| | Electro Breakz 2 CD
This is part of Street Beat's Electro Breakz series.
Elektronikk,Bass Six,D.J.Icey, Tales From The Hardside &More Electro Breakz 2 Songs | 1. | I'm Alive - Mark Moore/Stretch & Vern/Maddog (Fatboy Comes Alive Mix) |
| 2. | Chemical Meltdown - Tales from the Hardside (Thursday Club Mix) |
| 3. | Stamp! - Jeremy Healy/Amos/Jeremy Healey (Original Mix) |
| 4. | Electric - Micro/Vicious Vic (Original Mix) |
| 5. | Head Trip - Elektronikk |
| 6. | Acid or XTC - King Size (Breakz for Ya Face Mix) |
| 7. | Up to No Good - The Porn Kings (Milky Bar Kids Remix, Milky Bar Kids remix) |
| 8. | Crunchie F@#! - Bass Trip |
| 9. | Let the Beat Control Your Body - DJ Rob-E (Texas Heat Mix by Kelly Reverb) |
| 10. | Doin' Jobz 4tha Mob - Pigforce (Original mix) |
| 11. | El - Gill Brown/Joe McGrath/Bass Six |
| 12. | Confusion - Dub Dog |
| 13. | Emerald - DJ Icey |
| 14. | Domination Dub - Beat Dominator |
|
Electro Breakz 2 Review
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Purchase Electro Breakz 2 CD To buy, Click on price to add to cart | Electro Breakz 4 CD (1998)
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Deluxe Edition
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Audio Mixer: Greg Fidelman.
Editor: Dan Monti.
Photographer: Andrew Stewart.
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It's no secret that John Mayer is a 21st Century Fox, wining and dining women all through tabloid headlines, so it's about time he delivered an album that traded upon his loverman persona -- and Battle Studies is that record in spades. Retaining more than a modicum of the slick, soul-blues undertones of Continuum, Mayer fashions a modern groove album, a record that maintains a smooth seductive vibe so thoroughly it spills into a one-man band cover of "Crossroads." Mayer remains somewhat of a disciple of Slowhand, but he shows an unusual interest in the big AOR stylings of Journeyman, along with Stevie Ray Vaughan's ...
| | J Geils Band Blow Your Face Out CD (1976)
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Contains 2 LPs on 1 CD.
The J. Geils Band: J. Geils (guitar); Seth Justman (vocals, keyboards); Stephen Jo Bladd (vocals, percussion); Peter Wolf (vocals); Magic Dick (harmonica); Danny Klein (bass).
Producers: Allan Blazek, Bill Szymczyk, The J. Geils Band.
Recorded live at The Boston Garden, Boston, Massachusettes on November 15, 1975 and at Cobo Hall, Detroit, Michigan on November 19, 1975. Originally released on Atlantic (2-507). Includes liner notes by Jeff Tamarkin.
This is part of Rhino Records' "Atlantic Remasters" Series.
Double-album live sets came into vogue in 1976 after Peter Frampton's sales went through the roof for A&M, Bob Seger found fame with Live Bullet on Capitol, and the J. Geils Band released its second in-concert document in four years, Blow Your Face Out. There is great power in these grooves recorded over two nights, November 15 and November 19, at the now deconstructed Boston Garden and in Detroit at Cobo Hall. Here's the beautiful dilemma with the Geils band: Live: Full House, recorded in Detroit in April of 1972, contains five songs that became J. Geils standards, and none of them overlap on the 1982 EMI single live disc, Showtime, chock-full of their latter-day classics. Can you believe there is absolutely no overlap from the first or third live album on this double disc, which came in between (except for "Looking for a Love," uncredited, which they slip into the intro of "Houseparty" on side two)? The Rhino CD contains Jeff Tamarkin's liner notes, while the original Atlantic ...
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Sublime & ridiculous! Naught is safe around the Lawnmowers.....they keep the audience(and each other) on tippy toes with a high-voltage selection of bluegrass classics, spiced up with beautifully composed contemporary acoustic pieces. Home-grown Australian ‘newgrass’ at its best!Formed in 2003, The Lawnmowers have quickly established themselves as a force in Australian bluegrass, performing at over twenty festivals and recording two albums. Three times national banjo champ Dave Hellens and veteran all-rounder Andrew Clermont (Totally Gourdgeous, Dya Singh, join with acoustic guitarist Robbie Long (Kate Fagan Band), well known and loved bassist & vocalist Liz Frencham (JigZag) and internationally recognised harmonica player Tony Eyers, to create a distinctively contemporary Australian bluegrass sound. Selections from the classic bluegrass repertoire are treated with reverence, yet given a ‘fresh coat’ with contemporary arrangements.The Lawnmowers’ original material ...
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