War World Is A Ghetto CD

War's third album as an act separate from Eric Burdon was also far and away their most popular, the group's only long-player to top the pop charts. The culmination of everything they'd been shooting for creatively on their two prior albums, it featured work in both succinct pop-accessible idioms ("The Cisco Kid," etc.) as well as challenging extended pieces such as the 13-minute "City, Country, City" -- which offered featured spots to all seven members without ever seeming disjointed -- and the title track, and encompass not only soul and funk but elements of blues and psychedelia on works such as the exquisite "Four Cornered Room." "The Cisco Kid" and "The World Is a Ghetto" understandably dominated the album's exposure, but there's much more to enjoy here, even decades on. Beyond the quality of the musicianship, the classy, forward-looking production has held up remarkably well, and not just on the most famous cuts here; indeed, The World Is a Ghetto is of a piece with Marvin Gaye's What's Going On and Curtis Mayfield's Curtis, utilizing the most sophisticated studio techniques of the era. Not only does it sound great, but there are important touches such as the phasing in "Four Cornered Room," not only on the percussion but also on the vocals, guitars, and other instruments, and the overall effect is a seemingly contradictory (yet eminently workable) shimmering blues, even working in a mournful and unadorned harmonica amid the more complex sounds. ~ Bruce Eder
On THE WORLD IS A GHETTO, War's artistic vision moves one step beyond the preceding ALL DAY MUSIC. The band's multicultural musical stew is better blended, the social commentary of its lyrics more pointed, and its grooves are tighter and meaner. As the title indicates, THE WORLD IS A GHETTO is a dark album, but in the best possible sense--deep, thick beats predominate, as on the alternately punchy and dreamy title cut and the hypnotic "Four Cornered Room." The irresistible "The Cisco Kid" marries a slow Latin rhythm to pulsing funk on a song about the 1950s television hero, and the lively combination sent the tune up the charts. The syncopated backbeat to the New Orleans-flavored "Where Was You At" is infectious, while "City, Country, City" is an extended instrumental that allows each band member to stretch out with Latin, R&B, and jazz-inspired improvisations. One of the best-selling albums of '73, this disc is arguably War's finest.
On THE WORLD IS A GHETTO, War's artistic vision moves one step beyond the preceding ALL DAY MUSIC. The band's multi-cultural musical stew is better blended, the social commentary of its lyrics more pointed, and its grooves are tighter and meaner. As the title indicates, THE WORLD IS A GHETTO is a dark album, but in the best possible sense--deep, thick beats predominate, as on the alternately punchy and dreamy title cut and the hypnotic "Four Cornered Room." The irresistible "The Cisco Kid" marries a slow Latin rhythm to pulsing funk on a song about the 1950s television hero, and the lively combination sent the tune up the charts. The syncopated backbeat to the New Orleans-flavored "Where Was You At" is infectious, while "City, Country, City" is an extended instrumental that allows each band member to stretch out with Latin, R&B, and jazz-inspired improvisations. One of the best-selling albums of '73, this disc is arguably War's finest.