| | Meters Cabbage Alley CD Meters Discography of CDs
(1 Customer Review)
Originally released on Reprise (2076). Includes liner notes by Bunny Matthews and Barry Hansen.
When the Meters moved from their bankrupted indie label Josie to Warner Brothers for 1972's CABBAGE ALLEY, they shifted from funky instrumentals to soulful vocalizing. Leading the way to this new direction was guitarist Leo Nocentelli, who wrote or co-wrote most of these songs. True to Nocentelli's New Orleans origins, a spirit of jocular abandon winds its way throughout this album.
Among the most notable examples are the chugging and infectious "Soul Island," inspired by a tour of the Caribbean, and the mid-tempo grit of a dance theme called "Do the Dirt." Elsewhere, Nocentelli's compositions include the psychedelic soul of "Stay Away," and "The Flower Song," a romantic instrumental tailor-made for a candlelit dinner. Altering this carefree atmosphere are a pair of consciousness-raising tracks: "You've Got to Change (You've Got to Reform)," and the Band-like poignancy of "Lonesome and Unwanted People," featuring keyboardist Art Neville's soulful vocals. Neville's contributions also include his cover of Neil Young's "Birds," and a rewrite of Professor Longhair's "Hey Now Baby" that doubles as the rollicking title track. "Chug Chug Chug-A-Lug (Push and Shove) Parts I & II" has also been added as a bonus track for this reissue.
Re-Issue Plus 2 Bonus Tracks
Producers: Allen Toussaint, Marshall Sehorn.
Personnel: Leo Nocentelli (vocals, guitar, tambourine); Art Neville (vocals, piano, organ, keyboards, tambourine); Arthur "Red" Neville (vocals, piano, organ, cowbells, tambourine); Ziggy Modeliste (drums, cowbells, wood block); Cyril Neville, Squirell (congas).
Liner Note Authors: Bunny Matthews; Barry Hansen.
Recording information: Sea-Saint Stuidos, New Orleans, LA.
The Meters: Arthur Neville (vocals, piano, organ, tambourine, cowbell); Leo Nocentelli (guitar, tambourine); George Porter Jr. (bass); Joseph Modeliste (drums, guiro, woodblock, cowbell).
Additional personnel: Cyril Neville, Squirrel (congas).
Q (8/00, p.120) - 3 stars out of 5 - "...Their 1st vocal album...'Lonesome' & 'Unwanted People' provided them with a vocal classic compared to their virtuoso instrumental ensemble groovin'..." Living Blues (5-6/01, pp.91-4) - "...An enjoyable and varied album that kept the New Orleans funk at the forefront....while displaying leanings towards rock..." Mojo (Publisher) (8/00, p.115) - "...An astute blend of social soul...and even a cover of Neil Young's 'Birds'..." Cabbage Alley Music | List Price | $13.97 (You save $2.38) | | Category | Rock/Pop Albums, Rock CDs, R&B, Pop, Urban Soundtrack, Funk, Soul/R&B, New Orleans R&B | | Label | Sundazed Music Inc. | | Orig Year | 1972 | | All Time Sales Rank | 42270  | | CD Universe Part number | 1133209 | | Catalog number | 6168 | | Discs | 1 | | Release Date | Apr 25, 2000 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Recording Time | 47 minutes | | Personnel | Leo Nocentelli - vocals, guitar, tambourine George Porter, Jr - bass Arthur "Art" Neville - keyboards, vocals Joseph "Zigaboo" Modeliste - drums, guiro, woodblock, cowbell Squirell - congas
Also: Cyril Neville, Squirrel |
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$20.29 The title tune for this CD is It's Been So Long by Walter Donaldson. The tune is appropriate since it has been "so long" since top flight musicians gathered to play and jam with any frequency. Those gatherings used to be commonplace back in the Thirties, Forties and even into the Fifties. You might find any number of excellent musicians getting together in 52nd Street clubs, in afterhours joints, or on radio programs such as "The Saturday Night Swing Sessions" simply to make good music.Brooks Tegler's Capital Combinations includes groupings of 14 outstanding musicians from Washington, DC, suburban Virginia and Maryland whose paths cross often enough in different groups to have built up a respect and admiration for each other's work. The constants throughout the CD are Marty Nau, on alto and sometimes clarinet; John Jensen on trombone; Chuck Redd on vibes; Tom Mitchell on guitar; Robert Redd on piano; and Brooks Tegler on drums. The tenor and baritone sax work is split between Scott Silbert and John Doughten, with Scott also providing some of the key arrangements. The trumpet work is split between Vince McCool and Marc Weigel, with the bass work being divided between John Previti and Tom Cecil. Vocals by Brooks, Tom Mitchell, Lynn McCune and Jim Stephenson are also featured.The strongest part of this CD is the ensemble work of the various combinations, which is outstanding. The music is basically that of the Swing Era with touches and shades of more modern jazz styles also in evidence. The individual work of all of the players is what you would expect from musicians of this caliber.However, special mention has to go to the very strong and excellent playing throughout of Marty Nau, mostly on alto but also on clarinet. The same can be said, as well, of trumpeter Vince McCool, whose work is also consistently strong with great ideas. John Doughten, the only outlander in the group (he's from Chadd's Ford, Pennsylvania) does outstanding work on clarinet on You Turned the Tables On Me and on baritone sax on Jive At Five. The same can be said of Marc Weigel's trumpet work on Jive At Five. John Jensen's trombone and Chuck Redd's vibes are both very appealing, as are Tom Mitchell's guitar and Robert Redd's piano. The bass work of both John Previti and Tom Cecil is great, especially Previti on The Chaser and Cecil on It's Been So Long. Brooks' drumming is tasty throughout and very supportive to the other musicians.I could go on about each and every number and that consistently good ensemble work as well as the solos...but space, of course, does not permit. Nevertheless, I do want to mention five of the cuts in particular. ...
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