Whitney Houston - Greatest Hits CD

Greatest Hits CD music Adele's 2009 debut album, 19, was a Grammy-winning smash hit that revealed the British singer/songwriter's knack for bittersweet soul and folk-infused love songs that brought to mind an infectious mix of Dusty Springfield and Terry Callier. The album earned her a ton of fans, and interest was high for the inevitable follow-up. In many ways, her sophomore album, the similarly age-appropriate-titled 21, is a continuation of the sounds and themes Adele was working with on 19. She is still the bluesy pop diva with a singer/songwriter's soul and seemingly bottomless capacity for heartbreak. The best thing the album does is to showcase Adele's titanic vocal ability, which -- more than a few times on 21 -- is simply spine-tingling. Last time around we got the gauzy, Callier-esque folk-soul ballad "Daydreamer" to slowly draw us into the album; here, Adele immediately injects us with the propulsive gospel fever-blues anthem "Rolling in the Deep." While the track certainly owes a heavy debt to the punk-blues of Beth Ditto and the Gossip, it is also ridiculously sexy and one of the best singles of any decade. Elsewhere, we get tracks like the blues-inflected Ryan Tedder co-write "Rumour Has It" and the old-school-style soul cut "He Won't Go," which are terrifically catchy, booty-shaking numbers and exactly the kind of songs you want and expect from Adele. Similarly enthralling is the centerpiece of the album, the mega-ballad showstopper "Take It All." Co-written by her "Chasing Pavements" partner Francis White, the song begins with Adele proclaiming "Didn't I give it all?" Delivered starkly at first with Adele set against simple piano accompaniment and later backed by a gospel choir, it's an instant-classic sort of song in the tradition of "The Rose," "And I Am Telling You I Am Not Going," and "All by Myself" that could stand over the years as a career landmark for the singer and a cathartic moment for fans who identify with their idol's Pyrrhic lovelorn persona. Ultimately, Adele does give us her all on 21, and for now that is enough. ~ Matt Collar Editor: Dana Nielsen. Photographer: Lauren Dukoff. Personnel: Adele (vocals). Recording information: AirStudios, London, England; Angel Studios, London, England; Eastcote Studios, London, England; Harmony Studios, West Hollywood, CA; metropolis Studios, London, England; Myaudiotonic Studios, London, England; Patriot Studios, Denver, CO; Serenity Sound, Hollywood, CA; Shangri La Studios, Malibu, CA; Sphere Studios, London, England; Wendyhouse Productions, London, England.

Greatest Hits buy CD music Track Listing of songs: Power of Love, The; If You Asked Me To; Beauty and the Beast; Because You Loved Me; It's All Coming Back to Me Now; Love Can Move Mountains; To Love You More; My Heart Will Go On; I'm Your Angel; That's the Way It Is; If Walls Could Talk; First Time Ever I Saw Your Face, The; All the Way; Then You Look at Me; I Want You to Need Me; Live for the One I Love;

Greatest Hits songs Initial pressings of this first edition contain a bonus disc. Recorded between 1970 & 2002. Includes liner notes by Paul Gambaccini. Greatest Hits 1970-2002 is a nearly flawless double-disc set commemorating Elton John's three-decade career. Disc one features what may arguably be John's most essential work: Seeing songs such as "Saturday Night's Alright for Fighting," "Goodbye Yellow Brick Road," "Candle in the Wind," and "Bennie and the Jets" -- not to mention "Your Song," "Rocket Man," and "Tiny Dancer" -- lined up back to back reaffirms just how diverse, and yet universal, his songwriting talent is. Disc two finds this talent maturing gracefully into the '80s, '90s, and beyond, touching on pop gems like "Don't Go Breaking My Heart," "I'm Still Standing," and "I Guess That's Why They Call It the Blues" as well as his Lion King classic "Can You Feel the Love Tonight?" and the Aida duet "Written in the Stars" with LeAnn Rimes. The collection also finds room for the highlights of his most recent albums, including Made in England's "Believe" and "Blessed," The Big Picture's "Something About the Way You Look Tonight," and Songs from the West Coast's "This Train Don't Stop Here Anymore." For most casual fans, Greatest Hits 1970-2002 will replace the need for collections such as Greatest Hits, Greatest Hits, Vol. 2, and Greatest Hits, Vol. 3, although these collections are still worthwhile as of-their-time retrospectives of John's work. ~ Heather Phares All tracks have been digitally remastered.

Greatest Hits album for sale East, Leland Sklar, Cornelius Mims, John Giblin, Freddie Washington (bass); Sheila E.(percussion); Peter Gabriel, Sting, Marva King (background vocals). In the early '80s, Collins took a break from the helm of Genesis to inaugurate a solo career that abandoned his group's art-rock agenda for a mainstream pop approach. In the ensuing years, the king of Nice Guy Pop established himself as one of the world's premier top 40 balladeers, as evidenced by the wall-to-wall hits that make up the balance of this appropriately titled collection. HITS walks the listener through the smooth, well-produced Collins hits that have worked their way into the collective consciousness of radio listeners (even casual ones) over the years. There are majestic power ballads ("I Wish It Would Rain") to light-hearted, infectious pop-funk ("Sussudio") and moody atmospheric pieces ("In the Air Tonight") HITS represents the full range of material this prolific performer has turned out over the course of his wildly successful career. (piano, vibraphone, glockenspiel); David Frank (keyboards, Mini-Moog synthesizer, bass, DMX); Babyface (keyboards, drum programming, background vocals); Nick Glennie-Smith, Rob Mousney, Lesette Wilson (keyboards); Nathan Live Recording The Phoenix Horns: Don Myrick (saxophone); Michael Harris, Rhamlee Michael Davis (trumpet); Louis Satterfield (trombone). The Vine Street Horns: Andrew Woolfolk (saxophone); Harry Kim, Daniel Fornero (trumpet); Arturo Velasco (trombone). Producers include: Phil Collins, Hugh Padgham, Babyface, Lamont Dozier, Arif Mardin. Personnel: Phil Collins (vocals, keyboards, drums, drum machine, tambourine, background vocals); David Crosby, Amy Keyes, Amy Keys, Philip Bailey, Arnold McCuller (vocals); Daryl Stuermer, Dominic Miller, Eric Clapton, Michael Hart Thompson , Michael Landau, Michael Thompson (guitar); Lakshminarayana Shankar (violin); Eric Rigler (Uilleann pipe); Don Myrick, Andrew Woolfolk (saxophone); Daniel Fornero, Harry Kim, Rahmlee Michael Davis (trumpet); Arturo Velasco, Louis Satterfield (trombone); Vine Street Horns (horns); Greg Phillinganes (piano, Wurlitzer organ); Peter Robinson (piano, vibraphone, glockenspiel); David Frank (keyboards, mini-Moog synthesizer); Babyface (keyboards, drum programming, background vocals); Lesette Wilson, Rob Mounsey, Brad Cole (keyboards); Paulinho Da Costa, Sheila E. (percussion); Lynn Fiddmont, Helen Terry, Alex Brown, Marva King, Peter Gabriel, Sting (background vocals). Illustrator: Janfranco Caro. Arrangers: Tom Tom 84; Harry Kim; Phil Collins. Personnel includes: Phil Collins (vocals, keyboards, drums, tambourine, drum programming); Philip Bailey, David Crosby, Marilyn Martin, Amy Keys, Arnold McCuller (vocals); Dominic Miller, Daryl Stuermer, Michael Thompson, Michael Landau, Ronnie Caryl, Eric Clapton (guitar); L. Shankar (violin); Eric Rigler (Uileann pipes); Greg Phillinganes (piano, Wurlitzer piano); Peter Robinson

Greatest Hits CD music Recording information: 1221 Studios, Los Angeles, CA; Chalice Studios, Los Angeles, CA; Germano Studios, New York, NY; Hit Factory Criteria, Miami, FL; Mason Sound, North Hollywood, CA; Oven Studios; Patchwerk Studios, Atlanta, GA; Roc The Mic Studios, New York, NY; Soapbox West Studios, San Francisco, CA; Studio At The Palms, NV; The Boom Boom Room, Burbank, CA; The Chocolate Factory, Chicago, IL; Tree Sound Studios, Norcross, GA. Photographer: Patrick Demarchelier. Arranger: R. Kelly. Personnel: Bernt Rune Stray, Donnie Lyle (guitar); Jochem van der Saag (synthesizer, drum programming); Giorgio Tuinfort, Swizz Beatz (programming); Charlotte Gibson, Courtney Blooding, Gary Houston, Tavia Ivey (background vocals). Audio Mixers: Jaycen Joshua; Marcella "Ms. Lago" Araica; Dave Pensado; Andrew Hey; Jochem van der Saag; Harvey Mason, Jr. ; Phil Tan; Tony Maserati .

Greatest Hits buy CD music Despite various tabloid-worthy tribulations and a rather flat cinematic debut in the musical bio-flick GLITTER, Britney and her fellow singing Mousketeers would do well to take notes on the galactic-sized success of '90s diva Mariah Carey. The two-disc GREATEST HITS bears witness to Carey's mind-boggling chart dominance and her remarkable five-octave range. Encompassing all the chart-toppers of 1998's #1'S compilation including "I Don't Wanna Cry," "Hero," and "One Sweet Day," this anthology traces the Long Islander's path from heartfelt balladeer ("Vision Of Love," "Love Takes Time") to hip-hop flavored dance-pop queen ("Fantasy," "Make It Happen"). Among Mariah's most impressive traits is her ability to seamlessly match up with a wide range of duet partners. When she's not digging into a Jackson 5 hit with Trey Lorenz ("I'll Be There") or playing Diana Ross to Lionel Richie's Luther Vandross (the '80s smash "Endless Love"), Carey is throwing down with Jay-Z ("Heartbreaker") and going toe-to-toe with fellow diva Whitney Houston ("When You Believe"). Other notable collaborations include a harmony-soaked meeting with Boyz II Men ("One Sweet Day"), a sweet-flowing Jermaine Dupri outing ("Sweetheart") and a Jimmy Jam & Terry Lewis-produced summit with Joe and 98 Degrees ("Thank God I Found You"). Personnel includes: Mariah Carey (vocals); Trey Lorenz, Jermaine Dupri, Joe, Luther Vandross, 98 Degrees, Boyz II Men, Whitney Houston, Jay-Z, Lil' Bow Wow. Producers include: Dave Hall, Walter Afanasieff, Mariah Carey, P. Diddy, Jimmy Jam. 2 CD