25, 1990
Studio/Live Studio
Mono/Stereo Stereo
Producer Ed Stasium
Engineer Paul Hammingson
Recording Time 50 minutes
Personnel Jeff Healey - vocals, guitar
Tom Stephen - drums

Also: George Harrison, George Harrison, Mark Knopfler, Jeff Lynne, Bobby Whitlock, Paul Shaffer, Sass Jordan, Kat Dyson
Jeff Healey Hell To Pay Songs


Jeff Healey Hell To Pay Album Track Listing



1.Full Circle
2.I Think I Love You Too Much  
3.I Can't Get My Hands on You
4.How Long Can a Man Be Strong  
5.Let It All Go
6.Hell to Pay
7.While My Guitar Gently Weeps
8.Something to Hold on To
9.How Much
10.Highway of Dreams
11.Life Beyond the Sky
Hell To Pay Music


Hell To Pay Other Versions



Hell To Pay Music Review


Customer Hell To Pay Reviews 




Average Rating: (5 out of 5 stars) 5 stars

5 stars Wonderful
It's a shame that this artist can't give us his music anymore
Submitted by ginkye (Perugia-Italy) Verified Buyer
Was This Review Helpful? Yes No

5 stars Guitarist Extraordinaire
The music of Jeff Healey and his stylized guitar genius is reflected in every song he plays on this CD. His strong vocals only lend more incredible magnitude to this undisputed rock icon of the 80's.
Submitted by Margot hunterblake2904 (San Francisco, CA. USA) Verified Buyer
Was This Review Helpful? Yes No

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COVER TO COVER is an album of cover songs.
The Jeff Healey Band: Jeff Healey (guitar, vocals, 6-string bass); Joe Rockman (bass); Tom Stephen (drums).
Additional personnel: Pat Rush (guitar); Jerome Godboo, John Popper (harmonica); Roy Bittan, Denis Keldi, Paul Shaffer (keyboards); Art Avalos (percussion); Amanda Marshall, Mischke, Stevie Vain (background vocals).
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As the electric guitar ace Joe Bonamassa was so strongly inspired by blues and blues-oriented six-stringers (i.e., Clapton, Johnny Winter), many of his fans would politely pester him about doing a disc of blues standards. Originally done as a lark, the results of such a session were deemed by Bonamassa good enough to be released--hence, BLUES DELUXE, on which he covers some lesser-known songs and includes three originals. Of course, his fierce, scorching guitar is center stage. If axe-men such as Peter Green, Rory Gallagher, and Buddy Guy are your cup of tea, this DELUXE item is a necessity.
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Personnel: Jeff Healey (vocals, guitar); Dan Noordermeer (vocals, guitar); Alec Fraser (acoustic guitar, bass guitar); Dave Murphy (keyboards); Al Webster (drums); Holger Peterson (background vocals).
While Mess of Blues may not be the last Jeff Healey recording we see, it is the one that will be accorded as his epitaph, seeing that it was issued in America a scant two months after his death just three weeks shy of his 42nd birthday. There is no ambulance chasing or grave robbing process involved here. The album is sanctioned; it was set to be issued before he passed away. Healey wrote the liner notes for this date (his first blues release in eight years!), and explained the song choices he made for it. The strange thing when considering all the different recordings he made during his short life is that Healey's ...

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Psychedelic rock has seen a number of revivals since its heyday in the late '60s. Often times, these bands sound like they're simply aping the influences they wear so prominently on their sleeves. Dungen, on the other hand, sound like they've somehow been directly transported from 1968 to the present. Maybe it's their vintage equipment, or maybe it's the fact that most listeners probably haven't heard much Swedish-language psychedelia for comparison, but this doesn't have the second- or third-generation rehashed flavor that so many modern psychsters can't avoid. There's a pungent aroma of, um, authenticity here that other bands haven't been able to match, from the wicked fuzz guitar to the organ and flute workouts. There are some great psych-pop moments throughout, and these melodies are likely to stick in your head even if Swedish isn't your language, but there are also detours into some pretty serious hard-psych territory as well as flute-led hippie free jazz and even some Swedish folk flavors (like the intro to "Du E För Fin För Mig"). There is little studio trickery beyond some simple tape echo, but the acid-colored vibes come through loud and clear. Gustav Ejstes (the one-man band behind Dungen) has an incredible knack for a great tune, an ear for production, and then the ability to perform all the parts and still sound like a band. Guitar ringer Reine Fiske has one of the gnarliest fuzz tones ever heard and contributes excellent raw lead guitar all over, particularly on the title cut and "Gjort Bort Sig" or when the acoustic guitar, fiddle, and Mellotron of "Du E För Fin För Mig" suddenly switch to a blistering electric coda. Ta Det Lugnt clearly evokes another time and headspace, but there's an underlying passion that keeps it sounding fresh (much like when the Bevis Frond appeared in the late '80s). Put on your ear-goggles and head back to the late '60s. ~ Sean Westergaard
One of the most critically acclaimed indie-rock albums of 2004, TA DET LUGNT introduced Dungen to audiences far outside of the group's Swedish homeland. Led by vocalist/multi-instrumentalist Gustav Ejstes, the collective specializes in a musical hybrid that it has dubbed "folkrockpsych," an appropriate appellation, since the band gleefully careens through the trippier realms of 1960s/'70s-era folk and rock, occasionally breaking out jazz and ambient passages to make the ride even more intriguing. While DUNGEN, a collection of earlier recordings, showcases a mellower side to the ensemble's sound, TA DET LUGNT revels in more amped-up territory, venturing into Hendrix/Cream-like guitar freak-outs with wild abandon. Although some listeners may be put off by the sometimes-chaotic nature of the album, those looking for dynamic and adventurous '60s/'70s-inspired ...

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