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Revere, Paul & The Raiders - Hard 'N' Heavy (With Marshmallow) CD Cover Art CD music music CDs songs album

Revere, Paul & The Raiders Hard 'N' Heavy (With Marshmallow) CD

 Revere, Paul & The Raiders Discography of CDs

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By the time of Paul Revere & the Raiders recorded Hard 'N' Heavy late in 1968, Mark Lindsay and Paul Revere were the only remaining original members of the band -- yet, surprisingly, this album consisted entirely of band originals, which is a pretty daring move for the first long-player featuring a new lineup of any band; even more amazing is that it's all good music. Bassist/guitarist Keith Allison, in particular, proved himself a special asset to the group throughout this album, not only with some very ballsy playing but three killer hard-rocking songs (co-written with Mark Lindsay) -- the Stones-like "Time After Time" and "Out on That Road," and "Without You." These alternate with Lindsay's smoother, generally more pop-oriented solo originals, and some competent, even catchy songs written by guitarist Freddy Weller and drummer Joe Correro. Lindsay's "Cinderella Sunshine" is the highlight of the album, appearing on the 2000 Sundazed Records reissue in both its album incarnation and its shorter, punchier single version. There's also an uncredited 16th track, "Everybody Loves Swingy," written for a Mattel doll, that's one of the most infectious rock & roll numbers ever cut by the band. Its presence also spotlights a conundrum that the Raiders faced in 1969 -- it was a sign of just how much this band liked to make music that people could hum and dance to, and didn't care for the "counterculture," the soon-to-be Woodstock Nation, and other touchstones of late-'60s credibility; it might have been a sign that this band was never going to get with it, as far as rock credibility in the late '60s, but heard today, the "Swingy" jingle seems poignantly innocent and honest, as well as being a catchy little song. The sound is, as usual for Sundazed, impeccable. ~ Bruce Eder

Reissue of 1969 album with bonus tracks 'Do Unto Others', 'Cinderella Sunshine' ( both single versions), 'Theme from It's Happening' (previously unissued vocal version) and 'Judge GTO Breakaway' (previously unissued original version). Also includes archival flyers and rare photos. 2000 release. Standard jewelcase.
Hard 'N' Heavy (With Marshmallow) Music


Detailed Hard 'N' Heavy (With Marshmallow) Music Information



List Price $13.98 (You save $2.19)
Category Rock/Pop Albums, Rock CDs, Pop, Oldies, 60's, Bubble Gum, Oldies Collections
Label SPV
Orig Year 1969
All Time Sales Rank   46447  
CD Universe Part number 1133184
Discs 1
Release Date Jan 12, 2000
Studio/Live Studio
Mono/Stereo Stereo
Revere, Paul & The Raiders Hard 'N' Heavy (With Marshmallow) Songs


Revere, Paul & The Raiders Hard 'N' Heavy (With Marshmallow) Album Track Listing



1.Mr. Sun, Mr. Moon
2.Money Can't Buy Me
3.Time After Time
4.Ride on My Shoulder
5.Without You
6.Trishalana
7.Out on That Road
8.Hard and Heavy 5 String Soul Banjo
9.Where You Goin' Girl
10.Cinderella Sunshine$0.99
11.Call on Me
12.Do Unto Others - (Single Version, bonus track)
13.Cinderella Sunshine - (Single Version, bonus track)
14.Theme From It's Happening - (previously unreleased, Vocal Version, bonus track)
15.Judge GTO Breakaway - (previously unreleased, bonus track)
Hard 'N' Heavy (With Marshmallow) Review


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Just Like Us!
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Revere, Paul & The Raiders Just Like Us! CD  (1966)

Hard 'N' Heavy (With Marshmallow) album
CD $11.95  Audio Samples Definitive Album
The rest of the album leans mostly towards sturdy rave-ups of recent singles like Marvin Gaye's "I'll Be Doggone," Them's "Baby Please Don't Go," "Satisfaction." There's a surprising pair of choices in Jimmy Forrest's jazz instrumental classic "Night Train" and Donovan's folk-rocky "Catch the Wind." That both sound perfectly reasonable and equally exciting is testament to the Raiders' bar-band vitality. This is Paul Revere & the Raiders the way garage band fanatics want to remember them. The Sundazed version of this album is twice the record that the original LP was, with louder, sharper, denser sound that captures the punk edge that this band had on its best days, which were frequent during this part of their history. Released ...
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One of the most popular yet most underrated rock bands of the '60s was Paul Revere & The Raiders. ...
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Regardless of the name on the album, Goin' to Memphis is essentially a Mark Lindsay solo project cut in Memphis, at Chips Moman's American Studios. At the time, the group was looking for a change in sound, their prior LP, Revolution, having failed to sell in remotely the number of its predecessors; road manager Jerry Williams suggested an album with Moman, who would only record with his own house musicians: Tommy Cogbill and Reggie Young on guitars, Mike Leech on bass, Spooner Oldham and Bobby Woods on keyboards, and Gene Crispian on drums. So this is Mark Lindsay and and those guys, with Lindsay writing ...
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The title was a reference to the band's ruse of submitting a new record to an L.A. radio station under the alias and earning airplay until it was discovered that "Pink Puzz" was really Paul Revere & the Raiders. That was the Raiders' dilemma -- they could still get attention for their singles, such as the Top 40 rocker "Let Me!" that led off this collection, but hip FM radio didn't want to know. Actually, since Mark Lindsay's muse was taking him in a pop-swamp rock direction not far removed from what Elvis Presley was doing at the time, maybe that made sense. Lindsay's increasingly autobiographical material concerned ...
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Digitally remastered by Suha Gur (Universal Mastering Studios East, Edison, New Jersey). East met West for 1985's action-packed The Last Dragon (or Berry Gordy's The Last Dragon, depending on how you want to look at it), a vehicle for Gordy's Motown label that employed Vanity in a lead role as popular veejay Laura Charles, the object of affection for Taimak's talented martial arts hero character Leroy (or "Bruce Leroy," as he was respectfully referred to). By no means is the movie a classic, and neither is the Motown-heavy soundtrack. You'd be missing the point if you thought of them in those terms. The movie was marketed ...
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