| | Saint-Saëns: Violin Concertos CD Brabbins / Graffin / Saint-Saens CDS
(1 Customer Review)
Saint-Saëns: Violin Concertos Music | List Price | $19.97 (You save $5.68) | | Label | Hyperion | | Orig Year | 9/7/1999 | | All Time Sales Rank | 7483  | | CD Universe Part number | 1114977 | | Catalog number | 67074 | | Discs | 1 | | Release Date | Sep 07, 1999 | | Recording Time | 1 16 |
Saint-Saëns: Violin Concertos Classical Review Average Rating: (4 out of 5 stars)   Don't look further for Saint-Saëns Violin Concertos This is one of the few recordings that combine all three Saint-Saëns Violin Concertos on a single CD. Starting with the soloist, although less known in North America, Mr. Graffin who is a laureate of the Fritz Kreisler Competition in Austria has done a brilliant career in Europe. Here he plays these concertos with a masterly technique, elegant phrasing and with few exceptions (finale of the third concerto) with an astonishing exact pitch. Tempi markings are generally well respected (again, one exception being the finale of the third concerto where Allegro non troppo is played rather Molto allegro). Mr. Graffin plays with great spontaneity, wit and a poetic approach inherent in these concertos. The violin sounds transparent and the melodies are played without any exaggerated accent.
Graffin is gracefully accompanied by BBC Scottish Symphony Orchestra under the baton of Martyn Brabbins. The orchestra sounds smooth and never over-boisterous. Dialogues between the soloist and orchestra and the orchestral connecting passages before solo entries are all cheerfully executed.
Also, the recording is well balanced and the soloist is placed right in front of the orchestra but not too close.
If it were not due to slight shortcomings in the finale of the third concerto, this performance could easily rival or even surpass Nathan Milstein’s landmark recording of the third concerto. But altogether, this collection contains almost 76 minutes of joyful music making with plenty of caressing melodies characteristic of Saint-Saëns. Furthermore, it is offered at a very reasonable price which makes it highly recommendable.
Submitted by mahine (Montréal, (QC), Canada)  Was This Review Helpful? Yes No
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Purchase Saint-Saëns: Violin Concertos To buy, Click on price to add to cart | Ornette Coleman Beauty Is A Rare Thing: The Complete Atlantic Recordings CDs (1993) Box Set
Saint-Saëns: Violin Concertos
$76.49 Digitally remastered by Stephen Innocenzi (1993, Atlantic Studios, New York).
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BEAUTY IS A RARE THING contains Ornette Coleman's entire surviving recorded output for the Atlantic label from 1959-1961 (a number of other sessions were recorded, but they were destroyed, along with countless other priceless Atlantic masters, in their infamous warehouse fire of the mid-1970s.) BEAUTY IS A RARE THING features over seven hours of music, six previously unreleased tracks, and contains a booklet of photos, a discography and contemporary commentaries by Ornette Coleman and a host of supporters and detractors.
This epic 6-CD set chronicles the joy and controversy that distinguished alto saxophonist Ornette Coleman's coming out party on Atlantic Records. Coleman was a transplanted Texan, a jazzman steeped in the blues, who struggled throughout the '50s on the Los Angeles scene just to find people to play with--let alone to accept his very personal sense of pitch and form. A prodigious composer, Coleman had accumulated hundreds of tunes by the time he made his first two albums for Contemporary, and began recording for Atlantic in 1959 with THE SHAPE OF JAZZ TO COME.
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$8.39 The trippy name is deceiving. This is an earthy outfit with a purity in its approach that allows it to explore many paths without being hemmed in by notions of "tradition" or coming off as dabblers in a smorgasbord of styles. "Straight" or "free," the quintet is at ease with ideas from across the jazz spectrum. Leader Eric Schultz, who wrote the nine pieces on the CD, is an expatriate resident of southern California living in Paris, where this session was recorded in 1996. He has a dry, lightly amplified tone on guitar. Key influences seem to be Django Reinhardt, early John McLaughlin, and Gabor Szabo. The mention of Szabo has further relevance, as the early-'60s Chico Hamilton band that included Szabo, saxophonist Charles Lloyd, and trombonist George Bohanon is a useful point of reference for appreciating this ensemble. With Schultz in the front line is master trombonist Daniel Casimir. Mentored by fellow German trombonist Albert Mangelsdorf, Casimir revels in the slippery, rasberrying, microtonal impertinences inherent in a trombone. French saxophonist Jean Michel Couchet is responsible for the most outright bebop playing on the CD, including some high-octane, up-tempo work with drummer Alan Jones and bassist Paul Imm. An exceptional rhythm team, Imm and Jones are clearly attuned to one another, adapting their pulse and shifting accents seamlessly to embrace the individual solo styles of Schultz, Casimir, and Couchet. This music has a timeless appeal, alluding to recognizable landmarks along the way, all the while remaining true to a quintessential jazz tradition -- the dance, unfettered, with space and time. ~ Jim Todd
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