| | Dvorak: Rusalka CD Arthur Apelt CDS
Dvorak: Rusalka Music | List Price | $13.98 (You save $2.63) | | Label | Berlin Classics | | Orig Year | 1/4/1994 | | All Time Sales Rank |  43943  | | CD Universe Part number | 1120664 | | Discs | 1 | | Release Date | Oct 01, 2005 | | Recording Time | 52 minutes | | Additional Info | Highlights |
Dvorak: Rusalka Review
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Dvorak: Rusalka Songs 1. Rusalka, opera, B. 203 (Op. 114): Ouvertüre (3:49)  Windows Media  Real Audio | | Common Name | Rusalka Opera | | Catalog No. | B 203 | | Composer | Antonin Dvorák (1841 - 1904) | | Conductor | Arthur Apelt | | Genre | Opera / Romantic Period | | Period | Romantic | | Country | Czechoslovakia | | Venue | Berlin, Christuskirche | | Recording Date | 01/1971 | | 2. Rusalka, opera, B. 203 (Op. 114): Act 1. Lied an den Mond. Du lieber Mond, so silberzart (7:07) Windows Media Real Audio | | Common Name | Rusalka Opera | | Catalog No. | B 203 | | Composer | Antonin Dvorák (1841 - 1904) | | Conductor | Arthur Apelt | | Performer | Elka Mitzewa | | Genre | Opera / Romantic Period | | Period | Romantic | | Country | Czechoslovakia | | Venue | Berlin, Christuskirche | | Recording Date | 01/1971 | | 3. Rusalka, opera, B. 203 (Op. 114): Act 1. Szene der Hexe. Abra, cabra, fort (3:31) Windows Media Real Audio | | Common Name | Rusalka Opera | | Catalog No. | B 203 | | Composer | Antonin Dvorák (1841 - 1904) | | Conductor | Arthur Apelt | | Genre | Opera / Romantic Period | | Period | Romantic | | Country | Czechoslovakia | | Venue | Berlin, Christuskirche | | Recording Date | 01/1971 | | 4. Rusalka, opera, B. 203 (Op. 114): Act 1. Finale. Holdester Traum, du, süá und mild (8:04) Windows Media Real Audio | | Common Name | Rusalka Opera | | Catalog No. | B 203 | | Composer | Antonin Dvorák (1841 - 1904) | | Conductor | Arthur Apelt | | Performer | Peter Bindszus
Theo Adam | | Genre | Opera / Romantic Period | | Period | Romantic | | Country | Czechoslovakia | | Venue | Berlin, Christuskirche | | Recording Date | 01/1971 | | 5. Rusalka, opera, B. 203 (Op. 114): Act 2. Lied des Wassermanns. Polonaise. Wehe! Wehe dir, Rusalka, w (12:51) Windows Media Real Audio | | Common Name | Rusalka Opera | | Catalog No. | B 203 | | Composer | Antonin Dvorák (1841 - 1904) | | Conductor | Arthur Apelt | | Performer | Theo Adam | | Genre | Opera / Romantic Period | | Period | Romantic | | Country | Czechoslovakia | | Venue | Berlin, Christuskirche | | Recording Date | 01/1971 | | 6. Rusalka, opera, B. 203 (Op. 114): Act 3. Szene & Chor. Unendlich Herzeleid (4:16) Windows Media Real Audio | | Common Name | Rusalka Opera | | Catalog No. | B 203 | | Composer | Antonin Dvorák (1841 - 1904) | | Conductor | Arthur Apelt | | Performer | Elka Mitzewa | | Genre | Opera / Romantic Period | | Period | Romantic | | Country | Czechoslovakia | | Venue | Berlin, Christuskirche | | Recording Date | 01/1971 | | 7. Rusalka, opera, B. 203 (Op. 114): Act 3. Finale. Warum muát' ich dein Eigen sein? (12:03) Windows Media Real Audio | | Common Name | Rusalka Opera | | Catalog No. | B 203 | | Composer | Antonin Dvorák (1841 - 1904) | | Conductor | Arthur Apelt | | Performer | Peter Bindszus
Theo Adam
Elka Mitzewa | | Genre | Opera / Romantic Period | | Period | Romantic | | Country | Czechoslovakia | | Venue | Berlin, Christuskirche | | Recording Date | 01/1971 |
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Until the early 1980s, the poetry of Jelaluddin Rumi was known to most English-speaking readers primarily through the sincere but Victorian translations of A. J. Arberry and R. A. Nicholson. I had tried to set some of these poems to music, but my adaptations felt awkward and contrived. In 1984, I read a new volume of Rumi poems called Open Secret, translated by poet Coleman Barks in collaboration with Farsi scholar John Moyne, and my relationship to words changed forever.Even at first reading, the lines lifted from the page as music itself, curling up as bright tropes and swirling phrases. I sensed these poems would set themselves, and, notwithstanding the detail that goes into any work, that's what happened. I phoned Coleman Barks in Athens, Georgia, and announced, "You are my brother," despite which we became long-time friends. In the meantime, I've set, with his blessing, dozens of his Rumi versions. Over and over again he shows me how language sings itself. Rumi (1207 - 1273) speaks of God as The Friend, the One we recognize in ourselves and each other. His poems were spontaneous, written down by his devotees as he spoke. Coleman brings them into our culture so we can respond to their immediacy. His translations of Rumi are now read by millions of grateful readers.William Allaudin Mathieu (b. 1937) is a pianist, composer, teacher, recording artist, and author. He has composed a variety of chamber and choral works and made numerous solo ...
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