| | Bill Coday Can't Get Enough CD Bill Coday Discography of CDs
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Recorded at Ecko Sound Studios, Memphis, Tennessee. Includes liner notes by Cherrie Holden.
Personnel: John Ward (guitar, programming); Jim Spake, Scott Thompson (horns); Derrick Jackson (keyboards); Jackie Johnson, Bertram Brown, William Brown (background vocals).
Audio Mixers: John Ward; Bryan Patrick.
Recording information: Ecko Sound Studio, Memphis, TN.
Photographer: Rene Koopman.
Personnel: Bill Coday, Barbara Carr (vocals); John Ward (guitar, programming); Derrick Jackson (keyboards); William Brown, Bertram Brown, Jackie Johnson (background vocals).
The Acme Horns: Jim Spake, Scott Thompson.
Bill Coday Can't Get Enough Songs | 1. | In the Room Next to the Room |
| 2. | Not a Word |
| 3. | Can't Get Enough |
| 4. | That's When the Blues Began |
| 5. | Ace of Spades |
| 6. | Come On |
| 7. | It's a Blues Thang |
| 8. | That's How Strong My Love Is |
| 9. | Get It While the Gettin' Is Good |
| 10. | Bring Your Lunch |
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Can't Get Enough Review
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Purchase Can't Get Enough CD To buy, Click on price to add to cart | Super Low Jams, Vol. 1 CD (2005)
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And the unearthing of various psychedelic-era obscurities continues. In this case, the chosen representatives -- reflecting turn of the century interest in a comparatively little-known Latin American '60s scene -- were from Venezuela; a teenage trio signed for a three-album contract that only recorded the one in 1968. The sparse liner notes indicate that it was pretty much the band's standard set, and as such, reveals that they were essentially a cover group with a fondness for soul -- the sole original, "Gonna Ride," kicks things off. It's actually a surprisingly blasting number once it hits the chorus, guitarist Alvaro Falcon going certifiably crazy via overdubs (in interesting contrast, the band's also good at simply cutting out fully for dramatic pauses). Bassist/singer Jesus Toro's slight accent tinges an otherwise standard-enough rock/blues delivery of the time, while the whole song ends on a wonderfully bemusing let-the-tape-slow-down note. After that, it's a reasonably standard selection in terms ...
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