| | Jan Degaetani Sings Berlioz, Mahler / Effron, Eastman Ce CD Berlioz / Degaetani / Eastman Chamb Ens / Mahler CDS
Jan Degaetani Sings Berlioz, Mahler / Effron, Eastman Ce Music | List Price | $16.98 (You save $2.29) | | Label | Bridge | | All Time Sales Rank |  77011  | | CD Universe Part number | 1132880 | | Catalog number | 9017 | | Discs | 1 | | Release Date | May 10, 1993 | | Mono/Stereo | Stereo | | Recording Time | 1 5 |
Jan Degaetani Sings Berlioz, Mahler / Effron, Eastman Ce Review
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Jan Degaetani Sings Berlioz, Mahler / Effron, Eastman Ce Songs | 1. Les nuits d'ete, Op. 7 (28:24) | | Common Name | Les Nuits D'ete | | Composer | Hector Berlioz (1803 - 1868) | | Conductor | David Effron | | Performer | Jan DeGaetani (Mezzo Soprano) | | Genre | Romantic Period / Song / Song Cycle | | Date Written | 1840-1841 | | Ensemble | Eastman Chamber Ensemble | | Period | Romantic | | Language | French | | Country | France | | Recording | Studio | | Venue | Eastman Theatre, Rochester, NY | | Recording Date | 05/1989 | | Notes | Arranged: Philip West | | 2. Des Knaben Wunderhorn: no 4, Wer hat dies Liedlein erdacht? (1:47) | | Common Name | Des Knaben Wunderhorn | | Composer | Gustav Mahler (1860 - 1911) | | Conductor | David Effron | | Performer | Jan DeGaetani (Mezzo Soprano) | | Genre | Lied / Romantic Period / Song | | Date Written | 1892 | | Ensemble | Eastman Chamber Ensemble | | Period | Romantic | | Language | German | | Country | Hamburg, Germany | | Recording | Studio | | Venue | Eastman Theatre, Rochester, NY | | Recording Date | 05/1989 | | Notes | Arranged: Philip West (for chamber ensemble) | | 3. Des Knaben Wunderhorn: no 2, Verlor'ne Muh (2:40) | | Common Name | Des Knaben Wunderhorn | | Composer | Gustav Mahler (1860 - 1911) | | Conductor | David Effron | | Performer | Jan DeGaetani (Mezzo Soprano) | | Genre | Lied / Romantic Period / Song | | Date Written | 1892 | | Ensemble | Eastman Chamber Ensemble | | Period | Romantic | | Language | German | | Country | Hamburg, Germany | | Recording | Studio | | Venue | Eastman Theatre, Rochester, NY | | Recording Date | 05/1989 | | Notes | Arranged: Philip West (for chamber ensemble) | | 4. Des Knaben Wunderhorn: no 9, Wo die schonen Trompeten blasen (7:08) | | Common Name | Wo Die Schonen Trompeten Blasen, Des Knaben Wunderhorn | | Composer | Gustav Mahler (1860 - 1911) | | Conductor | David Effron | | Performer | Jan DeGaetani (Mezzo Soprano) | | Genre | Lied / Romantic Period / Song | | Date Written | 1898 | | Ensemble | Eastman Chamber Ensemble | | Period | Romantic | | Language | German | | Country | Vienna, Austria | | Recording | Studio | | Venue | Eastman Theatre, Rochester, NY | | Recording Date | 05/1989 | | Notes | Arranged: Philip West (for chamber ensemble) | | 5. Des Knaben Wunderhorn: no 7, Rheinlegendchen (1:52) | | Common Name | Des Knaben Wunderhorn | | Composer | Gustav Mahler (1860 - 1911) | | Conductor | David Effron | | Performer | Jan DeGaetani (Mezzo Soprano) | | Genre | Lied / Romantic Period / Song | | Date Written | 1893 | | Ensemble | Eastman Chamber Ensemble | | Period | Romantic | | Language | German | | Country | Hamburg, Germany | | Recording | Studio | | Venue | Eastman Theatre, Rochester, NY | | Recording Date | 05/1989 | | Notes | Arranged: Philip West (for chamber ensemble) | | 6. Des Knaben Wunderhorn: no 10, Lob des hohen Verstandes (2:20) | | Common Name | Lob Des Hohen Verstandes, Des Knaben Wunderhorn | | Composer | Gustav Mahler (1860 - 1911) | | Conductor | David Effron | | Performer | Jan DeGaetani (Mezzo Soprano) | | Genre | Lied / Romantic Period / Song | | Date Written | 1896 | | Ensemble | Eastman Chamber Ensemble | | Period | Romantic | | Language | German | | Country | Hamburg, Germany | | Recording | Studio | | Venue | Eastman Theatre, Rochester, NY | | Recording Date | 05/1989 | | Notes | Arranged: Philip West (for chamber ensemble) | | 7. Ruckert Lieder (5) (19:03) | | Composer | Gustav Mahler (1860 - 1911) | | Conductor | David Effron | | Performer | Jan DeGaetani (Mezzo Soprano) | | Genre | Lied / Romantic Period / Song | | Date Written | 1901-1902 | | Ensemble | Eastman Chamber Ensemble | | Period | Romantic | | Language | German | | Country | Vienna, Austria | | Recording | Studio | | Venue | Eastman Theatre, Rochester, NY | | Recording Date | 05/1989 | | Notes | Arranged: Philip West |
Jan Degaetani Sings Berlioz, Mahler / Effron, Eastman Ce Music Composers on Jan Degaetani Sings Berlioz, Mahler / Effron, Eastman Ce CD : Hector Berlioz, Gustav Mahler Conductors on Jan Degaetani Sings Berlioz, Mahler / Effron, Eastman Ce CD : David Effron Ensembles on Jan Degaetani Sings Berlioz, Mahler / Effron, Eastman Ce CD : Eastman Chamber Ensemble Genres on Jan Degaetani Sings Berlioz, Mahler / Effron, Eastman Ce CD : Lied, Romantic Period, Song, Song Cycle Performers on Jan Degaetani Sings Berlioz, Mahler / Effron, Eastman Ce CD : Jan DeGaetani Purchase Jan Degaetani Sings Berlioz, Mahler / Effron, Eastman Ce To buy, Click on price to add to cart | Arabella Steinbacher Dvorák: Violin Concerto, Romance; Szymanowski: Violin Concerto CD (2009) Sacd Hybrid
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Principal cast: Rick Moranis (Seymour), Ellen Greene (Audrey), Steve Martin (Orin), Vincent Gardenia (Mushnik), Michelle Weeks, Tichina Arnold, Tisha Campbell (Ronnette, Chiffon and Crystal), Levi Stubbs (Audrey II).
Recorded at Hollywood Sound Recorders, Los Angeles; Advision Limited, London, England.
All music written by Alan Menken. All lyrics written by Howard Ashman.
Principal Cast: Ellen Greene (Audrey), Seymour (Lee Wilkof), Hy Anzell (Mushnik), Franc Luz (Orin, Bernstein, Snip), Sheila Kay Davis (Ronnette), Leilani Jones (Chiffon), Jennifer Leigh Warren (Crystal), Martin P. Robinson (Derelict/Audry II manipulation), Ron Taylor (Audrey II).
Recorded at A&R Recording ...
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Residue(1-6) (27:40)played by Alex FerrisInstrumentation:1 OBO, Drums2 12 stringed instruments3 Drums, flutes, Basuka4 Pilon, Bustelo, Flattery / Waver, Drums5 Edgetones, Reeds6 Drums, Bass, Gurney, Steel Reed, DishWhen summer gets hot, it becomes inordinately grief-intensive to have the studio doors and windows closed -even with them open and several fans running the temperature usually reaches 100 by early afternoon. The noise of the fans and the trucks passing outside make recording with microphones impossible. I recorded these pieces as studies toward / beginnings of possible longer works, but the hot weather arrived a few weeks before I'd anticipated and I had to leave them. Listening to them when it had cooled off I felt I'd lost touch with the ideas I'd had at the time, but I liked the pieces as they stood well enough to release them."When I hear drum machines and synthesizers the images that come to mind are of patients in intensive care units attached by tubes to devises that regulate their heartbeats, force oxygen into their lungs, add nutrients to their blood and "manage" their pain. To me these represent the most joyless aspects of modern living, analogous to the way our habitats have evolved into sprawls of pavement constructed with the goal of making life better for our cars than for our children."-Alex Ferris 2001Anarchestra is a group (over eighty) of instruments (built -with two exceptions- by Alex Ferris), the people who play them, and the socio-musical ideas that inform their playing. The instruments are predominantly steel with a few adapted parts, such as tuning machines and mouthpieces.The instruments were built to encourage non-musicians to explore the making of sound, to allow experienced musicians to make sound unconstricted by their technical habits and preconceptions, and to provide an alternative vocabulary of musical sounds.We have duty towards music, namely, to invent it. -StravinskyAlex Ferris writes:InseminationIn late 1999 I was working as a welder/metal sculptor in Providence and having a series of conversations about music with Mike Rinaldi. In January 2000 he asked me to help him make some instruments and we made a xylophone and several mbiras using formulas and suggestions from Sound Designs by Reinhold Banek and Jon Scoville.GestationI left Providence at the end of February and moved to Chilmark. I got hold of Bart Hopkin's book Musical Instrument Design and began working on Dubass and Pedal Guitar. The idea for the pedal operated capo-fret came from a street performer, Eric Royer, I'd seen in Harvard Square a few years before, who'd had an ingenious one-man-band set-up.My idea at that time was to integrate homemade instruments with standard ones to allow percussionists to contribute tonally, i.e., replace bassists and rhythm guitarists with drummers.A year later, in addition to Dubass and Pedal Guitar, I had made Bass, Pilon, Thump, Paired, Lamellop, Harp, Bish-Bosh, Pig, E3W, Croon, Chant, Sir Gamelan, and the two bowed instruments that eventually became Bosco.In March 2001 I began recording them, mostly to examine how the instruments could be amplified, still intending to integrate them into a traditional band.The results, which I eventually named Rumor, changed my mind. I realized that the instruments worked well together and formed a band in and of themselves. ...
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