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California Ear Unit / Feldman - Crippled Symmetry CD Cover Art
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Crippled Symmetry CD

 California Ear Unit / Feldman CDS

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Category Classical, Oldies Collections, Chamber Music/Recitals, 20th Century Period
Crippled Symmetry Music


Detailed Crippled Symmetry Music Information



List Price $17.98 (You save $3.69)
Label Bridge
Orig Year 9/21/1999
All Time Sales Rank   11173  
CD Universe Part number 1132952
Catalog number 9092
Discs 2
Release Date Oct 19, 1999
Mono/Stereo Stereo
Recording Time 1 27
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Recorded live at Yubin Chokin Hall, Tokyo, Japan on January 20, 1973. Originally released on Fantasy (9457). Includes liner notes by Kiyoshi Koyama. Digitally remastered by Phil De Lancie (1990, Fantasy Studios, Berkeley, California). This was Bill Evans' first album for the Fantasy label in the '70s, and he began his association in fine style. Beautifully recorded in Tokyo in January 1973, the Evans trio present a set of new additions to their "set list" to a wildly appreciative audience. This response seems to stoke the Trio's fire--all Evans' trademark lyricism is there, but there's a touch of "reckless" abandon in his playing--less restraint, even more swing. The bass and drums of Eddie Gomez (who sounds as though he's playing right next to you) and Marty Morell, respectively, play with almost telepathic empathy. The trio plays the usual standards, but introduce Bobbie Gentry's (that's right, the "Ode to Billy Joe" woman) "Mornin' Glory" and friend Tony Bennett's "Yesterday I Heard the Rain"--and the most glorious, sublime moment is a solo version of jazz bassist Steve Swallow's "Hullo Bolinas." On the latter, Evans' touch is so light and tender the notes seem to float out of the piano by themselves. A winner! Personnel: Bill Evans (piano); Marty Morell (drums). Liner Note Author: Kiyoshi "Boxman" Koyama . Recording information: Tubin Chokin Hall, Tokyo, Japan (01/20/1973). Unknown Contributor Role: Marty Morell. Personnel: Bill Evans (piano); Eddie Gomez (bass); Marty Morell (drums). Engineers: Henichi Handa, Tomoo Suzuki, Yuiichi Maejima.
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"I Got It Bad And That Ain't Good" was nominated for the 2001 Grammy Award for Best Jazz Instrumental Solo. Keith Jarrett is considered one of the most important pianists to emerge since the '60s. He landed gigs with Art Blakey and the Live/Evil-era Miles Davis Group, then recorded a stunning series of solo improvisations in the '70s that brought him international renown. The prodigious master of melody and improvisation returns to the realm of solo recording with distinctive, impressionistic versions of 10 timeless classics. This hushed, reflective set includes "Someone to Watch Over Me," "I Loves You Porgy," "I Got it Bad and That Ain't Good," his own "Meditation," and even a version of "My Wild Irish Rose" that James Joyce might have enjoyed in Bloom's parlor or a quiet Dublin pub. Jarrett interprets these standards with great reverence, and personalizes each with an evocative mix of neo-classical mastery and jazz soul. On THE MELODY AT NIGHT, WITH YOU, Keith Jarrett conjures a perfect mood for romantic candlelit dinners or quiet introspection. Solo performer: Keith Jarrett (piano). Valley
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Charles Curtis/Aleck Karis Recording information: The Neuroscience Institute, San Diego, CA (05/2003). Author: Morton Feldman. Personnel: Charles Curtis (cello); Aleck Karis (piano). Audio Mixer: Michael McCoy.
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2006 issued recording of this 17th Century masterpiece, originally published in Paris in 1680. It comprises some of the most beautiful pieces of Ennemond Gaultier, lute professor to the Queen of France. The pieces were exclusively written for baroque lute and unlike most other lute pieces, they were transcribed by Perrine, a contemporary of the authors from the traditional tablatura writing style to a more precise, more modern technique. It gives indications about left- and right-hand positions; about ornementation and arpegements.This has made the Book a fabulous interpretation tool for other pieces; a sort of Rosetta Stone for the lute world. Pernot worked on this recording for over a decade, ultimately travelling to a chapel in Switzerland to achieve a unique recording.
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