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Cage / Harrison / Schneider, A. / Schulman / Young - Just West Coast CD Cover Art

Just West Coast CD


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Just West Coast Product Description



Just West Coast by Cage / Harrison / A. Schneider / Schulman / Young was released Nov 01, 1993 on the Bridge label. Just West Coast contains a single disc with 24 songs.


Elements Featured On Just West Coast CD



Composers on Just West Coast CD : John Cage, Lou Harrison [Composer], Harry Partch, La Monte Young
Genres on Just West Coast CD : Dance, Etude, Open Form, Sarabande, Sonata, Suite
Performers on Just West Coast CD : John Schneider (Avant Garde), Amy Shulman, Gene Sterling


Detailed Work Information Just West Coast



1. Suite No. 2 for guitar: Jahla  (1:51)
   Composer  Lou Harrison (Composer) (1917 - 2003)
   Performer  John Schneider [Avant Garde] (Guitar)
Gene Sterling (Percussion)
Amy Shulman (Harp)
   Genre  Suite
   Date Written  1972-2000
   Period  Modern
   Venue  Studio A, KPFK-FM, LA, CA
   Recording Date  01/1993-02/1993
 
2. Suite No. 2 for guitar: Waltz for Evelyn Hinrichsen  (1:37)
   Composer  LaMonte Young (1935 - )
   Performer  John Schneider [Avant Garde] (Guitar)
Amy Shulman (Harp)
   Genre  Sarabande
   Date Written  1959
   Period  Contemporary
   Country  United States of America
   Venue  Studio A, KPFK-FM, LA, CA
   Recording Date  01/1993-02/1993
 
3. Suite No. 2 for guitar: Threnody  (3:43)
   Composer  Harry Partch (1901 - 1974)
   Performer  John Schneider [Avant Garde] (Guitar)
Amy Shulman (Harp)
   Genre  Etude
   Date Written  1946-1950
   Period  Modern
   Country  United States of America
   Venue  Studio A, KPFK-FM, LA, CA
   Recording Date  01/1993-02/1993
 
4. Suite No. 2 for guitar: Sonata in Ishartum  (8:38)
   Common Name  The Wayward
   Composer  Harry Partch (1901 - 1974)
   Performer  John Schneider [Avant Garde] (Guitar)
   Genre  Open Form
   Date Written  1941-1955
   Period  Modern
   Country  United States of America
   Venue  Studio A, KPFK-FM, LA, CA
   Recording Date  01/1993-02/1993
 
5. Suite No. 2 for guitar: Beverly's Troubadour Piece  (6:49)
   Composer  John Cage (1912 - 1992)
   Performer  John Schneider [Avant Garde] (Guitar)
Amy Schulman (Harp)
   Genre  Dance
   Date Written  1948
   Period  Modern
   Country  United States of America
   Venue  Studio A, KPFK-FM, LA, CA
   Recording Date  01/1993-02/1993
Additional Detailed Work Information Just West Coast
 
6. Sarabande for any instruments  (8:45)
   Composer  John Cage (1912 - 1992)
   Performer  Amy Shulman (Harp)
   Genre  Dance
   Date Written  1948
   Period  Modern
   Country  United States of America
   Venue  Studio A, KPFK-FM, LA, CA
   Recording Date  01/1993-02/1993
 
7. Studies (2) on Ancient Greek Scales, for harmonic canon & bass marimba (from "Eleven Intrusions"): S  (19:15)
   Composer  Lou Harrison (Composer) (1917 - 2003)
   Performer  John Schneider [Avant Garde] (Guitar)
Amy Shulman (Harp)
   Genre  Sonata
   Date Written  1934-1943
   Period  Modern
   Country  United States of America
   Venue  Studio A, KPFK-FM, LA, CA
   Recording Date  01/1993-02/1993


Just West Coast Album Track Listing




Click to hear an MP3 sound sampleTrkSong   
1Suite No. 2: 1. Jahla
Cage / Harrison / A. Schneider / Schulman / Young
2Suite No. 2: 2. Waltz For Evelyn Hinrichsen
Cage / Harrison / A. Schneider / Schulman / Young
3Suite No. 2: 3. Therenody
Cage / Harrison / A. Schneider / Schulman / Young
4Suite No. 2: 4. Son in Ishartum
Cage / Harrison / A. Schneider / Schulman / Young
5Suite No. 2: 5. Beverly's Troubadour Piece
Cage / Harrison / A. Schneider / Schulman / Young
Additional Track Information Just West Coast
6Sarabande
Cage / Harrison / A. Schneider / Schulman / Young
7Two Studies On Ancient Greek Scales: Study on Olympos' Pentatonic
Cage / Harrison / A. Schneider / Schulman / Young
8Two Studies On Ancient Greek Scales: Study on Archytas' Enharmonic
Cage / Harrison / A. Schneider / Schulman / Young
98 Hitchhikers' Inscription: 1. Today I Am A Man
Cage / Harrison / A. Schneider / Schulman / Young
108 Hitchhikers' Inscription: 2. Gentlemen
Cage / Harrison / A. Schneider / Schulman / Young
Additional Track Information Just West Coast
118 Hitchhikers' Inscription: 3. Considered Pretty
Cage / Harrison / A. Schneider / Schulman / Young
128 Hitchhikers' Inscription: 4. A Very Good Idea
Cage / Harrison / A. Schneider / Schulman / Young
138 Hitchhikers' Inscription: 5. Possible Rides
Cage / Harrison / A. Schneider / Schulman / Young
148 Hitchhikers' Inscription: 6. Jesus Was God In The Flesh
Cage / Harrison / A. Schneider / Schulman / Young
158 Hitchhikers' Inscription: 7. You Lucky Women
Cage / Harrison / A. Schneider / Schulman / Young
Additional Track Information Just West Coast
168 Hitchhikers' Inscription: 8. Why In Hell Did You Come?
Cage / Harrison / A. Schneider / Schulman / Young
17Dream
Cage / Harrison / A. Schneider / Schulman / Young
18In a Landscape
Cage / Harrison / A. Schneider / Schulman / Young
19Six Sonatas: 1. Moderato
Cage / Harrison / A. Schneider / Schulman / Young
20Six Sonatas: 2. Allegro
Cage / Harrison / A. Schneider / Schulman / Young
Additional Track Information Just West Coast
21Six Sonatas: 3. Moderato
Cage / Harrison / A. Schneider / Schulman / Young
22Six Sonatas: 4. Allegro
Cage / Harrison / A. Schneider / Schulman / Young
23Six Sonatas: 5. Moderato
Cage / Harrison / A. Schneider / Schulman / Young
24Six Sonatas: 6. Allegro
Cage / Harrison / A. Schneider / Schulman / Young


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Just West Coast Product Details



CD Universe Part number1132903
LabelBridge
Orig Year12/1/1993
Catalog number9041
Discs1
Release DateNov 01, 1993
Recording Time1:1


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Harry Partch: Delusion of the Fury CD (1999)
CD $14.69 Buy It  Details
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Just West Coast Harry Partch is one of music's true innovators. Not only does he ignore most of the traditional rules of composition, he created instruments specifically for his music. He wrote for his own 43 note scale. His originality woke audiences and critics to new possibilities. This recording "Delusion of the Fury" dates to its first performances at the UCLA Playhouse in Los Angeles, 1969. Built upon the timeless theme of life and death, the setting is non-specific, but the music sounds decidedly Asian. Partch prefers ambiguity, as he assigns the singers only a handful of words recognizable in any language. Rhythmic and atonal, the piece has a primal urgency, making the drama very human without assigning class or ethnicity to the action. Given the rarity of Partch's unique instruments, this original recording holds historical significance. It would be very difficult to put together such a performance today, and considering Partch's personal supervision of this one, the album shall ...
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