| | Eh, Paisano! Italian-American Classics CD (2 Customer Reviews)
This limited edition of EH, PAISANO! comes packaged in a metal case.
The concept behind Eh, Paisano! 100% Italian-American Classics -- namely, 18 tracks of pop standards and Italian songs from the '50s and '60s, sung by crooners like Dean Martin, Louis Prima, and Lou Monte -- may be a little cutesy, but it works surprisingly well. Even with tracks by pop acts like Jay & the Americans and Connie Francis, the album is a focused, if occasionally campy, collection of classics like "Volare," "That's Amore," and "Eh Cumpari." It may be designed to appeal to the kitsch-addled hipsters of the '90s cocktail nation, but the music on Eh, Paisano! is so strong, such quibbles don't matter -- it's one of the most enjoyable collections of mainstream pop assembled in the mid-'90s. ~ Stephen Thomas Erlewine
Includes liner notes by Billy Vera.
Digitally remastered by Bob Fisher.
Live Recording
Compilation producer: Billy Vera.
Personnel: Mario Migliardi (organ).
Audio Remasterer: Bob Fisher .
Liner Note Author: Billy Vera.
Director: Jack Pleis.
Arrangers: Joe Reisman; Julius LaRosa; Archie Bleyer. Eh, Paisano! Italian-American Classics Music Eh, Paisano! Italian-American Classics Songs Eh, Paisano! Italian-American Classics Music Review Purchase Eh, Paisano! Italian-American Classics CD To buy, Click on price to add to cart | Joel Francisco Perri Mandolins From Italy CD (2001) (Import) United Kingdom
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$14.19 24 Most Popular Melodies
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$25.35 Low download price at CD Baby only. I want everyone to have at least a digital copy of this music so you can download it dirt cheep. Visit the My Space link below to hear these songs in full, some songs build too much to put into a 30 second clip. You won't be disappointed. If it isn't on My Space just send me a note and I will get it up there. I wrote these songs because time and time again I would turn on the radio and not hear anything that spoke to me. It became clear that maybe I was too difficult to please. So instead of complaining about how music today states nothing that appeals to me, I just wrote my own. My two favorites on this album are She's Leaving on that Train and Hootie Owl. On She's Leaving on that Train I used female stacked harmonies ...
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