| | Charles Wilson It Ain't The Size CD Charles Wilson Discography of CDs
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Our Price: $14.69 CDFor Sale Usually ships in 1-2 days (Only 1 available)
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Recorded at Ecko Sound Studios, Memphis, Tennessee.
Personnel: Bryan Patrick (guitar); Derrick Jackson (keyboards); William C. Brown, E. Nelson, Bertram Brown (background vocals).
Audio Mixers: John Ward; Bryan Patrick.
Recording information: Ecko Sound Studios, Memphis, TN.
Photographer: Rene Koopman.
Personnel: Charles Wilson (vocals); John Ward (guitar, drum programming); Derick Jackson (keyboards); William Brown, Bertram Brown, E. Nelson (background vocals).
5th Rel
Charles Wilson It Ain't The Size Songs It Ain't The Size Review
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Purchase It Ain't The Size CD To buy, Click on price to add to cart | Last Soul Company CDs (1999) Box Set
It Ain't The Size album
$60.75 THE LAST SOUL COMPANY is a 6-CD box set commemorating Malaco Records' 30th Anniversary, including booklet and a 45,000-word essay by Rob Bowman.
THE LAST SOUL COMPANY was nominated for the 2000 Grammy Award for Best Album Notes.
Young Mississippi entrepreneurs Tommy Couch and Wolf Stephenson started the Malaco label in the late '60s, and over the decades they amassed an impressive catalog of soul, blues, and gospel, including stellar recordings ...
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$13.29 Johnson first appeared on the jazz and blues-based Delmark label with 1994's BACK IN THE GAME. His second Delmark release delves further into blues territory than its predecessor, which featured the funky soul of the Hi Rhythm band. While Johnson is known for ...
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$13.85 Mitch Kashmar is an established West Coast harmonica veteran who has been knocking around for several decades but first made a dent on the international blues scene with his 2005 Delta Groove debut, Nickels & Dimes. As if to make up for lost time, he followed it up a year later with Wake Up and Worry, another solid blast of left coast swinging blues. Ignore the cartoonish and rather garish cover of a groggy Kashmar in a bathrobe surrounded by scantily clad models and dive into the disc for a rollicking jump blues party. Kashmar has a surprisingly compelling and distinctive voice, but it's his astounding harp work that propels this music. Sure, there is plenty of Little Walter's overdriven electrified blowing in his style -- he covers both "Dead Presidents" and Walter's "Up the Line" -- but Kashmar puts his individual stamp on this sizzling music. Blues fans familiar with Little Charlie & the Nightcats will want to own this as well, since Kashmar works comparable territory. The harpist/singer takes a break from his jaunty style for "I'm Sorry," a jazzy R&B ballad with female backing singers and some tasty guitar lines from John Marx. Elsewhere, Rusty Zinn and Junior Watson, two of the finest West Coast guitarists, add their energy and talent to an album that has no low points. Those who remember the late William Clarke will also gravitate toward this as Kashmar works a similar groove and possesses the same combination of nimbleness and attitude that characterized Clarke at his finest. The album's closing instrumental shuffle of "The Waddle" will leave any blues fan impressed with its thick, gooey solos but the entire disc is one of the finest contemporary blues harp albums of the year. If Kashmar can maintain the quality and pace of this output, he should find belated fame as the master of the instrument he obviously is. ~ Hal Horowitz
MITCH KASHMAR “Wake Up & Worry”Featuring an All-Star Cast Including: Junior Watson, Rusty Zinn, and many more…“The world loved his last CD…you’ll flip over “Wake Up & Worry’” – Russ Regan (Legendary Record Executive)Album includes 9 original songs along wit classics written by Little Walter and Johnny “Guitar” Watson.Mitch Kashmar’s stock skyrocketed after his 2005 Delta Groove debut, “Nickels & Dimes.” Kashmar’s powerhouse vocals, sophisticated yet gritty harmonica playing, and imaginative material earned him a “Best New Artist Debut” nomination by The Blues Music Foundation. He’s played throughout North America and in Europe, winning new fans at every stop. Since the release of “Nickels and Dimes,” Kashmar has been lavished with an almost embarrassing amount of praise in publications ...
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$11.79 The best way to describe Teresa James' lusty combination of dusky blues, roots rock, gospel, dark folk, and Southern soul is to say it's Delbert McClinton inspired. McClinton has crafted his career by writing and singing potent songs that borrowed liberally from these genres, and although it would be unfair to label keyboardist/singer James as "the female Delbert," there is no denying the similarity in both musicians' styles, right down to their gutsy vocals. Perhaps it's no coincidence that James has also participated in some of Delbert's famous cruises where she likely picked up pointers from the master. Regardless, this is a solid, often captivating album of generally upbeat Americana-infused soul-blues with lots of sassy attitude from James and terrific backing from her journeyman band. A two-piece horn section joins the fray on all the tracks, bringing additional soul coloring to the proceedings. James' voice is influenced by Bonnie Bramlett and indeed this album can be seen as an updated slice of Delaney & Bonnie at that group's early-'70s pinnacle. Give credit to veteran bassist/guitarist Terry Wilson, who ...
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