| | Sam Lay Rush Hour Blues CD Sam Lay Discography of CDs
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Our Price: $15.35 CDFor Sale Usually ships in 1-2 days
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Personnel: Sam Lay (vocals, drums); Larry Burton, Fred James (guitar); Greg "Fingers" Taylor (harmonica); Celia Ann Price (piano, organ); Bob Kommersmith (acoustic bass). Includes liner notes by Cub Coda. Personnel: Sam Lay (vocals, snare drum); Fred James, Larry Burton (guitar); Greg "Fingers" Taylor (harmonica); Celia Ann Price (piano, organ). Liner Note Author: Cub Koda. Photographer: Mary-Ann Brandon. Sam Lay Rush Hour Blues Songs | 1. | Baby How Long | $0.99 | |
| 2. | Second Man | |
| 3. | I'll Be the Judge of That | |
| 4. | I Like Women | |
| 5. | Blow Wind Blow | |
| 6. | I Got Two Women | |
| 7. | Somebody Gotta Do It | |
| 8. | Mama and Papa Hopkins | |
| 9. | Rush Hour Blues | |
| 10. | I'm Gonna Shoot Her | |
| 11. | Pure Grain Alcohol | |
| 12. | Midnight Drag | |
| Rush Hour Blues Review
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Purchase Rush Hour Blues CD To buy, Click on price to add to cart | Allman Brothers Band Dreams CDs (1989) Box Set
Rush Hour Blues
$38.49 DREAMS is a 4-CD box set compiling in chronological order tracks by the Allman Brothers Band, as well as tracks by bands featuring ...
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| | Funk Soul Sisters CD (2001)
Rush Hour Blues
$8.59 UK funk/soul compilation featuring tracks from Betty Wright, Linda Clifford, Sylvia Striplin, Eighties Ladies, Bobby Humphrey, Jones Girls, Betty Harris, Ann Sexton, Jody Gayles, The Teques, Ella Washington & Deniece Chandler. 16 tracks. Includes unique foldout career map with an introduction to Funk Soul Sisters and track by track commentary. 2001 release.
Performers include: Linda Clifford, Ann Sexton, Sylvia Triplin, Betty Wright, Betty Davis, Betty, Harris. Performers include: Millie Jackson, Fontella Bass, Betty Barney & The Pazant Brothers, Lynn Varnado, Spanky Wilson, Thelma Jones, Loleatta Holloway, Paula Lamont, Valorie Keys, The Genies. Contains 20 tracks. Is Funk Soul Sisters "classic and rare female funk," as the blurb on the back promises? It's rare, beyond a doubt. None of these 20 tracks were anything resembling hits, and only a few names here and there will ring bells with those outside of inner soul collecting circles, those including Fontella Bass, Loleatta Holloway, and Millie Jackson. Is it classic? No, although it's respectable woman-sung soul-funk from the late '60s and early '70s, mostly from small labels. The vocals are stirring and the arrangements tight, yet as often happens on anthologies of these sorts, truly compelling riffs and top-of-the-shelf songs aren't in abundance. It's obvious, too, that some of these performances were extremely influenced by bigger names such as Aretha Franklin, without matching the inspiration. It's agreeable stuff in spite of all that, though perhaps below the standard of most other volumes in BGP's oft-excellent series of rare soul-funk from the '60s and '70s. Some of the better cuts include Valorie Keys's "Listen Here," which has a sassy jazzy playfulness; Paula Lamont's "One Monkey Can't Stop the Show"; and Spanky Wilson's jagged cover of "Sunshine of Your Love." As usual a few (three, to be precise) previously unissued ...
| | Paul Butterfield In My Own Dream CD (1968)
Rush Hour Blues
$10.65 4th Album 1968 Elektra Re-Issue
The Butterfield Blues Band: Paul Butterfield (vocals, guitar, harmonica); Elvin Bishop (vocals, guitar); Bugsy Maugh (vocals, bass); Philip Wilson (vocals, drums); Gene Dinwiddie (mandolin, tenor saxophone, flute, tambourine, background vocals); David Sanborn (soprano, alto & baritone saxophones); Keith Johnson (trumpet, piano); Mark Naftalin (keyboards). Additional personnel: Al Kooper (organ). Originally released on Elektra. Personnel: Paul Butterfield (vocals, harmonica); Elvin Bishop (vocals, guitar); Brother Gene Dinwiddie (vocals, mandolin, flute, saxophone, tenor saxophone, tambourine); Phillip Wilson (vocals, drums); Bugsy Maugh (vocals); David Sanborn (saxophone, soprano saxophone, alto saxophone, baritone saxophone); Keith Johnson (trumpet); Al Kooper (organ); Naffy Markham, Mark Naftalin (keyboards). Liner Note Author: Alfred G. Aronowitz. Sometimes, one has to wonder whether the youth of the 1960s were really as open to new ideas and new sounds as their press would make you believe. Take the album at hand, In My Own Dream by the Paul Butterfield Blues Band -- their fourth official release (though two others have since gone into their discography at earlier points), it marked the point where the band really began to lose its audience, and all for reasons having nothing to do with the quality of their music. They'd gotten past the loss of Michael Bloomfield in early 1967, over which they'd surrendered some of their audience of guitar idolaters, with the engagingly titled (and guitar-focused) Resurrection of Pigboy Crabshaw. In My Own Dream had its great guitar moments, especially on "Just to Be With You," but throughout the album, Elvin Bishop's electric guitar shared the spotlight with the horn section of Gene Dinwiddle, David Sanborn, and Keith Johnson, who had signed on with the prior album and who were more out in front than ever. More to the point, this album represented a new version of the band being ...
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