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Davis, Miles - Birth Of Bop CD Cover Art CD music music CDs songs album

Miles Davis Birth Of Bop CD

 Miles Davis Discography of CDs


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Contains 24 tracks.

Personnel: Miles Davis (trumpet); Arv Garrison (guitar); Charlie Parker (alto saxophone); Lucky Thompson (tenor saxophone); John Lewis, Dizzy Gillespie, Dodo Marmarosa, Duke Jordan, Argonne Thornton, Bud Powell (piano); Max Roach, Roy Porter (snare drum).

Personnel includes: Miles Davis (trumpet); Charlie Parker (alto saxophone); Dizzy Gillespie (trumpet); Bud Powell, John Lewis, Duke Jordan (piano); Tommy Potter, Curley Russell (bass); Max Roach (drums).

Birth Of Bop Music


Detailed Birth Of Bop Music Information



Category Rock/Pop Albums, Jazz CDs, Jazz Instrument, Bebop, Trumpet
Label Jazz Hour
Orig Year 1999
All Time Sales Rank   408559  
CD Universe Part number 1130489
Catalog number 73602
Discs 1
Release Date Oct 26, 1999
Studio/Live Studio
Mono/Stereo Mixed
Recording Time 70 minutes
Miles Davis Birth Of Bop Songs


Miles Davis Birth Of Bop Album Track Listing



1.Billie's Bounce
2.Now's the Time
3.Thriving on a Riff
4.Moose the Mooche
5.Yardbird Suite
6.Ornithology
7.Night in Tunisia, A
8.Donna Lee
9.Chasin' the Bird
10.Cheryl
11.Buzzy
12.Milestones
13.Little Willie Leaps
14.Half Nelson
15.Sippin' at Bells
16.Dexterity
17.Bongo Bop
18.Dewey Square
19.Hymn, The
20.Bird of Paradise
21.Embraceable You
22.Bird Feathers
23.Klact-Oveeseds-Tene
24.Scrapple from the Apple
Birth Of Bop Music


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Miles Davis Quintet at the Blackhawk, San Francisco, California, 1957

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Kind Of Blue
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Miles Davis Kind Of Blue CD  (1959) Bonus Track; Remastered

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CD $6.49  4.6 stars Top 100 Audio Samples Definitive Album
With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, KIND OF BLUE precipitated a major stylistic development--modal jazz. Charles Mingus had experimented with pedal points throughout the 1950s, and the melodic freedom of Ornette Coleman's Atlantic sides was also predicated on freedom from chord changes. But KIND OF BLUE was to prove the most influential, enduring work of its kind. There was just such a vibe about these 1959 sessions--Miles' lyric genius and burgeoning stardom, the innovative voicings and rarefied touch of pianist Bill Evans, the electrifying presence of Coltrane and Cannonball--that some thirty-plus years after its initial release, KIND OF BLUE is still recognized as Davis' point of departure towards jazz's less-explored regions. Bill Evans' translucent chords and Paul Chambers' famous bass line herald the revolution that is "So What": Davis and Evans' taut, coiled lyricism stands in sharp relief to the saxophonists' ...
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Although the plaudits for Melody Gardot's debut album, WORRISOME HEART, were entirely justified, it sometimes seemed as if the young singer-songwriter's compelling personal story--hit by a car and severely injured at the age of 19, the aspiring fashion designer began playing piano and ...
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Featuring both expected choices like Paul ...
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TWO MEN WITH THE BLUES brings out both the jazziness that's long been a key element of Willie Nelson's sound (his standards album, STARDUST, remains one of his most acclaimed efforts) and the New Orleans-tinged, Louis Armstrong-esque bluesiness that's at the core of almost everything Wynton Marsalis has ever done (not counting that classical album!). Marsalis blows blistering, gutsy solos on Nelson's own classic tune "Night Life," and Willie sounds completely at home delivering ...
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Birth Of Bop music CDs
CD $9.99  Audio Samples
Although its programming has been juggled a bit, and the CD has been given liner notes, this Delmark release is a straight reissue of the original LP. Clocking in at around 38 minutes, the relatively brief set is the only recording that exists of Vinson, pianist Jay McShann, and guitarist T-Bone Walker playing together; the sextet is rounded out by the fine tenor Hal Singer, bassist Jackie Sampson, and drummer Paul Gunther. Vinson, whether singing "Plese Send Me Somebody to Love," "Just a Dream," and "Juice Head Baby" or taking boppish alto solos, is the main star throughout this album (originally on Black & Blue), a date that helped launch Vinson's commercial comeback. ~ Scott Yanow Eddie Vinson was a blues shouter extraordinaire ...
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Spirits Speak
Ed Cherry Spirits Speak CD  (2001)

Birth Of Bop album
CD $13.25  Audio Samples
Ed Cherry's excellent debut for the Justin Time label represents a whole new vision for the guitarist in that he steps away from the avant-garde style played on Hamiet Bluiett's With Eyes Wide Open and pairs two jazz veterans -- Dr. Lonnie Smith, a heavyweight of the '60s soul-jazz movement, and veteran saxophonist Joe Ford -- alongside members of his generation, including drummer Nasheet Waits and vocalist Laird Jackson in a truly righteous soulfest. Cherry has written four originals: the urban bebop heard on "Lennox Ave., 1 AM," the delicately grooved "Little Girl, Big Girl," the loosely swinging title track, and his freestyle "Woo!/Sharrock," a dedication to the guitarist Sonny Sharrock. Cherry smoothly integrates Horace Silver's "Peace" into the set with the subtlety and finesse of an experienced programmer, giving the disc a tasteful and yet eminently sophisticated groove via Laird Jackson's pensive vocals. Switching to acoustic guitar on "Share a Life," Cherry underlines Jackson's sweet, pleasant timbre and pitch with just the right sensitivity. Ford's saxophone solo is just as sweet. This is a well-written song that features great ...
History Of Jazz, Vol. 2: Dedications
Michael Moore History Of Jazz, Vol. 2: Dedications CD  (2002)

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CD $9.95  Audio Samples
A glance at the older gentleman on the cover of The History of Jazz, Vol. 2: Dedications might convince the listener that the music within originates from some bygone era. A good guess, perhaps, but only half right. Bassist Michael Moore has had a long distinguished career and he does enjoy older styles, but he continues to make vibrant and accessible jazz. Here he is joined once again by clarinetist/tenor Ken Peplowski and drummer Tom Melito on a few classics and a few originals. The spare arrangements create a spacious sound that is loose and intimate. There's a bouncy five-minute take on Cannonball Adderley's ...
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Sorry, there is no artwork available at this time
Drafi Deutscher CD  (2008) (Import)

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Track Listing of songs: Herz an Herz Gefühl; Tief unter meiner Haut; Bleib' bei mir; Da bist du, da bin ich; Für einen Herzschlag ...
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