Quinn Golden What's The Name Of That Thing? CD

What's The Name Of That Thing? Music

List Price	$16.98 (You save $3.19)
Category	Rock/Pop Albums, R&B CDs, Urban Soundtrack, Soul/R&B, Blues
Label	Ecko
Orig Year	1999
All Time Sales Rank	201599
CD Universe Part number	1133397
Catalog number	1024
Discs	1
Release Date	Sep 14, 1999
Studio/Live	Studio
Mono/Stereo	Stereo
Producer	John Ward
Engineer	John Ward
Recording Time	47 minutes
Personnel	John Ward - guitar John Ward - guitar Derrick Jackson - keyboards Quinn Golden - background vocals

Quinn Golden What's The Name Of That Thing? Songs

	1.	Peepin' in the Window
	2.	Way You Layed It on Me, The
	3.	Threesome
	4.	Won't You Make up Your Mind
	5.	What's the Name of That Thang
	6.	Woman
	7.	Damned If I Do, Damned If I Don't
	8.	Woman's Gotta Have It
	9.	Call Me
	10.	Pick Up the Pieces

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This Australian compilation presents 20 classics by instrumental rock & roll pioneers the Shadows, including "Stardust" and "Brazil." This CD reissue of a 1987 release finds England's number one instrumental group tackling a batch of old standards in their typical style. Tunes like "Black Is Black," "Stardust," "Ghost Riders in the Sky," "In the Mood," "The Lonely Bull," and "Good Vibrations" get the typical Shadows touch, and the inclusion of old favorites like "Nivram" (lead guitarist's Hank Marvin last name spelled backwards), "Quartermaster's Stores," and "Sacha" (a number one hit in Australia for Marvin as a solo act in 1970) make this a worthy companion to any greatest hits package you might already have on the band. Instrumental fans take note; this one's a good one! ~ Cub Koda The Shadows only really dominated British pop and rock music for about five years, from late 1958 through 1963, but they've held on to their audience for decades, partly owing to the consistency of their work, especially their singles. This 86-track collection, running 240 minutes, assembles the group's complete singles output from 21 of those years -- and not surprisingly, it's not only pretty good (and sometimes excellent) rock & roll, but also a reflection of some key aspects of British pop/rock and pop culture, and, apart from some early missteps and some late-era predictability, very good listening. The first two songs, "Feelin' Fine" and "Don't Be a Fool (With Love)," cut when the group was still known as the Drifters, are the most unusual tracks here, as they're vocal numbers, recorded before the band recognized that their success apart from lead singer Cliff Richard lay primarily in their instrumental prowess. "Feelin' Fine" is a highly derivative number that sounds like an imitation of Buddy Holly, while "Don't Be a Fool (With Love)" is heavily influenced by doo wop music, and sounds like a good imitation of Dion & the Belmonts or Danny & the Juniors. "Jet Black" is a great showcase for Jet Harris' bass -- he was the first bassist in England to achieve stardom -- while "Driftin'" provides rhythm guitarist Bruce Welch with a showcase. It took another abortive single in the vein of Buddy Holly and the Everly ...