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Open Canvas - Nomadic Impressions CD Cover Art
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Open Canvas Nomadic Impressions CD

 Open Canvas Discography of CDs
4 stars (1 Customer Review)

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Greg Kyryluk records his electronic space music as Alpha Wave Movement. For his rhythmic electro-tribal ambience, he records as Open Canvas. Nomadic Impressions is his first CD in that style and it is deep, focused, and intense. Kyryluk is a ...
Nomadic Impressions Music


Detailed Nomadic Impressions Music Information



List Price $16.98 (You save $3.49)
Category Rock Albums, World CDs, Electronica, Alternative, New Age, Ambient, Rock/Pop, Dance
Label Waveform
Orig Year 1997
All Time Sales Rank   88504  
CD Universe Part number 1128869
Discs 1
Release Date Jul 21, 1998
Studio/Live Studio
Mono/Stereo Stereo
Recording Time 57 minutes
Open Canvas Nomadic Impressions Songs


Open Canvas Nomadic Impressions Album Track Listing



1.Into the Great Valley
2.Haj (Sacred Journey)
3.Dark Sun
4.Ancient Shadows
5.Citadels & Minarets
6.Nile (Lifewaters)
7.Muezzin Meditation
8.Full Moon Dervish
9.White Dunes
Nomadic Impressions Music Review


Customer Nomadic Impressions Reviews 




Average Rating: (4 out of 5 stars) 4 stars

4 stars Very Relaxing
This CD is relaxing but I just wish it had a little more drive but I'm still glad I own it.
Submitted by kdechiel (Raleigh, NC) Verified Buyer
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The Australian Indie Sound 1979-1988: Born Out of Time
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While the post-punk music scene in the United Kingdom sold a lot more records and the indie rock movement in America had a great deal more influence, for sheer output of quality rock & roll it was hard to beat the Australians in the 1980s, whose commitment to lean, tough, high-attitude rock was second to none. Of course, Men at Work and INXS ended up moving a lot more units in the States than the Scientists, the Celibate Rifles, and the New Christs, but by the same token, Loverboy moved more merchandise than the Replacements, and who gets name-checked more? At any rate, almost two dozen great bands from down under get their props on Born out of Time: 1979-1988 -- The Australian Indie Sound, and if you want 76 minutes of proof that the Antipodes were a great place to be if you liked high-octane guitar-based rock, this will do just dandy. Radio Birdman kicks off the set with "Hanging On," an appropriate choice given the band's massive influence and the frequent reappearance of Deniz Tek and Rob Younger on the tracks that follow. Most of the best-known Aussie indie acts of the period are represented, including the Hoodoo Gurus, the Screaming Tribesmen, the Lime Spiders, and Died Pretty, but there are also plenty of fine bands who didn't get the attention they deserved outside the continent, including smart punks the Eastern Dark, tough pop songstress Angie Pepper (aka Deniz Tek), '60s obsessives the Stems, and the Psychotic Turnbuckles, who sound like down under's answer to Redd Kross. Twenty-two songs from 22 bands without a dud in the bunch, Born out of Time: 1979-1988 -- The Australian Indie Sound is a great overview of a scene many folks ignored at the time, and hopefully this will raise the profile of a few of the lesser-known groups on board (and prompt further reissues along these lines). ~ Mark Deming This compilation documents the Australian Independent Guitar Sound of the 1980's, features 22 classic singles and album tracks such as Radio Birdman, Scientists, Hoodoo Gurus, Celibate ...
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BGO's two-fer of Albert Hammond and 99 Miles from LA rounds up the two albums that Albert Hammond recorded after the success of 1973's "It Never Rains in Southern California." Where that single and the album of the same name were big hits, the 1974 Albert Hammond and 1975's 99 Miles from LA were modest hits, along the lines of his 1973 follow-up to "Southern California," "The Free Electric Band": the albums themselves didn't chart on Billboard, but the 1974 LP brought a Top 40 single in the propulsive, Cat Stevens-like "I'm a Train," the title track from 99 Miles from L.A did well on the adult contemporary charts while barely squeaking onto the Hot 100. Success of course is not necessarily a measure of artistic quality, and both of these records are strong, ambitious affairs even when they're quite pop. Albert Hammond displays a heavy Paul Simon influence in how Hammond incorporates Caribbean rhythms and writes stark folk-rock: "Dime Queen of Nevada" is a dead-ringer for "Mother and Child Reunion," while "I Don't Wanna Die in an Air Disaster" recalls "Duncan" so strongly it's fortunate that Hammond didn't sequence these two back-to-back, since that's the only way they'd echo Paul Simon even more. Of these two sides, the Caribbean flavor has a bigger presence here: "Everything I Want to Do" rides a chant-along steel drum chorus quite cheerfully, as does the light-as-air "The Girl They Call the Cool Breeze," while "We're Running Out" bounces along on a white reggae beat and these sunkissed songs are balanced by contemplative introspection ("New York City Here I Come") and dramatic symphonic pop with a nearly cinematic pull ("Half a Million Miles from Home"), along with songs that split the difference between these two extremes (the quite excellent soft rock sweep of "Names, Tags, Numbers and Labels" and "Candle Light, Sweet Candle Light"). At times, it seems like Hammond is in conflict with himself since the sunny world pop doesn't mesh with the introspection or the symphonic pop, ...
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