F Schubert Schubert: Mass D167/Stabat Mater D383 CD

Schubert: Mass D167/Stabat Mater D383 Music

List Price	$13.97 (You save $2.42)
Label	Berlin Classics
Orig Year	10/20/1998
All Time Sales Rank	41853
CD Universe Part number	1120979
Catalog number	93412
Discs	1
Release Date	Jul 08, 2008
Recording Time	1 8

Schubert: Mass D167/Stabat Mater D383 Review

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Schubert: Mass D167/Stabat Mater D383 Songs

1. Mass for soloists, chorus, strings & organ in G major, D. 167: Kyrie (23:53) Windows Media Real Audio
Catalog No.	D 167
Composer	Franz Schubert (Dresden) (1797 - 1828)
Conductor	Herbert Kegel
Performer	Hermann-Christian Polster Magdalena Hajossyova Eberhard Buchner
Genre	Mass / Romantic Period
Date Written	03/1815
Period	Romantic
Country	Austria
2. Mass for soloists, chorus, strings & organ in G major, D. 167: Gloria (42:23) Windows Media Real Audio
Catalog No.	D 383
Composer	Franz Schubert (Dresden) (1797 - 1828)
Conductor	Herbert Kegel
Performer	Hermann-Christian Polster Magdalena Hajossyova Eberhard Buchner
Genre	Oratorio / Romantic Period
Date Written	02/28/1816
Period	Romantic

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Paul Halley creates a dramatic, musical journey on 'Nightwatch'.

'Improvisation is perhaps the most direct form of musical communication. It involves the performer and the listener in a relationship as partners on a voyage of the mind. It is an expedition into uncharted territory, neither safe nor predictable, but, hopefully, exciting!' says Paul Halley, in his remarks about the origins of the stunning recording of organ improvisations he created on the Great Organ of the Cathedral of St. John the Divine. 'Nightwatch' is a set of improvised themes and spontaneous variations, played on the vast Aeolian-Skinner in the even vaster Cathedral of St. John the Divine. The format of the music, and the idea for this recording, was derived from the improvisational sessions created by Halley for groups of teenagers late on Friday nights at the Cathedral through a program called, not coincidentally, 'Nightwatch'. In keeping with the dramatic setting of the world's largest gothic cathedral at night, Halley would play upon a variety of tonal effects to engage his young listeners on a journey from 'dusk' to 'dawn'. Employing a broad tonal and dynamic range, from silken string tones to bright and heraldic trumpets, Halley would establish a mystical and highly charged atmosphere. Capturing the mood of one of these sessions on a recording was not easy. Halley describes the technical problems facing the producer/engineer Chris Brown: 'The organ pipes are spread over a distance of 550 feet, and have a dynamic range of at least two symphony orchestras. Owing to a reverberation period of over seven seconds and a constantly changing 'climate' in the Cathedral, editing was impossible, and of course, none of the music could be repeated! But thanks to Chris, who insisted on spontaneity at all times, the recording evolved into a suite of improvisations comprising a symphonic whole which I thought of as a night-journey and, in deference to my severest critics, entitled Nightwatch.

'This Pelagos release in compact disc form is, in fact, a reissue of the 1982 Gramavision release, Nightwatch. The original audio recording has been digitally re-mastered by Tom Bates, and the biographical material, cover design and photography have been updated.

About Paul Halley:PAUL HALLEY, M. A. Cantab, FRCO, ARCT, was born in Romford, England in 1952 and received his early musical training in Ottawa, Canada. At the age of sixteen, ...

Jeff Pike Barlow Encanto CD (2005)

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First, the sample clips here are very low resolution. For a better sampling, see http:// hermitageacoustics /spanishguitarmusic.

html All of the songs can also be heard there.

About the SongsLove & Liberte - is a Gipsy Kings song, from the album of the same name (1994). The Gipsy Kings, from the Camargue region in southern France, started out as "Los Reyes" when brothers Nicolas and Andre Reyes, the sons of renowned flamenco artist Jose Reyes, teamed up with their cousins Jacques, Maurice and Tonino Baliardo, whose father is Manitas de Plata. Back in the 60s and 70s, Jose Reyes and Manitas de Plata had been very popular playing together in Europe. Encanto - is an original composition, played in the flamenco form of solea. This form is certainly one of the most important forms in flamenco. The name is derived from "soledad" (solitude), which is reflective of the form's solemn mood. Each measure in solea has 12 beats, with accents on the 3rd, 6th, 8th, 10th, and 12th. This accent pattern makes solea a "hemiola" rhythm, a particular kind of syncopation in which the meter seems to shift temporarily from duple to triple or vice versa. Solea is traditionally played in either the E phrygian or A phrygian mode. This one is in E phrygian. Cavatina - This evocative piece was written by British composer Stanley Myers. It started out as a piano piece, but was later developed (at the request of classical guitarist John Williams) into a guitar piece. In 1978, it was used as the theme for the Academy Award winning movie "The Deer Hunter". Romance - is one of the most popular classical guitar pieces of all time. There is still much debate regarding who wrote the piece, so for now the author remains unknown. Recuerdos de la Alhambra - is another standard in the world of classical guitar. It was written by Francisco Tarrega in 1899, inspired by a trip to Granada where he visited the Alhambra, the last palace of the Caliphs. Taranta - is an original composition, and is named after the flamenco form which it represents, taranta. This variation of fandango evolved from coalminer's songs in the province of Almeria, Spain. It's a "free form" style, meaning it has no particular "compas" (rhythm), so it lends itself well to artist improvisation. This song is also on my Christmas cd, Adornos, as a prelude to Pachelbel's Canon in D. Gipsy Dance - is an original composition. It is played in the flamenco from of buleria, another of the most important forms in flamenco. It is also a "hemiola" rhythm, as explained in Encanto above. I chose the name Gipsy Dance because gipsies ...