| | Rotary Connection Aladdin/Dinner Music CD - Import Rotary Connection Discography of CDs
Less than a year after Ace subsidiary BGP paired Songs and Hey Love onto one disc, Raven released a two-fer that made Aladdin and Dinner Music available on one disc. Not only do the original albums deserve to be released separately, but both the Raven and BGP two-fers ruin the strange sleeve artwork that adorned the original LPs. Aladdin/Dinner Music is a bit sore on the eyes, placing shrunken photos of the original covers in front of a background of intersecting ovals. As of 2003, this was the only way to obtain either album on CD. Neither album matches Rotary Connection, Songs, or Hey Love, but each has a couple of great songs. ~ Andy Kellman
First Time On CD The Long Sought After 2Nd 1968 & 5Th 1969 Albums By This Legendary Group. Features The Angelic Voiced Late Minnie Riperton On Vocals. 22 Tracks In All.
2 LPs on 1 CD.
Includes liner notes by John Tobler and Glenn A. Baker.
Rotary Connection includes: Minnie Riperton. Aladdin/Dinner Music Music Rotary Connection Aladdin/Dinner Music Songs Aladdin/Dinner Music Review
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On A Few Miles from Memphis, recorded by pianist Harold Mabern in 1968, he's joined by tenors George Coleman and Buddy Terry, bassist Bill Lee, and drummer Walter Perkins for a bluesy, rhythm-filled set featuring familiar fare like "A Treat for Bea" and fun originals like "Walkin' Back." There's also the odd inclusion of "There's a Kind of Hush," a pop song that comes out sounding like an old standard here. ~ Ronnie D. Lankford Jr.
When record labels like Prestige release two albums on one CD, it's a great bargain for music fans. A Few Miles from Memphis combines the album of the same name and Rakin' and Scrapin', both recorded by pianist Harold Mabern in 1968. On the first set he's joined by tenors George Coleman and Buddy Terry, bassist Bill Lee, and drummer Walter Perkins for a bluesy, rhythm-filled set featuring familiar ...
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Raven presents the very best of Solomon Burke's recordings for MGM in the 1970s, many on CD for the first time. A pioneering soul singer, Burke's powerful voice and fervent emotionality were much-admired through the 1960s. At MGM, with arranger Gene Page, Solomon deftly crafted a commercial and contemporary sound - both urban pop ballads and rhythmic hymns to black empowerment, all framed around his impassioned voice. Using fractured, multi-layered background vocals (a la Marvin Gaye), and deep vocals not unlike Barry White, Burke created, over three albums, some of his most powerful, distinctive and important work. This 22-track compilation culls the essence of Burke's MGM ...
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Raven's 2006 two-fer Nutbush City Limits/Feel Good combines two of Ike & Tina Turner's last albums together and adds five bonus tracks, three of which were taken from other Ike & Tina albums from the early '70s, one taken from a Tina solo record, and one disco mix of "Nutbush City Limits." The album that arrives first on this two-fer was actually the last of these two to be released: Nutbush City Limits appeared in 1973, a year after Feel Good, but its title track is one of Ike & Tina's best-known songs so it's an appropriate choice to kick off this disc. Besides, the two records are so similar in tone and approach, it'd be easy to assume that Feel Good arrived before Nutbush, but that isn't to say they're interchangeable. Both records are hard day-glo funk, overloaded with fuzz guitars, wah wahs, clavinets and horn sections, but of the two, Nutbush City Limits is a bit closer to gritty deep soul ...
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HIGHLIGHTS is a single-disc distillation of David Crosby and Graham Nash's 2004 double-disc set CROSBY/NASH, subtracting seven songs (and combining the brief acoustic fragments "Grace" and "Jesus of Rio" into a single track) to make a total of 12. Cutting the nearly 80-minute set by over a third has strengthened the remaining songs immensely, showcasing gems like the sumptuous "Lay Me Down," ...
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