| | Hollies Dear Eloise/King Midas In Reverse CD Hollies Discography of CDs
All tracks have been digitally remastered from the original two-track master tapes.
Psychedelia (albeit of the whimsical British Music Hall persuasion) rears its incense-flavored head here as the Hollies, a band from which almost no one expected Big Statements, tries to come to grips with the Summer of Love. The results are only intermittently successful. But, as the title suggests, there are at least two great songs. There's also "Step Inside," a wonderful bit of power pop that more or less splits the difference between the band's older style and the album's post-"Sgt. Pepper" touches, as well as some amusing period pieces like "Maker"-heavy on the sitar and finger cymbals. Sundazed's reissue adds five bonus tracks and subtracts the thick fog of tape echo mistakenly appended to the original American LP version.
Includes original release liner notes by Gloria Stavers and new liner notes by Jud Cost & Allan Clarke.
Re-Issue;Incl 4 Bonus Tracks
Personnel: Allan Clarke (vocals, guitar); Graham Nash (vocals); Tony Hicks (guitar); Bernie Calvert (keyboards); Bobby Elliott (drums).
Liner Note Author: Gloria Stavers.
Recording information: England (1967).
Director: John Scott.
Arranger: John Scott.
The Hollies: Allan Clarke (vocals, guitar); Tony Hicks, Graham Nash (guitar); Bernie Calvert (keyboards, bass); Bobby Elliott (drums).
Dear Eloise/King Midas In Reverse Music Hollies Dear Eloise/King Midas In Reverse Songs Dear Eloise/King Midas In Reverse Review
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All tracks have been digitally remastered using HDCD technology.
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Although this two-CD compilation of reggae from the 1960s and early '70s contains universally fine music, sticklers might be a little miffed at the use of the word "ska" in the title. There's ska here, but strictly speaking, some of the later material is more often classified as "rocksteady" or just "early reggae" by purists. It might be better to just view this is an early reggae compilation, and if you don't object to the way the term ska's applied here, there's no reason not to enjoy what's ultimately one of the better various-artists anthology of early reggae sounds. There are some big names here, to be sure, like Desmond Dekker, Lee "Scratch" Perry, Jimmy Cliff, the Ethiopians, Clancy Eccles, and Tommy McCook. There are a few well-known classic tracks too, like the original 1966 version of "Rudy, A Message to You" (by Dandy Livingstone), the Ethiopians' "Train to Skaville," the Pioneers' early-'70s Top Five British single "Let Your Yeah Be Yeah," the Upsetters' 1969 number five U.K. charter "Return of Django," and Bob & Marcia's "Young, Gifted & Black" (though the last of these is presented in its original stringless version, not the one with overdubs that became a big U.K. hit). Yet most of the cuts are not obvious, over-reissued selections, though they're as good or almost as good as the best famous songs in the genre. It's diverse enough, too, ...
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UK hip hop getting good reactions from Daddy G (Massive Attack) AIM, Mr Thing, DJ Magazine, Mojo, Independent, DMC Update etc"The people's republic of West Yorkshire has not figured strongly on rap's radar, but Practical Headz, three Huddersfield hip hoppers who take as much pride in their real accents as Mike Skinner does in his adopted Cockney, are ready to right this considerable wrong. Crucially, the music - from Stop The Diction's sci-fi scowl to The Get The F**k Out's synth bass bounce - its the raps' equal." MOJO (UK)These guys are great. 'Get the F***k Out' should be the next single. Really good. (Daddy G 'Massive Attack - Various/ Worldwide)'Top Trumps in every sense of the phrase' DMC Update (UK)'Straight up electro ...
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