| | Neil Sedaka All-Time Greatest Hits CD Neil Sedaka Discography of CDs
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Additional personnel: Stan Applebaum and His Orchestra. All songs by Neil Sedaka and Howard Greenfield except "Sweet Little You" (B. Mann/Larry Kolber). Unknown Contributor Roles: Neil Sedaka; Stan Applebaum. Arrangers: Alan Lorber; Stan Applebaum. When RCA Records launched a new series of CD and cassette compilation albums under the name All Time Greatest Hits in March 1988, its first entries were by Neil Sedaka, Harry Belafonte, and José Feliciano. The Sedaka album is just about foolproof, at least as far as the artist's 1960s RCA recordings are concerned. Among its 14 selections are all 12 of the tracks found on the late-1962 LP Neil Sedaka Sings His Greatest Hits, the two additions being the early-1963 singles "Alice in Wonderland" and "Let's Go Steady Again." That means 14 of Sedaka's first 15 Billboard chart singles are included (the exception being "I Go Ape," which got to number 42), accounting for all of his Top 40 hits prior to the 1970s except "Bad Girl," which reached number 33 late in 1963. With new digital processing for the CD era, the album's sound is excellent, making the collection a scrapbook of early-'60s pop. Sedaka is a master at doo wop-styled and light rock & roll arrangements, and he sings engagingly in his light, soaring tenor, frequently double-tracked. There is nothing here of any emotional weight, despite the constant focus on teenage romantic concerns, but the songs are irresistibly catchy. One might have hoped that RCA would take advantage of the CD's greater possible length to create a collection longer than 35 minutes, and there are no annotations at all (the inside of the one-page CD booklet is blank). But it's hard to argue with the contents, which neatly encapsulate Sedaka's first hitmaking era. ~ William Ruhlmann All-Time Greatest Hits Music Neil Sedaka All-Time Greatest Hits Songs All-Time Greatest Hits Review
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$7.29 Tomes are available annotating the importance of this recording. The musical and social impact of Miles Davis, his collaborative efforts with Gil Evans, and in particular their reinvention of George Gershwin's Porgy and Bess are indeed profound. However, the most efficient method of extricating the rhetoric and opining is to experience the recording. Few other musical teams would have had the ability to remain true to the undiluted spirit and multifaceted nuance of this epic work. However, no other musical teams were Miles Davis and Gil Evans. It was Evans' intimate knowledge of the composition as well as the performer that allowed him to so definitively capture the essence of both. The four dates needed to complete work on Porgy and Bess include contributions from several members of his most recent musical aggregate: Julian "Cannonball" Adderley (alto sax), Paul Chambers (bass), and Jimmy Cobb (drums). Although the focus and emphasis is squarely on Davis ...
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| | Pat Donohue Big Blind Bluesy CD (2003)
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$13.05 From swing to jazz to bottleneck blues to folk, Grammy-winning acoustic guitarist Pat Donohue plays it all with a flourish of artistry and melodic inspiration. Chet Atkins called Pat one of the greatest finger pickers in the world today; Leo Kottke called his playing “haunting.”Pat is certainly one of the most listened to finger pickers in the world. As the guitarist for the Guys All-Star Shoe Band of Minnesota Public Radio’s A Prairie Home Companion, Pat gets to show off his savvy licks and distinctive original songs to millions of listeners each week.His decade-long association with Garrison Keillor’s popular program has led to some unusual gigs: There was the after-show club date in Berlin, when Wynton Marsalis showed up to sit in with Pat and the Prairie Home band. Or playing music on camera for the Prairie Home Companion movie with director Robert Altman and stars Meryl Streep, Lily Tomlin, Kevin Kline, John C. Reilly, Woody Harrelson and Tommy Lee Jones.Besides the weekly radio broadcasts, Pat plays about 30 concerts a year nationwide and teaches at such popular music camps as Augusta Heritage Center and Rocky Mountain Fiddle Camp.Pat’s musical tastes are eclectic. Though he considers himself foremost a folk guitarist, Pat’s influences are rooted in bluesmen Blind Blake, Robert Johnson, Charlie Parker, Duke Ellington, Muddy Waters and Miles Davis. He manages to blend jazz and blues with folk, and the mix is seamless. Over the years he has captivated audiences with his unique original compositions, dazzling instrumentals and humorous song parodies, including Sushi-Yucki and Would You Like to Play the Guitar?Honors include a 2005 Grammy for his participation on Pink Guitar, a compilation of Henry Mancini tunes on acoustic guitar, several Minnesota Music Awards, and the title of 1983 ...
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