| | Rufus Thomas Rufus Live! CD Rufus Thomas Discography of CDs
(1 Customer Review)
Live From 1996
Liner Note Author: Penny Wolfe.
Recording information: Ecko Sounds Studios, Memphis, TN (1996); Southern Crossroads Festival, Centennial Olympic Park, (1996).
Personnel: Rufus Thomas (vocals); Michael Toles (guitar); Jim Spake (tenor saxophone); Scott Thompson (trumpet); Marvell Thomas (keyboards); James Robertson (drums); Jackie Johnson, Bertram Brown, William Brown (background vocals).
Audio Mixers: Logan Patton; Bryan Patrick.
Purchase Rufus Live! CD To buy, Click on price to add to cart | Luther Allison Soul Fixin' Man CD (1994)
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| | Albert Collins Rockin' With The Iceman CD (1998)
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| | Chet Baker Sextet CD (1955) Remastered
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$9.35 One of the best non-vocal Chet Baker albums, this outing features the artist in two sextet settings. The first (tracks 1-8) augments the piano/bass/drums backing group with valve trombone and baritone sax, while the second (tracks 9-12) adds French horn, bass clarinet, bassoon, and cello to Baker's trumpet, dispensing with piano and drums. The first set moves ...
| | Pat The White Reviver CD (2008) (Import) Import
Rufus Live!
$19.29 Patrick Leblanc (Pat The White) is an award winning artist from the Gaspé region of Québec.Pat`s album "Reviver" was awarded the Montreal Blues Society's "Lyblues Album of the year" on September 16, 2007.From Soundopinion.caPat The White Band have blown people away with their chemistry at many a festival, and the same elements that have made them a success live are at work on this album. Named after their lead singer/guitarist, Pat Leblanc, the group is a jam band. They’re from Quebec, but their influences seem mostly to be from the spirited U.S. South.Six of the nine songs on Reviver are originals, but, to hear them, I would have guessed they were written in the 60s or 70s. As is the case with a lot of music from that era, the line between blues and rock is often drawn thinly. Pat The White’s own “More Bad News” makes blues as fun and catchy as does the Fabulous Thunderbirds’ “Tuff Enuff.” “Kiss From Your Sister” is a great jam, with Pat’s guitar up front, but every member (a bassist, another guitarist, a drummer, and an organist) gets into it and gives noteworthy performances. It’s such a strong song and performance that it almost overshadows the Allman Brothers Band classic, “Whipping Post,” which Pat The White Band treat with utmost respect and enthusiasm. The cover song highlight, and possibly the entire album highlight, is the band’s spin on Deadric Malone’s “Ain’t That Loving You.” This is a hard rocking, old blues-influenced version. Pat trades vocal lines with Bob Walsh, who energetically channels B.B. King. In the jam parts, keys and guitar notes each have solo time, before engaging in a rising conversation.Although band interaction, technical skill, and virtuosity are key in any successful jam, there need to be memorable songs to make a memorable album. In addition to a never-ending supply of riffs, licks, and grooves, the band also offers variety in tone and tempo to keep interest. Things are slowed down on “Promised Land,” drawing attention to Pat’s vocals, which are punctuated by guitar flourishes á la Carlos Santana. The band lets loose and jams, only to return to the vocal part, and then repeat the process. The acoustic “Looking Out The Window” also has a memorable vocal performance, although some might say that Pat oversings it slightly. The best part of the song comes in the guitar solo, which is concentrated on sounding cool and classy, not showy.From time to time, Pat Leblanc throws in an excess of notes on his guitar leads. It doesn’t sound bad—actually, it sounds great when he does it—but it can be too much ...
| | Hilary Scott Floating World CD (2002)
Rufus Live!
$14.79 When Hilary Scott sings, people stop and listen. One of the first times she performed at a bar in Seattle she was told, "don't worry if people don't really pay attention. The music here is more for background." The place fell silent when she opened her mouth. People seem drawn to her style and her music because it provides them with a total and unique "experience."A musician since the age of three and a writer since the age of five, it seemed natural that Hilary would one day combine the two, and the result has been explosive. Raised on piano, violin, voice and guitar, she experiments with different sounds, instruments, and styles to create unique audio artwork. Her influences when she were growing up were vast, but she felt a special connection to the music of Peter Gabriel and Nick Drake. From Peter Gabriel grew her passion for percussion and orchestration, and from Nick Drake came her love of honest lyrics and heartbreaking guitar melodies. Female artists she has been compared to include Sarah MacLachlan, Ani DiFranco, Melissa Ferrick, and other modern songwriters. Listeners can be gratified with blues, folk, rock, pop and classical influences in her music, and yet still find they are listening to something completely fresh and difficult to define. "Just finished listening to Hilary Scott. She is difficult to categorize... Sinead O'Connor meets Alanis Morisette meets Enya, Meets Sarah MacLachlan. Her guitar playing and her band remind me of acoustic Led Zeppelin meets U2 meets Celtic Cajun/Goth...All in all she is very original. Even though she reminds me of above artists and styles, she has a uniqueness about her. At times it's a little spooky. In fact it reminds me of New Orleans, not sure why...My favorite song was 'When It's Done'. In my opinion she sounds most relaxed on this cut, and her song/story/playing seems to have a unique honesty/vibe about it...She is very original" - Joseph Patrick MooreHilary performed solo for many years in the Northwest, but two years ago moved to Missouri where she formed a six piece band called LaidDownEight. Her style flourished as she began working with people whose jam-band past expanded upon the songs she was writing. The band helped her record, "The Floating World," and they continue to perform with her ...
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