| | Froydis Ree Wekre, Horn CD Wekre Froydis Ree CDS
| Category | Classical, Romantic Period, Chamber Music/Recitals, 20th Century Period, Classical Period, Concerto, Sonata, Song, Dance - Classical, Character Piece, Etude, Vocalise |
Froydis Ree Wekre, Horn Music | List Price | $16.97 (You save $3.98) | | Label | Crystal Records Dist. | | Orig Year | 1/27/1995 | | All Time Sales Rank |  16019  | | CD Universe Part number | 1135626 | | Discs | 1 | | Release Date | Nov 04, 2002 | | Recording Time | 52 minutes |
Froydis Ree Wekre, Horn Review
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Froydis Ree Wekre, Horn Songs Froydis Ree Wekre, Horn Music Composers on Froydis Ree Wekre, Horn CD : Cesar Cui, Emmanuel Chabrier, Henri Tomasi, Leone Sinigaglia, Luigi Cherubini, Camille Saint-Saens, Robert Schumann Ensembles on Froydis Ree Wekre, Horn CD : Sequoia String Quartet Genres on Froydis Ree Wekre, Horn CD : Character Piece, Classical Period, Dance, Romantic Period, Sonata, Song Performers on Froydis Ree Wekre, Horn CD : Froydis Ree Wekre, Sequoia String Quartet, Zita Carno Purchase Froydis Ree Wekre, Horn To buy, Click on price to add to cart | Froydis Ree Wekre Songs Of The Wolf CD (1996)
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GERSHWIN'S WORLD won the 1999 Grammy Award for Best Jazz Instrumental Performance, Individual Or Group. "St. Louis Blues" won the 1999 Grammy Award for Best Male R&B Vocal Performance and Best Instrumental Arrangement Accompanying Vocal(s).
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Julia Thornton - Eye Of The Storm Released as a result of fan demand, Julia Thornton's Eye of the Storm has only been previously available as a limited edition cassette sold at live performances and has fast become a collector's item. This competitively priced release will immediately appeal to classical enthusiasts, fans of Roxy Music (Julia is Roxy's resident percussionist and harpist) and alsoto those seeking music that will act as meditation and relaxation aid. As a solo recital, Eye of the Storm is the perfect counterpoint to Julia's lushly orchestrated 2003 EMI debut 'Harpistry' and is more redolent of thesolo performances with which she has opened Bryan Ferry's live shows for the last two years. Julia is playing with Bryan Ferry all summer at various prestigious live events including London's Kenwood House bowl on July 17th.Julia On Eye Of The Storm Since leaving EMI a few months ago, I have been preparing this new album and am embarking on a new chapter in my career as a recording artist. Part of this process has been to consider both the advantages and disadvantages of being with a major record company, or starting up ones own label. My time with EMI was hassle free, and in many ways I didn't have worries or responsibilities. Unfortunately, as we all understand, a lack of responsibility goes hand in hand with a lack of power. The biggest advantage with running your own ship is that you are more in control. In a way this makes things tougher because you have only yourself to rely on. You also have yourself to blame if things don't happen according to plan. The positive aspect is that you have the power to change this, and you may alter your course as you see fit, rather than watching other people make the moves for you. The changing musical environment means that for artists like myself, there are less advantages in being with a large record company. I am a little apprehensive but also very excited about the future. Most importantly I feel a great sense of freedom - a priceless commodity for any artist. The concept for this album is really all about intimacy. It was recorded in 1997, at a time when I did not see myself as a recording artist particularly. My reason for making it was so that I could satisfy the many enquiries received after my live performances with a CD of some of the pieces I had played. My choice of repertoire on this record I liken to one of my favourite recordings of another great harpist. My parents bought me a copy of 'Pieces from my Childhood'; a collection of beautiful works for the harp performed by the brilliant Marisa Robles. I loved the idea of selecting music that has a special place in ones heart. Pieces or songs that, as I was studying the harp with my teacher, Daphne Boden, I grew to love like old friends. I also happen to believe that the harp is one of the most beautiful and serene sounds that I have ever heard. It has a soulful quality too, and I wanted to record music which I thought brought those aspects to the fore. The idea of recording a whole album of unaccompanied harp, with no added frills, creating a peaceful sound scape and a great sense of intimacy and freedom was both challenging and appealing. The actual tracks themselves are a collection of pieces which I particularly love. The Pavane is such a gorgeous version of a timeless tune, and sounds amazing and all the more medieval on the harp. J.S. Bachs' first Prelude of the 48, is pure genius, and again lends itself well to the timbre of the harp whilst also lying so comfortably under the fingers. I am very fond of the Buxton Orr prelude, as I think it evokes an intense stillness - time almost seems to stop for me when I play it. The four preludes by Tournier are a tribute to a great composer of harp repertoire. ...
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