| | Richard Simon Covering The Basses CD Richard Simon Discography of CDs
bass player covers the compositions of bassists Ray Brown, John Clayton, John Frigo, Bob Haggart & many others, feat. Gil Bernal, Buddy Collette, Art Hillery, Johnny Kirkwood, Al Viola Covering The Basses Music Richard Simon Covering The Basses Songs | 1. | Melatonin |
| 2. | Theme From "Poultry-geist" |
| 3. | Ray's Idea |
| 4. | Unit Seven |
| 5. | What's New |
| 6. | For Carl |
| 7. | Detour Ahead |
| 8. | In A Hurry |
| 9. | Tricrotism |
| 10. | Blues For Stephanie |
| 11. | The Backbone |
| 12. | Goodbye Porkpie Hat |
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Covering The Basses Review
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Purchase Covering The Basses CD To buy, Click on price to add to cart | Brian Culbertson Live From The Inside CDs (2009) With DVD
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Digitally remastered using 24-bit technology by Bob Norberg (Capitol Mastering).
Sinatra's years on the Capitol label (1953-60) were great years. His voice had matured into a powerful and poignant instrument; his sense of swing was infallible; and he was blessed with an innovative and sophisticated arranger, Nelson Riddle, whose charts fit Sinatra like a beautiful suit.
This one-disc compilation of 20 songs includes many classics: "I've Got You Under My Skin," "You Make Me Feel So Young," "The Lady Is a Tramp," In The Wee Small Hours of the Morning," and "One For My Baby (And One More For the Road)." ...
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Probably one of the hottest acts on the Modern Swing scene at the moment, Michael ...
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The title of Will Downing's 2009 effort, CLASSIQUE, produced by the artist and Rex Rideout, may be a bit misleading: it is not a compilation but a brand-spanking new collection of contemporary jazz-inflected R&B--in other words, classic Downing. The album's first single, "Something Special"--with its hand drums, loops, and slippery flute flitting around a well-placed, subtle horn section--is at its core a popping midtempo love song. Elsewhere, his cover of Barry White's "I'm Gonna Love You Just a Little Bit More Baby" reveals just how deep the master's influence is on Downing. He may not have the full depth of White's baritone, but he gets close, and his expressiveness ...
| | George Benson Songs And Stories CD (2009)
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George Benson's sound is so recognizable that, in its way, it's quite comforting to hear his voice or his guitar come across on the radio or in a club. ...
| | Anthony Braxton Composition No. 94: For Three Instrumentalists CD (2000)
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A major find, this recording captures the only trio appearance of Braxton, trombonist Ray Anderson, and guitarist James Emery during a performance in Bologna, Italy. Everything gelled that evening as the group played two versions of Braxton's monumental "Composition No. 94," the second one an incredible reading of the piece backwards! All the musicians were in perfect synch, as Braxton utterly impresses with lengthy forays on sopranino, soprano, alto and tenor saxophones, and contrabass clarinet, while Anderson is stunning on both alto and tenor trombones, cornet, and slide trumpet. Add Emery's extraordinary manipulations ...
| | Nancy Kelly Born To Swing CD (2006)
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Nancy Kelly has paid her dues over her career and produced her best CD as a result of her hard work. She benefits considerably from the presence of tenor saxophonist Houston Person on this studio date, as he provides the perfect foil for her sassy vocals. Her regular rhythm section -- consisting of pianist Dino Losito, bassist Neil Minor, and drummer Mark Taylor -- also provides strong support. Seven of the dozen tracks she chose are standards from the 1930s through the 1950s, including a spirited take of "I've Got the World on a String," a midtempo bossa nova setting ...
| | Marc Anthony Valio La Pena CD (2004)
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The result is a short, spirited record, completely different from its predecessor. The biggest change comes on the duet "Escapemonos" (performed with Jennifer ...
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| | Hungarian State Folk Ensemble Hungarian Concerto CD (2007)
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The political cataclysm of the nineties had resulted in the emergence of new democ-racies in Central and East Europe. The living memory of the revolution of 1956 had made Hungary a protagonist of such changes. A new Hungarian Republic was born. This signi-ficant historic event fundamentally and quickly reshaped our economic, social and cultural environment. However, the whole world is continuously changing and we are influenced by these changes. In such an ever-changing world, it is difficult to rely on certain values because our approach to tradition, considered beforehand permanent and constant, has also changed. In view of these facts, the conclusion is inevitable that we need to identify and to show the live, affirmable and valuable elements of our tradition; and to identify and to position ourselves in our language and in our world.While conceiving the Hungarian Concerto, the originators were guided by the oeuvre of world-famous composer, ethnomusicologist and pianist Béla Bartók. His spirituality and life-work convincingly prove that tradition and modernity are complementary categories. Knowing our native culture, folk-dances and folk-music, and proceeding from it, we can find our special, modern and topical ...
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