| | Kelley Hunt CD Kelley Hunt Discography of CDs
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Recorded at Powerhouse Studios, Northridge, California in September 1993. Includes liner notes by Mike Finnigan.
Personnel: Kelley Hunt (vocals, piano, background vocals); Miles Joseph (guitar); Johnny Lee Schell (acoustic guitar); Jay Gruska (strings); David Woodford (tenor saxophone, baritone saxophone); Wilton Felder, Lon Price (tenor saxophone); Steve Madaio (trumpet); Nick Lane (trombone); Reggie McBride (5-string bass, fretless bass); Mark Williams (drums, percussion); Beth Andersen (hand claps, background vocals); Brodget Finnigan, Ben Nelson, Chris Crawford , Kelly Finnigan, Rick Wade (hand claps).
Audio Mixer: Michael Hutchinson.
Liner Note Author: Mike Finnigan.
Recording information: Powerhouse Studios, Northridge CA (09/1993).
Photographers: Catherine Bolton; Kelly Mills.
Personnel includes: Kelley Hunt (vocals, piano); Miles Joseph (guitar); David Woodford (tenor & baritone saxophone); Lon Price (tenor saxophone); Steve Madaio (trumpet); Nick Lane (trombone); Mike Finnigan (Hammond B-3 organ); Mark T. Williams (drums, percussion).
Kelley Hunt Music | List Price | $14.97 (You save $1.48) | | Category | Rock/Pop Albums, Jazz CDs, Blues, Big Band, Contemporary Blues | | Label | Eighty-Eight Productions | | Orig Year | 1995 | | All Time Sales Rank |  80401  | | CD Universe Part number | 1135211 | | Catalog number | 9401 | | Discs | 1 | | Release Date | Oct 10, 2000 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Mike Finnigan | | Engineer | Michael Hutchinson | | Personnel | Steve Madaio - trumpet
Nick Lane - trombone
David Woodford - tenor saxophone, baritone saxophone
Mike Finnigan - Hammond B-3 organ
Johnny Lee Schell - acoustic guitar
Reggie McBride - 5-string bass, fretless bass
Lon Price - tenor saxophone
Mark Williams - drums, percussion
Mark Williams - drums, percussion
Beth Andersen - hand claps, background vocals
List all 20 contributors
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Kelley Hunt Review
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Purchase Kelley Hunt CD To buy, Click on price to add to cart | Kelley Hunt Inspiration CD (2000)
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Too bad guitarist Junior Watson isn't as prolific as he is talented. This is only his second solo album and it comes eight years after his first. Regardless, it's nearly an hour's worth of crackling jump blues, played and sung by a guy with chops to spare and a light enough vocal touch to make these 11 covers and three originals connect like the finest music from the '40s and '50s jazz/blues hipsters that have obviously influenced his style. Watson's own contemporaries, such as Rick Holmstrom, Jimmie Vaughan, and Kim Wilson, sing his praises for a good reason; his taste and tone recall the heavyweights of the jump genre without slavishly copying them. The guitarist chose to record this session entirely live in the studio. That's with no overdubs, even for the vocals. The environment ...
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On his second outing on Bullseye, bluesman Anson Funderburgh & the Rockets deliver a solid album. "Can We Get Together" offers a spunky lead track with Sam Myers on vocals and the Texas Horns adding an extra bit of pizzazz. Funderburgh offers one of ...
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| | Poopdeflex Shut Your Mouth Round Me CD (2009)
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"Shut Your Mouth Round Me" is the debut album by "Poopdeflex" aka Scott Snyder. Hailing from Fort Wayne, Indiana, Poopdeflex has played the Hillgrass Bluebilly Stage at SXSW 2009 & Deep Blues Festival 2009 with good friends Left Lane Cruiser. Poopdeflex has shared the stage with acts such as: Bob Log III, The Legendary Shack Shakers, Black Diamond Heavies, Joe Buck Yourself, Possessed By Paul James, Uncle Scratch's Gospel Revival, The Two Man Gentlemen Band, Reverend Deadeye's No Man Gospel Band, The Pack A.D., American Relay, Shake it like a Caveman, The Scissormen. "Go ahead and judge local musician Poopdeflex by his name. Because when the 22-year-old, better known as Scott Snyder, is on stage - clanking out a set of highly rhythmic rural blues - he's not thinking about your opinion. As a one-man band, Snyder is able to throw his whole body into creating a version of juke-joint country blues that is raw, rackety, self-taught and peppered with the unvarnished punk vocals of a clear-eyed cynic. And, yes, he came up with the name in middle school.Onstage, Snyder is all feet, knees and elbows. With his right foot on the bass drum and his left on the snare, his hands are free to yank on a five-string resonator guitar. (Well, a four-string resonator guitar. He removed one string to avoid confusion.) And the sound, amplified by the metal cones inside the wooden soundboard of the guitar, is electrified and raw. But Snyder is the first to admit he doesn't exactly know what he's doing.“I don't know how to play the guitar,” he says. “But I'm kind of an addict. I hear the music, and I feel like I need to play. I never meant to be a musician. I never meant to play music.”Snyder started out as a saxophone player, performing with local bands such as Pleasing Melanie. But after hearing a recording by blues man R.L. Burnside (also a one-man band), Snyder began devoting more time to his solo drum and guitar efforts.“I didn't even know how to tune the guitar,” he says. “I tuned mine while listening to Mississippi Fred McDowell. I guess I did it right. I haven't changed since.”Snyder's tongue-in-cheek animosity for society is apparent in his songs, many of which have titles such as “I Hate You So” and “I Hate Emo.” And his punk ethos extends to the local music scene, too. Snyder is infamous for starting capricious feuds with other local bands (whether they know it or not). The old-time country outfit the North River Agents, for example.“We joke about starting a Battle of the Bands,” Snyder says. “But a real battle. With swords.”"~ Emma Downs, The Journal Gazette "i never ment to play the guitar. in fact i made it a point not to. all you artsy fartsy chord strummin musicans coveren stones rolled in the direction of pussy make me kringe every time i tell someone i play guitar. but that all changed the i heard two men, R.L. Burnside and Fred McDowell. those motherfuckers can play and they don;t even know scales. as soon as i heard them, i knew i had to try and play that shit. so i sat down in my basement, borrowed an old acoustic, put on some mcdowell and went to try to playin like him. eventually i stumbled on a tuning that sounded good, the only catch was that the way i tuned the goddamn high string kept breakin. after about 5 sets of strings and enough money ...
| | John Two-Hawks Wind Songs-Native American Flute Solos CD (2009)
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John Two-Hawks, Lakota Native American flute virtuoso and pioneer delivers a masterpiece of ALL NEW Native American Flute Music solo improvisations. These stunning 'first-take' compositions not only showcase the effortless mastery Two-Hawks possesses ...
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Kelley Hunt music CDs
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