| | No. 1 Country Stars, Vol. 3 CD
Sony Music Special Products' No. 1 Country Stars, Vol. 3 contains a selection of ten hits culled from the Columbia and Epic vaults. The only thing tying all these songs together is the fact that they topped the country charts, but with songs as strong as Willie Nelson's "City of New Orleans," Ricky Van Shelton's "I'll Leave This World Loving You" and "Somebody Lied," Janie Fricke's "Always Have, Always Will," Rosanne Cash's "The Way We Make a Broken Heart," Rodney Crowell's "I Couldn't Leave You If I Tried," Exile's "She's a Miracle," and Merle Haggard's "Twinkle, Twinkle Lucky Star" and "That's the Way Love Goes," that's enough to make for a first-rate budget-line collection. ~ Stephen Thomas Erlewine No. 1 Country Stars, Vol. 3 Music No. 1 Country Stars, Vol. 3 Songs No. 1 Country Stars, Vol. 3 Review
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Purchase No. 1 Country Stars, Vol. 3 CD To buy, Click on price to add to cart | Faith Hill Joy To The World CD (2008)
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Christmas music releases have become a country music tradition, but the result is often ...
| | Burl Ives Rudolph The Red-Nosed Reindeer CD (1995)
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The Rankin/Bass animagic film Rudolph the Red-Nosed Reindeer first appeared on December 6, 1964. Since then, it has become the longest-running of all holiday TV specials (with, we hope, no end in sight). It's fitting that the grandfather of all Christmas specials features Burl Ives, still remembered warmly by millions as the voice behind the film's narrator, Sam the Snowman. Although this soundtrack bears his name, Ives appears only on a handful of songs: "Rudolph the Red-Nosed Reindeer," "A Holly Jolly Christmas," and "Silver and Gold." The remaining vocals are handled by various cast members: "Jingle Jingle Jingle" features Stan Francis as Santa, "We're a Couple of Misfits" ...
| | Hank Williams Revealed: The Unreleased Recordings CDs (2009) DGBK
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1951 was a breakthrough year for Hank Williams. He had a string of moderate country hits already under his belt, but the release that year of his version of an old jazz age novelty tune called "Lovesick Blues" suddenly made him a big star. It also meant his touring schedule increased, but he still found time that year to slip into Nashville and pre-record shows for the Mother's Best Flour Company. These good-natured and intimate performances were cut to acetate discs and then played over the air on Nashville's WSM radio station. Brittle, disposable, and made for only a few plays, these acetates were then shelved and forgotten until they were literally rescued from the trash in the '70s by an alert WSM employee. In all, 72 of these shows survived, ...
| | Dolly Parton Trio CD (1987)
No. 1 Country Stars, Vol. 3 CD music
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A classic modern country album, THE TRIO is as pretty as music gets. The ethereal harmony vocals of three of popular music's sweetest swingers, Dolly Parton, Emmylou Harris and Linda Ronstadt, would be enough--their harmonies couldn't ...
| | Steve Earle Transcendental Blues CD (2000)
No. 1 Country Stars, Vol. 3 music CDs
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TRANSCENDENTAL BLUES was nominated for the 2001 Grammy Award for Best Contemporary Folk Album.
On his fifth album since sobering up in the mid-'90s, Steve Earle avoids striking any sour notes as he mixes disparate musical ingredients including Bill Monroe, RUBBER SOUL, Irish reels and sturdy folk-rock into an eclectic and innovative stew of stellar songwriting. This country rebel's thirst for musical challenge allows him to include the high lonesome sound of heavenly harmonies and whining fiddle, such as on the thoroughly bluegrass "Until The Day I Die," on the same album as the Indian-like mysticism of the title track (featuring members of Philly rock band Marah).
Earle's collaborative instincts find him joined by Irish musician Sharon Shannon and her band. "Steve's Last Ramble" and "The Galway Girl" both overflow with bouzouki, ...
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As its name implies, Austin, TX-based retro trio Hot Club of Cowtown attempts to be a cross between Django Reinhardt's Quintet of the Hot Club of France and Bob Wills' Texas Playboys, playing stripped-down Western swing in an acoustic jazz style using just violin, guitar, and bass. On record, the band's repertoire has reflected its hybrid taste, though 2002's Ghost Train contained a complement of originals by principals Elana Fremerman (violin) and Whit Smith (guitar). (The bass-playing third member has changed during the trio's history; here it is Jake Erwin.) The band's approach is one that practically begs for a live recording, and on this one, captured at the Continental Club in Austin on May 10-12, 2003, the Hot Club of Cowtown demonstrates that it is not running out of ideas for old songs; of the 14 selections, all of them covers, only three have been on the group's previous albums. It's no surprise that they cast back to the first ...
| | Passage Degenerates CD (1982) Import
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The closest the Passage got to the status of hitmakers -- and even then more among various tastemakers ...
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