| | Marriage Of England And Burgundy / Binchois Consort CD Binchois Consort / Kirkman CDS
Marriage Of England And Burgundy / Binchois Consort Music | List Price | $21.98 (You save $4.63) | | Label | Hyperion | | Orig Year | 11/14/2000 | | All Time Sales Rank |  34754  | | CD Universe Part number | 1115022 | | Catalog number | 67129 | | Discs | 1 | | Release Date | Nov 14, 2000 | | Recording Time | 1 15 |
Marriage Of England And Burgundy / Binchois Consort Review
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Recorded in 1982. Originally released on Columbia (JS 38325). Includes liner notes by Maury Yeston, Mike Berniker.
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The 1981-82 Broadway season boasted two solid musical hits: Dreamgirls, about a Supremes-like girl group, and Nine, based on Federico Fellini's celebrated film 81/2. When Tony Awards time arrived, the conservative theater types who make up the Tony voters gave Nine five awards, for best musical, score, director, featured actress, and costume designer, while Dreamgirls won six, for best book, choreographer, actor, actress, supporting actor, and lighting designer. This Solomon-like division sent the message that Dreamgirls was in essence a performance vehicle, while Nine was the more solid overall work. In retrospect, it seems that the Tony voters got it exactly backward. They may have been skittish about the pop/R&B pastiche that made up Henry Krieger and Tom Eyen's score for Dreamgirls and more comfortable with Maury Yeston's more traditional Broadway score for Nine, but the former has proven more memorable in the long run. ...
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Recorded in Bratislava, Slovakia on May 2001 and Prague, Czech Republic in January 2003. Includes liner notes by James Lipton.
In 1967, James Lipton, a 40-year-old lyricist/librettist who had one Broadway flop (1962's Nowhere to Go But Up) behind him, got together with Laurence Rosenthal, a 40-year-old composer best known for the film Becket (1964), which had earned him an Academy Award nomination, and they wrote Sherry!, a musical based on George S. Kaufman and Moss Hart's comic 1939 play The Man Who Came to Dinner, a send-up of the author and radio commentator Alexander Woollcott (fictionalized as Sheridan Whiteside, hence "Sherry!") with supporting roles for characters based on Noël Coward, Gertrude Lawrence, and Harpo Marx. The original play was a hit, running 739 performances and earning frequent revivals. But Lipton and Rosenthal's musical was a flop, running 72 performances, not even enough to interest a record company in making a cast album, and that was that. Rosenthal went back to screen composing, eventually focusing on television work. Lipton ...
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